Review: No Strangers Here, Carlene O’Connor

Review: No Strangers Here, Carlene O’ConnorNo Strangers Here by Carlene O'Connor
Narrator: Emily O'Mahony
Published by Kensington on October 25, 2022
Genres: Mystery
Length: 12 hours 26 minutes
Format: Audio, Audiobook
Source: Audible
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Goodreads
four-half-stars

In the powerful tradition of Ann Cleeves and Louise Penny, USA Today bestselling author Carlene O'Connor’s new series set in Ireland brings together complex characters and a fascinating setting, focusing on a female vet who returns home to the village where she grew up and must reckon with her past while untangling mysteries in the present.

On a rocky beach in the southwest of Ireland, the body of Jimmy O’Reilly, sixty-nine years old and dressed in a suit and his dancing shoes, is propped on a boulder, staring sightlessly out to sea. A cryptic message is spelled out next to the body with sixty-nine polished black stones and a discarded vial of deadly veterinarian medication lies nearby. Jimmy was a wealthy racehorse owner, known far and wide as The Dancing Man. In a town like Dingle, everyone knows a little something about everyone else. But dig a bit deeper, and there’s always much more to find. And when Detective Inspector Cormac O'Brien is dispatched out of Killarney to lead the murder inquiry, he's determined to unearth every last buried secret.

Dimpna Wilde hasn’t been home in years. As picturesque as Dingle may be for tourists in search of their roots and the perfect jumper, to her it means family drama and personal complications. In fairness, Dublin hasn’t worked out quite as she hoped either. Faced with a triple bombshell—her mother rumored to be in a relationship with Jimmy, her father’s dementia is escalating, and her brother is avoiding her calls—Dimpna moves back to clear her family of suspicion.

Despite plenty of other suspects, the guards are crawling over the Wildes. But the horse business can be a brutal one, and as Dimpna becomes more involved with her old acquaintances and haunts, the depth of lingering grudges becomes clear. Theft, extortion, jealousy and greed. As Dimpna takes over the family practice, she's in a race with the detective inspector to uncover the dark, twisting truth, no matter how close to home it strikes . . .

I discovered Carlene O’Connor’s cozy mysteries set in County Cork (but based on a town in Limerick) last year, and I really enjoyed them. Some of the stories were better than others, but O’Connor shines in developing characters and evoking a setting. My sister and I traveled to the UK and Ireland in June last year, and we had the best time everywhere we went, but a place that I think will stick with me forever was County Kerry. I didn’t make it to Dingle, but I definitely would like to in the future. My sister and I stayed in Tralee, near Dingle, and rode the Ring of Kerry in a bus. It’s absolutely breathtaking in its beauty. I suppose I’ve been reading books set in Ireland ever since just to travel back in my mind.

No Strangers Here is not a cozy mystery. It’s similar to the Shetland series, and indeed, it seems her publisher sees the connection as well in stating that this book is in the tradition of Ann Cleeves. O’Connor proves she can write in a straightforward mystery/thriller genre. I thought the ending was too pat. Without divulging spoilers, let’s just say the murderer should be a bit less obvious from the get-go. However, I enjoyed the character development, plotting, and setting enough that I will read the other books in the series.

four-half-stars

Review: What the Wind Knows, Amy Harmon

Review: What the Wind Knows, Amy HarmonWhat the Wind Knows by Amy Harmon
Published by Lake Union on March 1, 2019
Genres: Contemporary Fiction, Historical Fiction
Pages: 418
Format: E-Book, eBook
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Goodreads
five-stars

In an unforgettable love story, a woman’s impossible journey through the ages could change everything…

Anne Gallagher grew up enchanted by her grandfather’s stories of Ireland. Heartbroken at his death, she travels to his childhood home to spread his ashes. There, overcome with memories of the man she adored and consumed by a history she never knew, she is pulled into another time.

The Ireland of 1921, teetering on the edge of war, is a dangerous place in which to awaken. But there Anne finds herself, hurt, disoriented, and under the care of Dr. Thomas Smith, guardian to a young boy who is oddly familiar. Mistaken for the boy’s long-missing mother, Anne adopts her identity, convinced the woman’s disappearance is connected to her own.

As tensions rise, Thomas joins the struggle for Ireland’s independence and Anne is drawn into the conflict beside him. Caught between history and her heart, she must decide whether she’s willing to let go of the life she knew for a love she never thought she’d find. But in the end, is the choice actually hers to make?

What an excellent book! It delivers in so many ways:

  • An intriguing mystery
  • Loving father figure (seriously, think really hard about how many good fathers you find in books)
  • Time travel romance
  • History
  • Ireland!

I thoroughly enjoyed it from start to finish, and I especially liked that the chapters were bookended with poetry by W. B. Yeats and Thomas’s journal entries. I don’t know nearly as much about the Easter Uprising and the Irish Civil War as I would like, but the book seemed well-researched. I think it would appeal to fans of the Outlander series, but this book tells a much more taut story. (How many books is Diana Gabaldon up to? And they’re each over 1,000 pages!) The characters are all likable and well-drawn. The setting is appropriately mystical. I was glad to see the references to Oisín and Niamh, which made me want to revisit Irish mythology. Amy Harmon renders the setting beautifully. Loved it!

five-stars

Review: Quilting the Black-Eyed Pea, Nikki Giovanni

Review: Quilting the Black-Eyed Pea, Nikki GiovanniQuilting the Black-Eyed Pea: Poems and Not Quite Poems by Nikki Giovanni
Published by William Morrow on January 1, 2002
Genres: Poetry
Pages: 110
Format: Paperback
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Goodreads
five-stars

“One of her best collections to date.” — Essence

Quilting the Black-Eyed Pea is a tour de force from Nikki Giovanni, one of the most powerful voices in American poetry and African American literature today. From Black Feeling, Black Talk and Black Judgment in the 1960s to Bicycles in 2010, Giovanni’s poetry has influenced literary figures from James Baldwin to Blackalicious, and touched millions of readers worldwide. In Quilting the Black-Eyed Pea , Giovanni turns her gaze toward the state of the world around her, and offers a daring, resonant look inside her own self as well.

Every year on New Year’s Day, my grandmother used to try to get me to eat at least one black-eyed pea. “For luck,” she would say. I wouldn’t. I have to admit I didn’t really like peas or beans until I was in my 50s.

Shrug Gif

How fitting that I finished Nikki Giovanni’s collection, Quilting the Black-Eyed Pea , on New Year’s Day. I’ll consider it fortuitous that I finally consumed a “black-eyed pea”… for luck.

What a wonderful collection it is. I thought often of Nikki Giovanni, whom we just lost in December. She was the first poet who made me realize the places you could take poetry. How I wish I had “met” her sooner.

I actually did meet Nikki Giovanni twice, and she was so kind and gracious both times. I am so glad I could tell her that I loved her poetry and that I was a Virginia Tech student (albeit online).

I also thought of my grandmother as I read this collection, particularly the poem “I Think of Meatloaf.” Meatloaf is quite honestly another thing I don’t like, but the sentiment in the poem was very familiar to me. Substitute, perhaps, fried chicken. Or maybe cornbread. One lasting visual I have of my grandmother is how she would crumble cornbread into a glass and pour buttermilk over it. She was born in Oklahoma and lived in Texas for a time also. But she spent most of her life living outside the South, even living in two European countries for a time. But she was Southern, through and through. Nikki Giovanni’s grandparents were from Knoxville, Tennessee. I think that’s why I recognized my own grandmother in hers.

I loved this collection. It made me cry a couple of times, both for the loss of Nikki Giovanni and the loss of my grandmother. “Cal Johnson Park in Knoxville, Tennessee” made me think about the fact that the house my grandparents lived in for 50+ years was sold and immediately transformed into something I didn’t recognize by house flippers who didn’t appreciate the history or know anything about the people who lived there. Giovanni writes, “My favorite spot is no longer there. Just the memory / of a Street that has the same name but none of the same / memories.” She wonders “if the people living on Mulvaney Street have any idea / of the history they are living over.”

The poetry in the collection addresses subjects as wide-ranging as her fear after a cancer diagnosis, Susan Smith, Richard Williams, and teaching. Several of the poems evoke her fondness for birds. I particularly loved “A Miracle for Me.”

If you haven’t seen it, you really must watch this wonderful conversation Nikki Giovanni had with James Baldwin in 1971. The year I was born.

Rest in peace, Nikki Giovanni. Thank you for the poetry.

five-stars

2024 Year in Review

My book reviews went entirely off the rails this year, but a new year offers a chance to start fresh. I learned it’s important for me to review books after I read them because I remember the stories so much better. In looking over the books I read this year, I noticed that I don’t remember them as well as I usually do. I was shocked to log in and prepare to post my annual round-up and to realize I hadn’t written a blog post since January!

Best Books of 2024 (listed in the blog post)

My favorite read of the year was Percival Everett’s novel, James. It is subversive and smart, managing to make something brand new out of a classic and critiquing it simultaneously.

I read a lot of poetry and am glad I did that. I picked up more books after the election because the news started to feel too difficult to face. I habitually listened to the local NPR station on my commutes to and from work, but I started listening to audiobooks instead.

I discovered cozy mysteries set in Ireland. I would never say they’re great literature, but they are fun to read. I realized a lifelong dream of traveling to the UK and Ireland with my sister. We had the best time, and I kept a written junk journal of the trip. So much of the reading I did after was set in Ireland.

I also bought a house this year, which was another lifelong dream. It’s a charming, extremely cute colonial near the end of a dirt road at the top of a hill. We have a lovely yard, and our roses bloomed until November. This year has included so many firsts!

I haven’t decided on any reading challenges yet. I will probably do a historical fiction challenge, but I am not sure about others.

I’m going to try to be better about posting my reviews this year. It was an eventful year!

Here is a link to my Goodreads Year in Books.

Review: Crook Manifesto, Colson Whitehead

Review: Crook Manifesto, Colson WhiteheadCrook Manifesto by Colson Whitehead
Narrator: Dion Graham
Series: Ray Carney #2
Published by Random House Audio on July 18, 2023
Genres: Historical Fiction
Length: 10 hours 47 minutes
Format: Audio, Audiobook
Source: Library
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Goodreads
four-stars

Two-time Pulitzer Prize winning Colson Whitehead continues his Harlem saga in a powerful and hugely-entertaining novel that summons 1970s New York in all its seedy glory.

It's 1971. Trash piles up on the streets, crime is at an all-time high, the city is careening towards bankruptcy, and a shooting war has broken out between the NYPD and the Black Liberation Army. Amidst this collective nervous breakdown furniture store owner and ex-fence Ray Carney tries to keep his head down and his business thriving. His days moving stolen goods around the city are over. It's strictly the straight-and-narrow for him—until he needs Jackson 5 tickets for his daughter May and he decides to hit up his old police contact Munson, fixer extraordinaire. But Munson has his own favors to ask of Carney and staying out of the game gets a lot more complicated—and deadly.

1973. The counter-culture has created a new generation, the old ways are being overthrown, but there is one constant, Pepper, Carney's endearingly violent partner in crime. It's getting harder to put together a reliable crew for hijackings, heists, and assorted felonies, so Pepper takes on a side gig doing security on a Blaxploitation shoot in Harlem. He finds himself in a freaky world of Hollywood stars, up-and-coming comedians, and celebrity drug dealers, in addition to the usual cast of hustlers, mobsters, and hit men. These adversaries underestimate the seasoned crook—to their regret.

1976. Harlem is burning, block by block, while the whole county is gearing up for Bicentennial celebrations. Carney is trying to come up with a July 4th ad he can live with. (Two Hundred Years of Getting Away with It!), while his wife Elizabeth is campaigning for her childhood friend, the former assistant D.A. and rising politician Alexander Oakes. When a fire severely injures one of Carney's tenants, he enlists Pepper to look into who may be behind it. Our crooked duo have to battle their way through a crumbling metropolis run by the shady, the violent, and the utterly corrupted.

CROOK MANIFESTO is a darkly funny tale of a city under siege, but also a sneakily searching portrait of the meaning of family. Colson Whitehead's kaleidoscopic portrait of Harlem is sure to stand as one of the all-time great evocations of a place and a time.

I really enjoyed this second book in the Ray Carney series. It is decidedly NOT The Underground Railroad or The Nickel Boys, but I think that’s the point. It feels like Colson Whitehead wanted to write something fun and interesting but not as heavy. This is not to say there are not heavy moments—crime, crooked cops, murder, arson. There is a thread of dark humor underneath all the violence, and as a reader, it was easy for me to see how much Whitehead enjoyed bringing this world of 1970s Harlem to life. I actually think this book was a bit better than the first in the series, Harlem ShuffleIt’s the second in a planned trilogy, but it’s not really necessary to read Harlem Shuffle to enjoy this book. However, as the second of three, it does feel like it ends with unfinished business. My favorite character was probably Pepper. Whitehead seems to enjoy Pepper enough to let him run away with the book. 

four-stars

Review: How to Hang a Witch Series, Adriana Mather

I discovered Adriana Mather’s book through the Salem Witch Museum. The museum is terribly cheesy, but they have a good social media presence, and they recently shared a picture on Facebook of books written by Salem Witch Trials descendants that are available in their gift shop. I’m not sure if Adriana Mather is a direct descendant of Cotton Mather, but she’s definitely related. Cotton Mather notoriously played a role on the wrong side of history in the infamous Salem Witch Trials. I’m not sure if Adriana Mather plans to write more books in this series, but I’d read them. I think a good description of these books might be Twilight, but with witches and ghosts instead of vampires. I will read practically anything set in Salem. I’ve spent a good bit of time there and know it fairly well. It is a cute little town that takes its history in weird, kitschy directions. One caveat I feel like I must share: it’s not weird at all in New England to be a descendant of one or even several of the players in the Salem Witch Trials, and it bugged me a bit that the notion of being descended from an accused witch or other players in the trials was somehow unique enough to set “the Descendants” apart. But if you lay that quibble aside, the idea of them wafting through the hallways of Salem High School wearing black from head to toe is fun. Adriana Mather has a fascinating family history, and she was lucky to be able to mine it for her fiction.

Review: How to Hang a Witch Series, Adriana MatherHow to Hang a Witch (How to Hang a Witch, #1) by Adriana Mather
Series: How to Hang a Witch #1
Published by Knopf on July 26, 2016
Genres: Contemporary Fiction, Young Adult
Pages: 359
Format: E-Book, eBook
Source: Library
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Goodreads
four-stars

It's the Salem Witch Trials meets Mean Girls in a debut novel from one of the descendants of Cotton Mather, where the trials of high school start to feel like a modern day witch hunt for a teen with all the wrong connections to Salem’s past.

Salem, Massachusetts is the site of the infamous witch trials and the new home of Samantha Mather. Recently transplanted from New York City, Sam and her stepmother are not exactly welcomed with open arms. Sam is the descendant of Cotton Mather, one of the men responsible for those trials and almost immediately, she becomes the enemy of a group of girls who call themselves The Descendants. And guess who their ancestors were?

If dealing with that weren't enough, Sam also comes face to face with a real live (well technically dead) ghost. A handsome, angry ghost who wants Sam to stop touching his stuff. But soon Sam discovers she is at the center of a centuries old curse affecting anyone with ties to the trials. Sam must come to terms with the ghost and find a way to work with The Descendants to stop a deadly cycle that has been going on since the first accused witch was hanged. If any town should have learned its lesson, it's Salem. But history may be about to repeat itself.

I believe this book is the stronger of the two, but that’s partly because Samantha Mather, the protagonist, is more of an outsider, and all the world-building in this book is pretty interesting.

Review: How to Hang a Witch Series, Adriana MatherHaunting the Deep (How to Hang a Witch, #2) by Adriana Mather
Series: How to Hang a Witch #2
Published by Knopf on October 3, 2017
Genres: Contemporary Fiction, Historical Fiction, Young Adult
Pages: 344
Format: E-Book, eBook
Source: Library
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Goodreads
four-stars

The Titanic meets the delicious horror of Ransom Riggs and the sass of Mean Girls in this follow-up to the #1 New York Times bestseller How to Hang a Witch, in which a contemporary teen finds herself a passenger on the famous “ship of dreams”—a story made all the more fascinating because the author’s own relatives survived the doomed voyage.

Samantha Mather knew her family’s connection to the infamous Salem Witch Trials might pose obstacles to an active social life. But having survived one curse, she never thought she’d find herself at the center of a new one.

This time, Sam is having recurring dreams about the Titanic . . . where she’s been walking the deck with first-class passengers, like her aunt and uncle. Meanwhile, in Sam’s waking life, strange missives from the Titanic have been finding their way to her, along with haunting visions of people who went down with the ship.

Ultimately, Sam and the Descendants, along with some help from heartthrob Elijah, must unravel who is behind the spell that is drawing her ever further into the dream ship . . . and closer to sharing the same grim fate as its ghostly passengers.

I said I’d read anything set in Salem, and I’m also a sucker for books about Titanic, though, to be honest, I’m not sure I’ve read a good one. I liked the movie when it came out, and I used to play a video game set there that was a ton of fun. I figured out who the antagonist in this book would be early on, but their motive doesn’t make a ton of sense to me.

Review: The Dictionary of Lost Words, Pip Williams

Review: The Dictionary of Lost Words, Pip WilliamsThe Dictionary of Lost Words by Pip Williams
Published by Ballantine Books on March 31, 2020
Genres: Historical Fiction
Pages: 400
Format: E-Book, eBook
Source: Library
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Goodreads
five-stars

In this remarkable debut based on actual events, as a team of male scholars compiles the first Oxford English Dictionary, one of their daughters decides to collect the "objectionable" words they omit.

Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the "Scriptorium," a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Young Esme's place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word "bondmaid" flutters to the floor. She rescues the slip, and when she learns that the word means slave-girl, she withholds it from the OED and begins to collect other words that have been discarded or neglected by the dictionary men.

As she grows up, Esme realizes that words and meanings relating to women's and common folks' experiences often go unrecorded. And so she begins in earnest to search out words for her own dictionary: The Dictionary of Lost Words. To do so she must leave the sheltered world of the university and venture out to meet the people whose words will fill those pages.

Set during the height of the women's suffrage movement with the Great War looming, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men.
Based on actual events and combed from author Pip Williams's experience delving into the archives of the
Oxford English Dictionary, this highly original novel is a delightful, lyrical, and deeply thought-provoking celebration of words and the power of language to shape the world.


This book was one of the most enjoyable I’ve read all year, and I highly recommend it to fans of historical fiction who also love words. I picked it up upon seeing Simon Winchester’s blurb:

“In the annals of lexicography, no more imaginative, delightful, charming, and clever book has yet been written.” —Simon Winchester, author of The Professor and the Madman: A Tale of Murder, Insanity, and the Making of the Oxford English Dictionary

High praise, considering The Professor and the Madman was one of the more interesting and enjoyable works of nonfiction I’ve read.

Some reviewers mention that this book takes a turn when characters start dying, but honestly, that’s what happens in life: as you age, you lose your parents and friends. It would be unnatural for Williams not to include this aspect of Esme’s story.

The novel was well written on top of telling an engaging story. I loved the characters’ meditations on words, and I enjoyed Esme’s efforts to collect words she feared the dictionary was not capturing.

In an interview in the back of the book, Williams said,

By the time I had finished the first draft of this novel, I had become acutely aware that the first edition of the Oxford English Dictionary was a flawed and gendered text. But it was also extraordinary, and far less flawed and gendered than it might have been in the hands of someone other than James Murray.

Williams’s admiration for Murray’s efforts to bring the dictionary to completion was palpable on every page, but even more than that, her admiration for the lesser-known individuals who contributed to the dictionary was spotlighted.

five-stars

Review: Daughter Dalloway, Emily France

Review: Daughter Dalloway, Emily FranceDaughter Dalloway by Emily France
Published by Blackstone Publishing on March 14, 2023
Genres: Historical Fiction
Pages: 350
Format: Hardcover
Source: Library
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Goodreads
four-stars

A retelling of Virginia Woolf's classic Mrs. Dalloway, from the point of view of the famous socialite's only child, Elizabeth.

It is 1952 and forty-six-year-old Elizabeth Dalloway—arguably the most inept socialite in all of London—is fresh off yet another of her awkward parties. She feels she has failed at most everything in life, especially living up to her perfect mother—the elegant Mrs. Dalloway, the woman who never made a misstep, the woman who never arrived for her very own party at the end of the 1923 Season. And hasn't been heard from since.

Elizabeth has given up ever finding out what really happened that summer until she comes across a WWI medal inscribed with a mysterious message from her mother to a soldier, Septimus Warren Smith. Elizabeth sets out to find a member of his family in the hopes she will finally learn her mother's fate. Her journey takes her across London as she pieces together that last summer of 1923 when Elizabeth was a seventeen-year-old girl who escaped her mother's watchful eye and rebelled against the staid social rules of prewar England. A girl who caroused with the Prince of Wales and sons of American iron barons, a girl determined to do it all differently than her mother. A girl who didn't yet feel like a failure.

Faithful to the original yet fully standing alone, Daughter, Dalloway follows Elizabeth as she discovers the truth: though decades have passed and opportunities for women have changed, expectations haven't: to be it all, whatever the costs. And that she shares much more with her mother than she ever knew.


I finished this book a few days ago and had to think about how to rate it. Any author who takes up Virginia Woolf’s mantle is bound to pale in comparison. She’s one of the greatest writers to have lived, and some consider Mrs. Dalloway to be her masterpiece. It’s a book I love, and I love teaching it. On the other hand, this book has some great moments and is well-researched. While Elizabeth Dalloway is Woolf’s creation, Septimus Warren Smith’s sister Octavia is France’s invention, and I enjoyed her character. I didn’t enjoy her companions Redvers and his brother George—they were stock street urchin characters, and they didn’t seem as realistic to me as the other characters France invented. I thought it was far-fetched that Clarissa would commission a medal for Septimus, and her fate, which is a bit spoilery, also struck me as a stretch given what I know of Woolf’s thinking about her characters.

However, I admit France made me think about the concept of the stream of consciousness in a new way, and I plan to share this idea with my students. Typically, I teach stream of consciousness as the way our thoughts flow from one to another, and France also adheres to this definition, but she also conceives of the stream of consciousness as the thread that joins all of us together. This idea resembles Ralph Waldo Emerson’s concept of the Over-Soul more than it resembles the traditional conception of stream of consciousness, but I liked it. In his essay on the Over-Soul, Emerson quotes Byron in arguing that the soul “Can crowd eternity into an hour, / Or stretch an hour to eternity.” One could argue Woolf was trying to do both with Mrs. Dalloway.

Reading this book has given me some ideas for teaching Mrs. Dalloway, and it’s better than average historical fiction. Compared to its source material, it can’t help but suffer—it does not quite pull off the same feat as The Hours—but it was pretty good.

four-stars

Review: Black Cake, Charmaine Wilkerson

Review: Black Cake, Charmaine WilkersonBlack Cake by Charmaine Wilkerson
Narrator: Lynnette R. Freeman, Simone Mcintyre
Published by Random House Audio on February 1, 2022
Genres: Contemporary Fiction, Historical Fiction
Length: 12 hours and 2 minutes
Format: Audio, Audiobook
Source: Library
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Goodreads
four-half-stars

We can’t choose what we inherit. But can we choose who we become?In present-day California, Eleanor Bennett’s death leaves behind a puzzling inheritance for her two children, Byron and Benny: a black cake, made from a family recipe with a long history, and a voice recording. In her message, Eleanor shares a tumultuous story about a headstrong young swimmer who escapes her island home under suspicion of murder. The heartbreaking tale Eleanor unfolds, the secrets she still holds back, and the mystery of a long-lost child challenge everything the siblings thought they knew about their lineage and themselves.

Can Byron and Benny reclaim their once-close relationship, piece together Eleanor’s true history, and fulfill her final request to “share the black cake when the time is right”? Will their mother’s revelations bring them back together or leave them feeling more lost than ever?

Charmaine Wilkerson’s debut novel is a story of how the inheritance of betrayals, secrets, memories, and even names can shape relationships and history. Deeply evocative and beautifully written, Black Cake is an extraordinary journey through the life of a family changed forever by the choices of its matriarch.


I enjoyed this book quite a lot, but part of the reason it earned 4.5 stars for me was the excellent narration which added interest. Had I read the novel rather than listened to it, I might have settled it at 3.5-4 stars. At times I felt that the novel had a bit too much going on. However, it was a thoroughly enjoyable read, and I would recommend the book to others.

One of my favorite aspects of the book was the importance of food in storytelling and history. The New York Times shared this black cake recipe if you’d like to try it after reading the book. I could see it being a fun refreshment for a book club discussion of the novel. Some of the recipe’s reviews offer helpful tips.

four-half-stars