Teaser Tuesdays

Teaser Tuesdays—May 17, 2011

Teaser TuesdaysTeaser Tuesdays is a weekly bookish meme, hosted by MizB of Should Be Reading. Anyone can play along! Just do the following:

  • Grab your current read
  • Open to a random page
  • Share two (2) “teaser” sentences from somewhere on that page
  • BE CAREFUL NOT TO INCLUDE SPOILERS! (make sure that what you share doesn’t give too much away! You don’t want to ruin the book for others!)
  • Share the title & author, too, so that other TT participants can add the book to their TBR Lists if they like your teasers!

My teasers:

[amazon_image id=”0670022527″ link=”true” target=”_blank” size=”medium” class=”alignleft”]One of Our Thursdays Is Missing: A Novel[/amazon_image]“About ten degrees upslope of Fiction, I could see our nearest neighbor: Artistic Criticism. It was an exceptionally beautiful island, yet deeply troubled, confused and suffused with a blanketing layer of almost impenetrable bullshit.”

location 241 on Kindle, [amazon_link id=”0670022527″ target=”_blank” ]One of Our Thursdays Is Missing: A Novel[/amazon_link] by Jasper Fforde

A truer description of criticism, whether you are talking art or literature, I have never seen. I love Jasper Fforde. Incidentally, here is a map of Fiction Island, but Artistic Criticism is not pictured.

Musing Mondays

Musing Mondays—May 16, 2011

Musing MondaysThis week’s musing asks…

The local Catholic school board is closing its school libraries, and parents and teachers—and even the students—are in an uproar. Budget cuts demanded that the board choose something to get rid of… they choose libraries. As such, many librarians have lost their jobs. And, the board is moving the books to the classrooms, instead. They feel that it is a good solution.

What do you think? Should the schools be without an actual “library” room? Is this a good solution?

I’m not sure where this school is located. No link to a news story in the post prompt. I think every school needs a library. So does every elementary school classroom, every middle school reading or language arts classroom (really, other subjects should, too), and every high school English classroom. Minimum. The library is more than just a room that houses books. It is a room that celebrates reading, books, media, and learning. It is a place for students to gather to study. It is a refuge for students like I was when I was young—a place to find new books, a place to hide, a place to think. I can’t imagine taking that away from students. Why so many people have decided we can do without libraries lately is beyond my comprehension. Even though I had moved away by the time it closed, I was saddened to learn the library I used to ride my bike to when I was a kid had closed. I wanted other children to be able to experience what I had experienced.

We also need our librarians. They stay current on good books and can help students find books to read. To push that role on overloaded teachers is not a solution. I can recommend books to my students. I read a lot. But no one can replace a librarian for expertise. How many kids have been turned on to their favorite book or even to reading in general because a librarian took an interest and made a recommendation? I loved spending time in my school library. When I was in fifth grade, I loved being chosen to be the office worker because I could finish all my school work by 11:00 and read for the rest of the day. The office staff let me go to the library to pick out books. I vividly remember asking a librarian to help me find an author’s address so I could write to him, telling him how I loved his book. She was more crushed than I was to discovered he had already passed away.

It doesn’t sound like the stakeholders—the students, parents, or teachers—want this. Surely there is a better way to save money than to remove librarians and a central library from a school.

Caleb’s Crossing, Geraldine Brooks

[amazon_image id=”0670021040″ link=”true” target=”_blank” size=”medium” class=”alignleft”]Caleb’s Crossing: A Novel[/amazon_image]Caleb Cheeshahteaumuck was the first member of of the Wampanoag tribe, indeed the first Native American, to graduate from Harvard in 1665. Geraldine Brooks tells his story in her latest novel [amazon_link id=”0670021040″ target=”_blank” ]Caleb’s Crossing: A Novel[/amazon_link]. Brooks’s narrator Bethia Mayfield, the daughter of a missionary to the native Wampanoag tribe on Martha’s Vineyard, is a friend to Caleb, whom she meets on her rambles on the island. She begins teaching him her language, and in time, he becomes a student of her father’s, much to the chagrin of his uncle Tequamuck, a shaman in Caleb’s tribe. Bethia hungers for the learning closed to her sex, and she listens in on lessons with her brother and Caleb whenever she can. A much more ready student than her brother, she thirsts after knowledge. When her brother undertakes study with a prep school in Cambridge, Bethia goes with him as an indentured servant.

Many books about colonial American seem to concern either the Salem Witch Trials or the Revolutionary War. Brooks’s novel is unique for its focus on a different era, and indeed on relations between Native Americans and English settlers. Readers of [amazon_link id=”0142437336″ target=”_blank” ]The Crucible[/amazon_link] will recognize Thomas Danforth, who appears late in the book in a much more favorable light than Arthur Miller painted him. Caleb emerges as an interesting character. When explaining to Bethia why he chose to turn away from his tribe’s teachings and study with her father, Caleb says, “Life is better than death. I know this. Tequamuck says it is the coward’s talk. I say it is braver, sometimes, to bend” (144). Tequamuck has foreseen enmity between the Wampanoag and the English, and Caleb seeks to “find favor” with the English God, thinking that “if your God prospers me there, I will be of use to my people, and they will live” (144). The book is an interesting and well-written glimpse into a little-known area of American history. If the book suffers from a common historical fiction ailment of the heroine living out of her time and seeking opportunities denied women in other eras, the author can be forgiven because Bethia comes across as an earnest and realistic woman of her time. Brooks brings colonial Martha’s Vineyard into sharp relief. For readers interested in American historical fiction, this novel offers a glimpse into a time when America was just emerging, and a somewhat shaky peace between colonists and Native Americans seemed possible.

Rating: ★★★★½

I read this novel for the Historical Fiction Reading Challenge. Full disclosure: I received an ARC of this novel as part of the Goodreads First Reads program.

WWW Wednesdays—May 11, 2011

WWW WednesdaysTo play along, just answer the following three (3) questions…

• What are you currently reading?
• What did you recently finish reading?
• What do you think you’ll read next?

I am currently reading [amazon_link id=”0670021040″ target=”_blank” ]Caleb’s Crossing[/amazon_link] by Geraldine Brooks, [amazon_link id=”0199537259″ target=”_blank” ]The Man in the Iron Mask[/amazon_link] by Alexandre Dumas, and [amazon_link id=”039332902X” target=”_blank” ]The Story of Britain: From the Romans to the Present: A Narrative History[/amazon_link] by Rebecca Fraser (I have been reading it since January, but in my defense, it is over 800 pages long).

I recently finished [amazon_link id=”0143034901″ target=”_blank”]The Shadow of the Wind[/amazon_link] by Carlos Ruiz Zafón (review) and Madame Tussaud: A Novel of the French Revolution by Michelle Moran (review).

I’m definitely ready to pick up the new Jasper Fforde, [amazon_link id=”0670022527″ target=”_blank” ]One of Our Thursdays Is Missing[/amazon_link] next. I absolutely love Jasper Fforde. Oh, my TBR pile is so big. I will get to most of those books. Eventually. I hope.

What about you?

The Shadow of the Wind, Carlo Ruiz Zafón

[amazon_image id=”0143057812″ link=”true” target=”_blank” size=”medium” class=”alignleft”]The Shadow of the Wind[/amazon_image]Carlos Ruiz Zafón’s novel [amazon_link id=”0143057812″ target=”_blank” ]The Shadow of the Wind[/amazon_link] begins with a trip to the Cemetery of Forgotten Books, a vast, labyrinthine repository for books of all kinds. Daniel Sempere’s father, a bookseller, cautions his son that he must never speak of what he sees to anyone—it’s a great secret. Ten-year-old Daniel is allowed to choose a book for his very own, to be its protector and champion and rescue it from obscurity. A mysterious book called The Shadow of the Wind by Julian Carax catches his eye. He devours the book, but when he tries to find more books by Carax, he discovers that someone has mysteriously been burning all of Carax’s works, and his copy of The Shadow of the Wind is one of the rarest books he will ever encounter. One day, Daniel is confronted by a man calling himself Lain Coubert, the devil in The Shadow of the Wind—the man who has been attempting to obliterate Carax’s works from the literary landscape. Daniel feels compelled to learn more about Carax. As Daniel grows, his life begins to eerily mimic events in Carax’s life.

The novel is an excellent mystery involving the obsession with reading and with true love. Jonathan Davis’s reading is superb. If he is not a native Spanish speaker, he certainly sounds like one. The audio book kept me riveted. I looked forward to my commutes so that I could listen to the story unfold. If I have one complaint, it is that the audio version employs mood music. On the one hand, the music was a cue to listen carefully as something very important would be happening, but it needed to be modulated differently—sometimes I strained to hear Davis over the music. As with any audio book, it is hard to go back and easily re-read portions, which is something I really wanted to do as I listened to this book. The story itself can be somewhat hard to follow—it takes twists and turns. However, Zafón brought the streets of Barcelona alive. Anyone who loves books should enjoy The Shadow of the Wind.

Rating: ★★★★½

I read this book as part of the Historical Fiction Reading Challenge and the Gothic Reading Challenge. I am making steady progress in both challenges. I have six more books to complete the Historical Fiction Reading Challenge and fourteen more books for the Gothic Reading Challenge. Yeah, I bit off more than I could chew with that one.

Teaser Tuesdays

Teaser Tuesdays—May 10, 2011

Teaser TuesdaysTeaser Tuesdays is a weekly bookish meme, hosted by MizB of Should Be Reading. Anyone can play along! Just do the following:

  • Grab your current read
  • Open to a random page
  • Share two (2) “teaser” sentences from somewhere on that page
  • BE CAREFUL NOT TO INCLUDE SPOILERS! (make sure that what you share doesn’t give too much away! You don’t want to ruin the book for others!)
  • Share the title & author, too, so that other TT participants can add the book to their TBR Lists if they like your teasers!

My teasers:

[amazon_image id=”0670021040″ link=”true” target=”_blank” size=”medium” class=”alignleft”]Caleb’s Crossing: A Novel[/amazon_image]“Tequamuck says it is coward’s talk. I say it is braver, sometimes, to bend.”

—p. 144, [amazon_link id=”0670021040″ target=”_blank” ]Caleb’s Crossing[/amazon_link] by Geraldine Brooks

Excellent read so far. I should have a review some time this week.

Musing Mondays

Musing Mondays—May 9, 2011

Musing MondaysThis week’s musing asks…

Do you ever find scenes from previous books you’ve read popping into your head at random times? If so, does it bother you? If it doesn’t happen to you, why do you think that is?

This is a strange question to me because I assumed this happened to everyone. Do you mean it doesn’t? Are there people who don’t have scenes from novels popping into their heads at random times? Really? Huh. In answer to this question, I share two quotes from two sage writers:

“I am a part of all that I have met.”—Alfred, Lord Tennyson, “Ulysses.” To me, this line means everything we experience forms who we are, and that includes what we read.

“All good books are alike in that they are truer than if they had really happened and after you are finished reading one you will feel that all that happened to you and afterwards it all belongs to you: the good and the bad, the ecstasy, the remorse and sorrow, the people and the places and how the weather was.”—Ernest Hemingway

So, if Tennyson and Hemingway are right (and I think they are), then how could one not have scenes popping into one’s head? It is like calling forth memories, or if it’s not, then someone needs to explain it to me because I don’t get it.

Does it bother me? Absolutely not. Book memories are by and large the most pleasant ones, so they are welcome to pop in my head whenever they like. Except Stephen King’s It. Those memories can stay away. Especially that psychotic clown.

Madame Tussaud: A Novel of the French Revolution, Michelle Moran

[amazon_image id=”0307588653″ link=”true” target=”_blank” size=”medium” class=”alignleft”]Madame Tussaud: A Novel of the French Revolution[/amazon_image]Madame Tussaud, born Marie Grosholtz, is well known all over the world for the wax museum that bears her name. The story of her involvement in the French Revolution is less well known, and it is this part of Madame Tussaud’s life that Michelle Moran brings to life in [amazon_link id=”0307588653″ target=”_blank” ]Madame Tussaud: A Novel of the French Revolution[/amazon_link]. The novel begins as Marie prepares for a royal visit to the Salon de Cire, where Marie and her Uncle Curtius create and display wax figures of prominent people in France. After visiting the salon, Princesse Élisabeth, sister of Louis XVI, asks Marie if she will be her tutor in creating wax figures. Marie agrees, believing the connection will be good for business. She cannot imagine how this association will later place her and her family in danger as the Reign of Terror commences and Marie must carefully straddle two worlds. She is asked to make death masks for people executed during the Revolution. Her family entertains leaders of the Revolution, including Robespierre, Danton, and Marat.

The story of how Marie Grosholtz managed to keep her head, both literally and figuratively, while the world around her dissolved into madness makes for fascinating reading. Moran captures Marie’s involvement in a series of vignettes—at some points in the novel, long periods of time are skipped over to relate perhaps the more interesting events Marie was involved in. In telling Marie’s story, however, Moran also manages to add depth to the royal family and the leaders of the Revolution. Marie Antoinette in particular is given a sympathetic portrait contrary to most historical reports I’ve read. Marie Grosholtz is an interesting person: pragmatic businesswoman and talented artist, she emerges a survivor because of the strong head she manages to keep on her shoulders.

I became interested in the French Revolution after reading Jennifer Donnelly’s novel [amazon_link id=”0385737637″ target=”_blank” ]Revolution[/amazon_link] earlier this year (read my review). It seems amazing that this period in history had not piqued my interest before, but I tend to think of myself as an anglophile and much of the historical fiction I usually read is focused on the UK or America. If you are looking for a book that will capture the anarchy and terror during the French Revolution, I highly recommend Michelle Moran’s novel. In the bargain, you’ll learn more about Madame Tussaud. I didn’t think I would be interested in a novel about the life of the famous wax sculptress, but I was drawn in by the cover and decided to give it a chance. I am very glad I did.

Rating: ★★★★½

I read this novel for the Historical Fiction Reading Challenge and the Take a Chance Challenge. I had seen it all over the place in the book blogosphere, and so am counting it toward Challenge 3: Blogger’s Choice Challenge. I don’t know if it’s kind of cheating or not: I haven’t seen this book mentioned in any sort of Best Books posts. It’s more that I just started seeing it everywhere. I have now read eight of the fifteen books I committed to for the Historical Fiction Challenge and four of the ten for Take a Chance.

Friday Finds

Friday Finds—May 6, 2011

Friday Finds

This week, I discovered an answer to a question that has bothering me. Until recently, all of Diana Gabaldon’s Outlander books were available for audio download on Audible except for The Fiery Cross and A Breath of Snow and Ashes. I have read all the series up until The Fiery Cross, and I had decided that perhaps listening to the books during my commute would be a better option for me in terms of catching up. I was dismayed to find out I couldn’t complete my collection, and I was even more puzzled because An Echo in the Bone, the most recent novel, was available on Audible in addition to the four books prior to The Fiery Cross.

This week I discovered via Diana Gabaldon’s blog why the books were not available in an unabridged format and that A Breath of Snow and Ashes now is available, and The Fiery Cross will be available in November.

I don’t understand the notion of abridged books. Either read it all or skim it yourself, but why buy it abridged in the first place? How can you trust you have the essence of the story intact?

Gabaldon’s series is also, of course, available in paper:

  • [amazon_link id=”0385319959″ target=”_blank” ]Outlander[/amazon_link]
  • [amazon_link id=”0385335970″ target=”_blank” ]Dragonfly in Amber[/amazon_link]
  • [amazon_link id=”0385335997″ target=”_blank” ]Voyager[/amazon_link]
  • [amazon_link id=”B002VLLJDI” target=”_blank” ]Drums of Autumn[/amazon_link]
  • [amazon_link id=”0440221668″ target=”_blank” ]The Fiery Cross[/amazon_link]
  • [amazon_link id=”0440225809″ target=”_blank” ]A Breath of Snow and Ashes[/amazon_link]
  • [amazon_link id=”0440245680″ target=”_blank” ]An Echo in the Bone[/amazon_link]

What did you discover this week?

Booking Through Thursday: Not in Theaters

Congo Refugee

This week’s Booking Through Thursday question asks “And–the reverse of last week’s question. Name one book that you hope never, ever, ever gets made into a movie (no matter how good that movie might be).”

[amazon_image id=”0061577073″ link=”true” target=”_blank” size=”medium” class=”alignright”]The Poisonwood Bible: A Novel (P.S.)[/amazon_image]Isn’t that the cutest little boy? The photographer says he is a Congo refugee. Which brings me to the answer to this question. I do not see how Barbara Kingsolver’s novel [amazon_link id=”0061577073″ target=”_blank” ]The Poisonwood Bible[/amazon_link] could be done justice by any film, no matter how good the film might be (or how long). I’m convinced the many layers in this novel couldn’t be reproduced on film.

The multiple narrators would be a challenge, especially the trick of reproducing the voice of each of narrator. The natural disasters might be doable with modern special effects, but there is a magic to that book that would be lost if we did not take the time to pore over the words. No film could capture the life and color in the book. I can’t think of a modern novel that approaches the artistry of this book. I remember reading it and thinking I had read a classic along the lines of [amazon_link id=”0142437174″ target=”_blank” ]The Adventures of Huckleberry Finn[/amazon_link] or [amazon_link id=”0743273567″ target=”_blank” ]The Great Gatsby[/amazon_link]. The book also attempts to examine America’s own culpability in some of the tragedies in Africa in a symbolic way that would be impossible to capture on film. You can read my review.

What book do you think could never be a movie?

photo credit: babasteve