Review: The Last Battle, C. S. Lewis, narrated by Patrick Stewart

The Last Battle is the final book in C. S. Lewis’s Chronicles of Narnia series. It begins with an evil ape named Shift, who bosses around a donkey named Puzzle under the pretense of being the donkey’s friend. The two find a lion skin, and Shift gets the bright idea of having Puzzle wear it so they can fool everyone into thinking Puzzle is Aslan. A bunch of people believe it. There is a bit with some dwarfs. There is a centaur and a unicorn. The Pevensies, minus Susan, and Eustace, Jill, Digory, and Polly, are all pulled back to Narnia after a mysterious bit with a train. A bunch of people worship the evil god Tash and want him to come but aren’t very happy when he shows up.

I don’t know what heck I read.

Listen, I have no problem with Christian allegory. Despite what J. R. R. Tolkien thinks, a good case can be made for The Lord of the Rings as Christian allegory, especially if you put it with The Silmarillion. I also happen to be a Christian. However, in this novel, Lewis sacrificed the plot in favor of ham-handed allegory. And it’s not even good.

I was already prepared for the “problem of Susan,” as I had run into commentary on the subject prior to reading the book, but it bears mentioning that leaving Susan completely bereft of family because she’s a normal teenager is truly heinous. What, girls should not grow up and become women? That’s not pure enough?

But what really bothers me is that it’s supposed to be Christian allegory, and everyone’s killing people right and left. What the heck? I mean, I gather it’s more Revelations than Book of John, but still…

My advice to anyone who, like me, didn’t read these as a child and decides to read them as an adult is to read The Magician’s Nephew, The Lion, the Witch and the Wardrobe, Prince Caspian, and The Voyage of the Dawn Treader and leave it at that. Maybe The Horse and His Boy if you want to learn more about those characters, who only get a few mentions in the last couple of books and otherwise don’t figure much into the grand narrative. Stay far, far away from the final two books.

Racist, sexist, sloppily written, muddled, pile of crap. I don’t understand why a writer would desecrate his own writing like that. Patrick Stewart couldn’t save it, though his narration was brilliant. WORST. ENDING. EVER.

I so hate C. S. Lewis.

Book Rating: ½☆☆☆☆
Audio Rating: ★★★★★

Review: The Silver Chair, C. S. Lewis, narrated by Jeremy Northam

The Silver Chair (The Chronicles of Narnia)The penultimate book in C. S. Lewis’s Chronicles of Narnia is The Silver Chair. This book features the Pevensie siblings’ cousin Eustace Scrubb, who first appeared in The Voyage of the Dawn Treader, and Jill Pole, a classmate of Eustace’s at a boarding school called Experiment House. Eustace and Jill are being chased by bullies when they are magically whisked to Narnia and become embroiled in a quest to find the missing Prince Rilian, the son of King Caspian X, who is now an old man.

*Sigh*. Where to start with this hot mess. I didn’t like it from the start because it’s quite clear that Lewis is attempting to skewer progressive education in his characterization of Experiment House, but rather than create a good satire, he winds up sounding like an old fart who doesn’t know what he’s talking about (“Back in my day, we took switches to kids and prayed in school!”). Eustace and Jill are not nearly as likable as the Pevensies. Puddleglum is fun, but then I think I liked him mainly because of Jeremy Northam’s voice characterization—he had the best West Country accent. The male superiority is maddening. Jill actually says, “Where I come from, they don’t think much of men who are bossed about by their wives.” Um… What? I can’t imagine Lucy Pevensie saying such a thing. Yes, I know all about Susan being interested in lipstick and stockings in the next book. Which I will read to say I’ve read the whole series.

It’s clear Lewis was thinking of Sir Gawain and the Green Knight by having the Lady of the Green Kirtle kidnap and enchant Prince Rilian, but the stories diverge quite a bit aside from a passing similarity, which is a bit of a pity, because the rest of the plot is unremarkable. For a children’s book, the pace bogs down rather unforgivably once the characters go underground, and the plot is predictable from the start to the finish. Jeremy Northam’s narration, however, is superb. I just wish he had better material to work with. One thing I figured out after reading this book—I would love to visit Hogwarts and Middle Earth, but I have zero desire to go to Narnia.

Book Rating: ★★☆☆☆
Audio Rating: ★★★★★

Review: The Voyage of the Dawn Treader, C. S. Lewis, narrated by Derek Jacobi

C. S. Lewis’s fifth novel in The Chronicles of Narnia is The Voyage of the Dawn Treader. Lucy and Edmund Pevensie are visiting their terrible cousin Eustace Scrubb (who “almost” deserves the name) and are drawn back into Narnia through a picture of a ship hanging in a guest bedroom at their aunt and uncle’s house. They find themselves on King Caspian X’s ship the Dawn Treader, which is headed on a course to the Lone Islands to find the seven lords Caspian’s usurping uncle Miraz banished. Accompanying the king on his voyage are the ship’s captain, Lord Drinian, and the irrepressible mouse knight Reepicheep.

One of the things I liked about this book is that each of the characters, excepting Edmund, is tempted and tested. There aren’t any real enemies at the focus, as in first four books of the series. Of course, they encounter bad people, such as the slave traders, who must be vanquished before they can move on, but there is not one great enemy they must defeat, aside from themselves. Reepicheep is probably one of Lewis’s best characters. He’s fearless and adorable at the same time. He deserves his own series. I suppose he might be why we have Brian Jacques’s [amazon_link id=”0142302376″ target=”_blank” ]Redwall[/amazon_link] and Kate DiCamillo’s [amazon_link id=”0763625299″ target=”_blank” ]The Tale of Despereaux[/amazon_link].

I was reminded several times of the Camelot knights’ quest for the Holy Grail as I read. For instance, the scene in which the children encounter the three hairy sleeping men at the banquet table and the resulting quest to go to the uttermost East and leave one of their company behind there reminds me of [amazon_link id=”0140445218″ target=”_blank” ]Sir Percival’s story in the Grail quest[/amazon_link]. If you haven’t read it, Percival goes to the Grail castle and encounters the Fisher King, but ultimately fails in his quest to retrieve the Grail, while Galahad succeeds. Galahad is taken up into heaven. Reepicheep, then, is Sir Galahad. I also thought of The Odyssey many times, especially when the ship encountered the Dark Island, where dreams come true—the description of the unseen terror that lay in wait put me to mind of Scylla and Charybdis. Actually, a bit later on, the book itself referenced the part of The Odyssey when Odysseus covers his ears with beeswax and has himself lashed to the mast so he can listen to the sirens.

I’ve already said my peace about Aslan, so I won’t rehash it here, but suffice it to say I don’t feel any differently after this book. The device of the painting drawing the children into Narnia doesn’t make as much sense to me as the wardrobe or Susan’s horn.

Derek Jacobi, as you might expect, is an outstanding narrator. His characterization of Reepicheep is particularly praiseworthy, but really, I could listen to him all day on potentially any subject (except the Earl of Oxford, but I digress). He has done a substantial number of audio books besides this one. I would highly recommend listening to his narration of this book.

When I first tried to read this series many years ago, my memory was that I stalled out somewhere in the middle of The Voyage of the Dawn Treader. I have no memory at all of the stories after The Lion, the Witch and the Wardrobe from that time, so it’s possible I started this book, but I’m rather wondering if I didn’t stall out in the middle of Prince Caspian now. Not sure, and I probably never will be, but this one was highly enjoyable. I have to say, the entire series has been exceptionally narrated, with the lamentable exception of The Lion, the Witch and the Wardrobe. I’m looking forward to Jeremy Northam’s reading [amazon_link id=”0062314610″ target=”_blank” ]The Silver Chair[/amazon_link] and Patrick Stewart’s reading [amazon_link id=”0062326988″ target=”_blank” ]The Last Battle[/amazon_link]. After I finish this series, I think I’ll return to Diana Gabaldon’s series on audio.

Book Rating: ★★★★½
Audio Rating: ★★★★★

Review: Prince Caspian, C. S. Lewis, narrated by Lynn Redgrave

Prince CaspianI finished listening to C. S. Lewis’s Prince Caspian over the weekend, and I haven’t had a chance to do my review yet.

Prince Caspian takes place one Earth year after the Pevensie siblings—Peter, Susan, Edmund, and Lucy—have returned from Narnia through the wardrobe. They are at the train station preparing to go off to school, when they are suddenly whisked back to Narnia. It takes them some time to realize where they are because everything has changed. While they have been gone, hundreds of years have passed in Narnia, and they discover they have been summoned because Narnia once again has great need of their services. Prince Caspian, rightful king of Narnia, has had his power usurped by his evil Uncle Miraz, and he can’t defeat his uncle alone.

Each of the novels in this audio book series is narrated by a different great British actor. I found Kenneth Branagh’s reading of The Magician’s Nephew utterly charming, while Michael York’s reading of The Lion, the Witch and the Wardrobe a bit spottier. Alex Jennings’s read of The Horse and His Boy was also good. Lynn Redgrave’s reading of Prince Caspian is excellent. She did a masterful job capturing the characters’ voices and using different types of accents. She managed to inject the patronizing tone of older siblings into Peter and Susan, and her characterization of the dwarfs Trumpkin and Nikabrik made me glad whenever they took the “stage.” I also particularly enjoyed her characterization of Doctor Cornelius, Reepicheep, and Trufflehunter. It looks like she has narrated a few other audio books, so I have to recommend her highly. What a shame she is no longer with us.

Of the four Chronicles of Narnia books I’ve read or re-read this year, I would say Prince Caspian comes in a strong second after The Lion, the Witch and the Wardrobe. The Pevensies strike me as similar to King Arthur: they will come when Narnia has great need of them, and the device of Susan’s horn to call them was clever (and somewhat evocative of other myths). I really loved some of the minor characters in this one. Caspian is likeable, but Trumpkin, Reepicheep, Trufflehunter, and Doctor Cornelius are loveable. I like the idea that Narnian time passes at a different rate. I wonder if I can say this, though, without making someone angry: I just don’t like Aslan. He’s not bad, he’s just so heavy-handed a symbol. I realize it would wreck Lewis’s Jesus allegory if he removed Aslan from the stories, but I would find them more interesting if they had to figure out how to defeat the enemies without him as a deus ex machina. I also don’t find his personality particularly compelling. I understand his role in the stories, but he just doesn’t interest me as much as the children do. I suppose that if he is supposed to represent Jesus, then I’m not really sure I like this particular characterization of Jesus. Jesus struck me as less judgey and more gentle. I know he overturned the moneychangers’ tables at the Temple, but I mean on the whole. Aslan is forgiving, too; I’m doing a sloppy job putting my finger on their differences. Suffice it to say that I don’t find him as much fun as the other characters.

In all, this was a very enjoyable reading. I know I’m liking an audio book when I find excuses to wash the dishes so I can listen to a book while I do it. I mean, that’s just crazy, right?

Book Rating: ★★★★½
Audio Rating: ★★★★★

Review: Voyager, Diana Gabaldon, narrated by Davina Porter

Voyager audio book (Voyager)Voyager is the third book in Diana Gabaldon’s [amazon_link id=”0440212561″ target=”_blank” ]Outlander[/amazon_link] series. Outlander is filming right now and will appear on Starz this summer. Can’t wait! The casting looks phenomenal. Spoilers follow for the first two books, so you might not want to read the rest of this review if you don’t want them wrecked for you. I figure you probably wouldn’t be reading a review of the third book in a series unless you had either already read the others or don’t mind their being spoiled.

If you’re not familiar with this series, it’s a most unusual and difficult to classify series of books: part historical fiction, part romance, part fantasy/sci fi—I can’t think of too many books like these that so defy labels. In the first book, a World War II nurse named Claire Randall steps through standing stones in a stone circle near Inverness and finds herself over 200 years in the past. As she tries desperately to get back home to her husband Frank, she winds up forced (after a fashion) to marry young Jamie Fraser and unexpectedly falls in love with him. In the second book, [amazon_link id=”0440215625″ target=”_blank” ]Dragonfly in Amber[/amazon_link], the Jacobite Rebellion draws closer, and Claire and Jamie try to think of a way to avoid the devastation that will follow, even spending time in France, but Jamie is inevitably called to fight at Culloden, but before he faces a battle where he expects to die, he sends his wife Claire back through the stones to save her life and that of the baby she is carrying.

Voyager begins some twenty years later. Claire and Jamie’s daughter Brianna is grown, and Claire has become a doctor. She and Brianna travel to Scotland and discover that Jamie did not die at Culloden after all. Claire decides to go back through the stones one more time to reunite with the love of her life, leaving her daughter behind with Roger Wakefield, a young historian who helped Claire discover Jamie’s history and who is falling in love with Brianna.

The first time I read this book was probably around 1998 or 1999. I remember that I didn’t enjoy it as much as the first two at that time because I thought I like it better when Claire and Jamie were in Scotland, and I also had more difficulty enjoying them as an older couple, which sounds pretty horrible now (thought it’s an accurate representation of my feelings at the time). For crying out loud, Claire was something like 50! And Jamie was at least mid-40’s. Now that I am actually a lot closer to their ages in this book, I found that I no longer seem to have much trouble enjoying Jamie and Claire as an older couple. 😉

I will admit that this book starts a little bit slowly. I suppose it is necessary for the reader to be filled in on exactly what Jamie did following Culloden and how Claire found out he was still alive and decided to go back in time to reunite with him, but the book drags a bit through this part. Once Claire goes back through the stones and finds Jamie in Edinburgh, the book picks up quite a bit, and frankly, the action doesn’t let up for pretty much the remainder of the book. I had forgotten what a swashbuckling story this one is. Jamie and Claire spend much of the book running away from or chasing Really.Bad.People. Pirates even. Witches! Possibly—just possibly even zombies. It’s crazy adventurous, and for that reason, it makes for quite a gripping read.

Gabaldon does get bogged down in details sometimes, but that’s actually one of the interesting things about her writing. Sometimes these scenes she writes, which don’t necessarily move the plot forward, are compelling in terms of character development. I am surprised she has been able to get them past an editor, who might be tempted to cut them. Then again, like I said before, these books tend to break all the rules.

I enjoyed this one much more this time around than I did the last. Davina Porter is an excellent reader who is able to do a wide variety of accents and brings life to the characters. She’s so good that I’ve just about decided listening to her read is the only way I want to read the rest of the series.

Book Rating: ★★★★½
Audio Rating: ★★★★★

Review: The Time Traveler’s Wife, Audrey Niffenegger

The Time Traveler’s WifeI have had Audrey Niffenegger’s novel The Time Traveler’s Wife on my to-read list for an age, and I’m not sure why I wasn’t compelled to actually start reading it sooner. I started watching Doctor Who on Netflix, and I found the story of the Doctor and River Song deeply compelling. In the episode “The Day of the Moon,” River is going back to prison, and she kisses the Doctor goodbye.

 

I found the idea of two time travelers, in love, but living in opposite directions, so devastatingly, hopelessly sad. And as I did some digging online, I found that people compared the relationship between River and the Doctor to this novel, which is what prompted me to read it at last.

The Time Traveler’s Wife is the story of Henry and Clare DeTamble. Henry has a genetic disease that causes him to travel through time. He is unable to control it, and when he arrives at his destinations, he is naked (being unable to take his clothes with him through time) and often has no idea when he is. From Clare’s perspective, they first meet when she is a little girl, and Henry occasionally visits her as she grows up. Though Henry can’t seem to control his travels, he does seem drawn to important people and places in his life. Their love story is both beautiful and tragic.

At this point, the review is about to be spoilery, so you have been warned. Don’t read further if you don’t want parts of the book ruined for you. Though I realize this book has been out for a while now, and spoiler alerts are technically “off,” I enjoyed the book spoiler free (excepting for spoiling it for myself by peeking ahead), and I think everyone else who wants to read it has that right. For that reason, spoiler text is in white below. Select the text to read it.

If I have one complaint about this book, it’s that I thought Henry’s death was unsatisfactory. After all the times he managed to get out of scrapes, he winds up being shot, and by Clare’s father and brother while they’re out hunting, no less? Yes, it’s probably a miracle that he managed to survive as long as he did, given all the bizarre situations in which he finds himself, but that was just pretty awful. All that said, I loved the rest of it. I admit it was a little difficult to keep up with Henry’s adventures, but his life with Clare, and their love for one another, was so well drawn and compelling, that I couldn’t quit turning pages. And then I peeked ahead and realized Henry was going to die, and I had to put the book down for a while because I just couldn’t take it. I knew that a story as strange as this one was bound to be fraught and most likely could not end well, but I didn’t want to read about Henry’s death. At last I picked the book up again and finished it. I adored the ending and the comparisons to Odysseus and Penelope. We read The Odyssey and see Odysseus’s story, but we have glimpses, only, of Penelope’s twenty years of waiting. In many ways, Clare’s own story is much more heartrending than Penelope’s.

In all, this was a good book, and it’s been a while since I read a book I enjoyed this much.

Rating: ★★★★★

Review: The Horse and His Boy, C. S. Lewis, narrated by Alex Jennings

The Horse and His Boy CD (The Chronicles of Narnia)I know I read the third book in C. S. Lewis’s Chronicles of Narnia, The Horse and His Boy, about 20 years ago when I stalled out somewhere in the middle of [amazon_link id=”0064405028″ target=”_blank” ]The Voyage of the Dawn Treader[/amazon_link], but I had no memory of its plot at all. I think I know why. It’s utterly forgettable.

If you are not familiar with the plot, it is the story of a foundling boy named Shasta, who is raised by a fisherman named Arsheesh in Calormen, which seems to be C. S. Lewis’s stand-in for the Arab world. Shasta runs away upon learning that he is to be sold, and he meets talking horse from Narnia named Bree; a feisty fellow runaway named Aravis, who is escaping a marriage she does not want; and Aravis’s horse, Hwin. In their escape, they go to the city of Tashbaan, where Shasta is mistaken for a prince of Archenland named Corin. You see where this is going, right? I figured out most of the rest of the plot at that moment. At any rate, Shasta does meet Queen Susan, Queen Lucy, and King Edmund in his travels, as well as Aslan, who guides him in the night when he is running to tell the king of Archenland of an impending invasion by forces from Calormen.

I thought the plot was predictable. My reaction on finishing the book is really just a resounding “meh.” The characters were fine. I liked them. I just felt the plot was fairly well trodden. I really wonder why the book needed to be included in the series. It feels like filler material. However, Alex Jennings does an excellent narration, and I think I would like to read other books read by him.

Book Rating: ★★½☆☆
Audio Rating: ★★★★½

Review: The Lion, the Witch and the Wardrobe, C. S. Lewis, narrated by Michael York

The Lion, the Witch and the Wardrobe CD (The Chronicles of Narnia)I recently decided to finish reading The Chronicles of Narnia, as I never read them as a child, and the time I did start them, I never finished the series.

The second book in the series, chronologically speaking (the first book published), The Lion, the Witch and the Wardrobe, is arguably the most famous. In fact, one of my students made a reference to going inside the wardrobe as a metaphor for exploring the unknown just today. I often wonder how many children spent several frustrating minutes inside closets and wardrobes over the years in a desperate attempt to get to Narnia.

For those who may be unfamiliar with the story (not sure how that can happen), The Lion, the Witch and the Wardrobe is the story of the four Pevensie siblings: Peter, Susan, Edmund, and Lucy. They are sent to live in the country house of Professor Digory Kirke during the London air raids, and while playing hide and seek, Lucy, the youngest, discovers a magical wardrobe that transports her to a snowy land inhabited by a faun, Mr. Tumnus. She befriends the faun, and he reveals that he is in league with the White Witch and has promised to give the Witch word should any “Sons of Adam” or “Daughters of Eve” show up in Narnia. He meant to turn Lucy in, but he couldn’t do it. She returns through the wardrobe back to Professor Kirke’s house to discover she’s been gone no time at all, and the others don’t believe her. Later, the others all discover she is telling the truth, but not before the White Witch manages to sink her claws into Edmund via some fiendishly addictive Turkish Delight and convince him to rat out his siblings. The Pevensies find themselves caught up in ancient Narnian prophecy and wind up having to rid Narnia of the White Witch.

So, we have to talk about Aslan. Is it me, or is he the least interesting character? I mean, I understand he is supposed to be a Christ figure, and I have nothing against Christ figures in literature, but Aslan’s depiction in that role is just so heavy-handed. Perhaps it isn’t so heavy-handed to the intended audience of children. I actually really liked Edmund this time around. He was a pain in the rear, but he redeemed himself, and he was a little more interesting than the other characters. Jadis makes for a nice villain. I had forgotten the ending was so violent. I also have a soft spot for Lucy, but I confess I found Peter and Susan to be too goody-goody and boring to be terribly interesting. However, the storyline is deeply engaging, and it’s not hard to see why it has endured as a children’s favorite.

Also, as a side note, the missing Oxford comma in the title really bothers me, given C. S. Lewis was an Oxford man. Anyone know why it was left out?

It had been quite a long time since I read this book, and I have to say the Disney movie did a superb job capturing all of the book’s elements (and in casting). I couldn’t help but think about the movie as I was reading and remembering how the various parts of the book were depicted. I have to say Michael York’s reading was uneven. He did an excellent job characterizing most of the Narnian characters and Edmund and Lucy as well, but I didn’t care much for his Aslan, and he had a sort of odd cadence that sounded slightly patronizing. I think it was an attempt to sound avuncular, but it didn’t always hit that mark. All things being equal, I liked The Magician’s Nephew better in terms of the narration.

Because this book features Jadis, as the White Witch, I will count it for the Witches & Witchcraft Reading Challenge.

Story Rating: ★★★★☆
Audio Rating: ★★★☆☆

2014 Witches & Witchcraft Reading Challenge

Review: The Magician’s Nephew, C. S. Lewis, narrated by Kenneth Branagh

The Magician’s Nephew CD (The Chronicles of Narnia)Many years ago, I started reading the Chronicles of Narnia, but I think I stalled out somewhere in the middle of [amazon_link id=”0064405028″ target=”_blank” ]The Voyage of the ‘Dawn Treader’[/amazon_link]. I never did finish the series, and I have almost no memory of what happens in the books (with the large exception of [amazon_link id=”0064404994″ target=”_blank” ]The Lion, the Witch and the Wardrobe[/amazon_link]). I did remember that Jadis spoke the Deplorable Word and destroyed Charn in The Magician’s Nephew, but that is truthfully just about all I remembered. So when I discovered that the audio book versions of the Chronicles of Narnia were all read by great British actors like Kenneth Branagh, Michael York, Derek Jacobi, and Patrick Stewart, I decided to use my Audible credits to get the whole series and re-read it once I had accumulated the entire collection. I have decided to follow the apparently controversial chronology established by Harper Collins rather than the publication order. I know plenty of people seem to feel quite strongly that following chronological order instead of publication order is doing it wrong, but I am going to do it anyway. I hate reading rules, anyway.

If you are unfamiliar with the plot of The Magician’s Nephew, it concerns the story of Digory Kirke, the nephew in question, who later grows up to be the professor who takes in the Pevensies when they are fleeing London during World War II. His evil uncle Andrew is a magician who believes he possibly had the last real fairy godmother in Britain. He creates some magic rings that will take the bearer to another world, but as he’s too chicken to try them out himself, he forces Digory to try them by sending his new friend Polly to this other world without a ring that will bring her back. When Digory goes to rescue Polly, he discovers the rings actually take to bearer to a place between worlds. Digory and Polly decide to explore one of the other worlds before going back to mean Uncle Andrew, and they wind up in the destroyed world of Charn. Digory wakes up the evil former queen of Charn, Jadis, when he is too tempted to ring a bell to resist, and she manages to go back to London with the children, where Andrew is both charmed and frightened by her. In an attempt to take Jadis away from London, the children, Andrew, and a hapless cabbie and his horse all wind up in the land between worlds and from there end up in Narnia, which is just in the process of being created by Aslan (the Jesus allegory lion). Unfortunately, Jadis is there, too, and Aslan is disappointed that people have already brought evil into the world he just created (cue really heavy-handed Genesis allegory here). He asks that Digory right the wrong by retrieving an apple from a far distant tree. When he arrives, Jadis tempts him to eat the apple himself, but he manages to resist and bring it back to Aslan, who uses it to plant a tree that will protect Narnia from Jadis, now the White Witch, at least for as long as the tree stands. He gives Digory one of the apples to take back with him to London so that he can give it to his ailing mother and cure her, which he does. Later he plants the core, which grows into a great apple tree from which a certain wardrobe is later made.

One thing I thought as I listened to this book, aside from the thought that Kenneth Branagh should just read all the books to me, is that J. K. Rowling and Neil Gaiman owe a fairly obvious debt of gratitude to C. S. Lewis. I know both have acknowledged him as an influence, but the writing style and humor really reminded me of the kinds of things I have heard in Rowling (particularly the first few books of the Harry Potter series) and Gaiman’s [amazon_link id=”0060530944″ target=”_blank” ]The Graveyard Book[/amazon_link]. Polly in particular reminded me of Scarlett Perkins in The Graveyard Book. She was utterly charming, and I liked her very much. I didn’t remember Uncle Andrew very much from my first reading of his novel, but Kenneth Branagh gave him this fabulous unctuous manner of speaking that made me happy every time he was given a line. In fact, Branagh was fabulous the entire way through. I really could listen to him read all the books.

Because this book features Jadis, who later becomes the White Witch, I will count it for the Witches & Witchcraft Reading Challenge. From this time forward, audio books will receive two ratings: one rating for the story and one for the audio interpretation.

Story Rating: ★★★★☆
Audio Rating: ★★★★★

2014 Witches & Witchcraft Reading Challenge

Splintered, A. G. Howard

[amazon_image id=”1419704281″ link=”true” target=”_blank” size=”medium” class=”alignleft” ]Splintered: Splintered Book One[/amazon_image] A. G. Howard’s novel [amazon_link id=”1419704281″ target=”_blank” ]Splintered[/amazon_link] is a sequel, of sorts, to Lewis Carroll’s books [amazon_link id=”0553213458″ target=”_blank” ]Alice’s Adventures in Wonderland and Through the Looking-Glass[/amazon_link]. What if Alice really did go down the rabbit hole, and all the adventures she had really happened? Alyssa Gardner is a descendant of Alice Liddell’s, and she carries a family curse—beginning with Alice herself, a strain of madness has run through each woman in Alyssa’s family. Alyssa’s mother Alison lives in a mental institution, and Alyssa herself hides the fact that she can hear bugs and plants talking to her because she knows her mother’s fate is the fate that awaits her as well. But a Wonderland resident reaches out to her and convinces her that she has the power to save her mother, and herself, if she is willing to go down the rabbit hole and put right what Alice destroyed when she went to Wonderland.

The cover of this book is gorgeous, and the beautiful cover, along with the plot description, convinced me to pick up this book. The book owes a great debt to Tim Burton’s visions of Wonderland, which A. G. Howard acknowledges herself. Parts of it were quite enjoyable, and the ending was a page-turner. However, there were stretches of time when I found myself avoiding reading it, which is always a sign to me that something’s bothering me about a book. I like the premise, but the writing isn’t even, and I almost felt like Alyssa and her crush Jeb were a little too “cool.” I really wanted to like this book more than I did. If it is part of of a series, I don’t believe I’ll be picking up the other books. I admit it was diverting in some places. I liked it best when Lewis Carroll’s characters showed up in all their glory, however. What that means to me is that Alyssa and other characters created for this sequel more or less pale in comparison to Carroll’s memorable characters, even if their descriptions were rather deliciously morbid and freaky. The Wonderland landscape is rendered vividly. I think the right readers will find and love this book, and truthfully, I’m not the book’s intended audience. I give it 3½ stars for being more than just OK and for being different and creative, but in the end, I just wanted to like the new characters and to find them more interesting than I did. It just took me way too long to finish.

Rating: ★★★½☆