Review: Thomas and Beulah, Rita Dove

Review: Thomas and Beulah, Rita DoveThomas and Beulah (Carnegie Mellon Poetry Series) by Rita Dove
Published by Carnegie Mellon University Press on January 1, 1986
Genres: Poetry
Pages: 77
Format: Paperback
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five-stars

A collection of poetry by Rita Dove.

Thomas and Beulah is Rita Dove’s Pulitzer-Prize-winning poetry collection, imagining the lives of her grandparents as they navigate the Great Migration, the Depression, World War II, and the Civil Rights Movement. I recently watched Rita Dove on an episode of Finding Your Roots, a genealogy program hosted by Dr. Henry Louis Gates, Jr. Dr. Gates mentioned the collection on the show—which only makes sense on a show about family history. I was digging around in my office and found two copies of the collection on my bookshelf. I can only imagine I inherited these books from a teacher who has since moved on. I don’t believe I purchased the books. I decided it would be a good time to read them—it’s almost as if the universe was speaking to me.

Telling the stories of her grandparents had to have been a fascinating and creative exercise for Dove. I had to read the collection twice to ensure I understood what I was reading. I found this very old video on YouTube to be helpful as well.

Thomas’s poems are haunted by the accidental death of his friend, Lem. Beulah’s poems are haunted by unrealized dreams. The second time I read it, I found myself tearing up as Thomas experienced his stroke. Reading this book made me think about all the unfulfilled dreams and regrets in the world. Dove’s collection elevates the lives of two ordinary people and, in so doing, reminds us that all of us, no matter how ordinary, live lives worthy of poetry. And for that, I’m counting it as my emotional rollercoaster read for the Monthly Motif Challenge.

five-stars

Review: Quilting the Black-Eyed Pea, Nikki Giovanni

Review: Quilting the Black-Eyed Pea, Nikki GiovanniQuilting the Black-Eyed Pea: Poems and Not Quite Poems by Nikki Giovanni
Published by William Morrow on January 1, 2002
Genres: Poetry
Pages: 110
Format: Paperback
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five-stars

“One of her best collections to date.” — Essence

Quilting the Black-Eyed Pea is a tour de force from Nikki Giovanni, one of the most powerful voices in American poetry and African American literature today. From Black Feeling, Black Talk and Black Judgment in the 1960s to Bicycles in 2010, Giovanni’s poetry has influenced literary figures from James Baldwin to Blackalicious, and touched millions of readers worldwide. In Quilting the Black-Eyed Pea , Giovanni turns her gaze toward the state of the world around her, and offers a daring, resonant look inside her own self as well.

Every year on New Year’s Day, my grandmother used to try to get me to eat at least one black-eyed pea. “For luck,” she would say. I wouldn’t. I have to admit I didn’t really like peas or beans until I was in my 50s.

Shrug Gif

How fitting that I finished Nikki Giovanni’s collection, Quilting the Black-Eyed Pea , on New Year’s Day. I’ll consider it fortuitous that I finally consumed a “black-eyed pea”… for luck.

What a wonderful collection it is. I thought often of Nikki Giovanni, whom we just lost in December. She was the first poet who made me realize the places you could take poetry. How I wish I had “met” her sooner.

I actually did meet Nikki Giovanni twice, and she was so kind and gracious both times. I am so glad I could tell her that I loved her poetry and that I was a Virginia Tech student (albeit online).

I also thought of my grandmother as I read this collection, particularly the poem “I Think of Meatloaf.” Meatloaf is quite honestly another thing I don’t like, but the sentiment in the poem was very familiar to me. Substitute, perhaps, fried chicken. Or maybe cornbread. One lasting visual I have of my grandmother is how she would crumble cornbread into a glass and pour buttermilk over it. She was born in Oklahoma and lived in Texas for a time also. But she spent most of her life living outside the South, even living in two European countries for a time. But she was Southern, through and through. Nikki Giovanni’s grandparents were from Knoxville, Tennessee. I think that’s why I recognized my own grandmother in hers.

I loved this collection. It made me cry a couple of times, both for the loss of Nikki Giovanni and the loss of my grandmother. “Cal Johnson Park in Knoxville, Tennessee” made me think about the fact that the house my grandparents lived in for 50+ years was sold and immediately transformed into something I didn’t recognize by house flippers who didn’t appreciate the history or know anything about the people who lived there. Giovanni writes, “My favorite spot is no longer there. Just the memory / of a Street that has the same name but none of the same / memories.” She wonders “if the people living on Mulvaney Street have any idea / of the history they are living over.”

The poetry in the collection addresses subjects as wide-ranging as her fear after a cancer diagnosis, Susan Smith, Richard Williams, and teaching. Several of the poems evoke her fondness for birds. I particularly loved “A Miracle for Me.”

If you haven’t seen it, you really must watch this wonderful conversation Nikki Giovanni had with James Baldwin in 1971. The year I was born.

Rest in peace, Nikki Giovanni. Thank you for the poetry.

five-stars

Three Books from My Old TBR Pile and One New Book

I recently finished reading three books I’ve had in my TBR pile for a long time. In fact, The Cookbook Collector and Heavy have been on my Kindle for years. Here are some quick reviews.

Three Books from My Old TBR Pile and One New BookGold Hill Family Audio (Cowles Poetry Prize Winner) by Corrie Lynn White
Published by Southeast Missouri State University Press on 2022
Genres: Poetry
Pages: 75
Format: Paperback
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Goodreads
five-stars

"It is hard not to fall in love with the sensual, contemplative, sharp-eyed and often playful voice of Corrie Lynn White in her gutsy debut as she traverses the landscape of her personal history—its 'uneven ground' and its badass set of matriarchs—looking to chart her own 'narrow road' toward a complete and fulfilling life. Sometimes that means, 'delet[ing] Tinder,' and going it alone. Sometimes that means embracing romance and its raw 'I sleep next to him/like a hog/ when it finds/ cold mud.' Where must we go? And, who with? It is the anxieties of this poet’s very human search that ring most true. And, as a woman, I have rarely felt so seen by a book." —Lauren Goodwin Slaughter, author of Spectacle.

Full disclosure, Corrie Lynn White and I attended a Kenyon Writing Workshop for Teachers some years ago. We were not in the same group, so I didn’t hear much of her writing at the workshop, but I did hear her work at our final reading and was very impressed. I enjoyed her collection. My favorite poem was “To Mother or To Be Lonely,” mainly because the line “They put stale cornbread in their milk and let it soften” made me think of my grandmother, who used to crumble cornbread into her buttermilk.

Three Books from My Old TBR Pile and One New BookThe Cookbook Collector by Allegra Goodman
Published by The Dial Press on 2010
Genres: Contemporary Fiction
Pages: 405
Format: E-Book, eBook
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four-stars

Heralded as “a modern day Jane Austen” by USA Today, National Book Award finalist and New York Times bestselling author Allegra Goodman has compelled and delighted hundreds of thousands of readers. Now, in her most ambitious work yet, Goodman weaves together the worlds of Silicon Valley and rare book collecting in a delicious novel about appetite, temptation, and fulfillment.

Emily and Jessamine Bach are opposites in every way: Twenty-eight-year-old Emily is the CEO of Veritech, twenty-three-year-old Jess is an environmental activist and graduate student in philosophy. Pragmatic Emily is making a fortune in Silicon Valley, romantic Jess works in an antiquarian bookstore. Emily is rational and driven, while Jess is dreamy and whimsical. Emily’s boyfriend, Jonathan, is fantastically successful. Jess’s boyfriends, not so much—as her employer George points out in what he hopes is a completely disinterested way.

Bicoastal, surprising, rich in ideas and characters, The Cookbook Collector is a novel about getting and spending, and about the substitutions we make when we can’t find what we’re looking for: reading cookbooks instead of cooking, speculating instead of creating, collecting instead of living. But above all it is about holding on to what is real in a virtual world: love that stays.

I was a bit disappointed that this book had a misleading title. I thought it would be much more about this old bookstore and the collection of cookbooks. I found it kind of improbable that some of the cookbooks in the collection existed, as I know a bit about collecting cookbooks—I collect them myself. A “signed Mrs. Fisher“? Doesn’t exist!  Details like that will just take you out of the plot. The book was much more about the Dot-Com Bubble. I can see this book is pretty polarizing on review sites. It seems like a lot of people hate it. I didn’t. It was good, even if it wasn’t what I was expecting. However, I don’t think anyone does Allegra Goodman any favors by comparing her to Jane Austen. The only comparison I see is that the plot is loosely lifted from Sense and Sensibility.

Three Books from My Old TBR Pile and One New BookConjure Women by Afia Atakora
Narrator: Adenrele Ojo
Published by Random House Audio on April 7, 2020
Genres: Historical Fiction
Length: 13 hours 59 minutes
Format: Audio, Audiobook
Source: Library
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three-half-stars

A mother and daughter with a shared talent for healing—and for the conjuring of curses—are at the heart of this dazzling first novel

Conjure Women is a sweeping story that brings the world of the South before and after the Civil War vividly to life. Spanning eras and generations, it tells of the lives of three unforgettable women: Miss May Belle, a wise healing woman; her precocious and observant daughter Rue, who is reluctant to follow in her mother’s footsteps as a midwife; and their master’s daughter Varina. The secrets and bonds among these women and their community come to a head at the beginning of a war and at the birth of an accursed child, who sets the townspeople alight with fear and a spreading superstition that threatens their newly won, tenuous freedom.

Magnificently written, brilliantly researched, richly imagined, Conjure Women moves back and forth in time to tell the haunting story of Rue, Varina, and May Belle, their passions and friendships, and the lengths they will go to save themselves and those they love.

I struggled with how to rate this one. The characters and story were compelling, but the story dragged in parts. The book is clearly well-researched, and Bruh Abel is like a character out of Flannery O’Connor or William Faulkner. Atakora has excellent writing chops. I think the storytelling could have been more taut. Moments in this debut novel dazzle, but finishing this novel was hard-going at times.

Three Books from My Old TBR Pile and One New BookHeavy by Kiese Laymon
Published by Scribner on October 16, 2022
Genres: Memoir
Pages: 248
Format: E-Book, eBook
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five-stars

In this powerful and provocative memoir, genre-bending essayist and novelist Kiese Laymon explores what the weight of a lifetime of secrets, lies, and deception does to a black body, a black family, and a nation teetering on the brink of moral collapse.

Kiese Laymon is a fearless writer. In his essays, personal stories combine with piercing intellect to reflect both on the state of American society and on his experiences with abuse, which conjure conflicted feelings of shame, joy, confusion and humiliation. Laymon invites us to consider the consequences of growing up in a nation wholly obsessed with progress yet wholly disinterested in the messy work of reckoning with where we’ve been.

In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to his trek to New York as a young college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, Laymon asks himself, his mother, his nation, and us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free.

A personal narrative that illuminates national failures, Heavy is defiant yet vulnerable, an insightful, often comical exploration of weight, identity, art, friendship, and family that begins with a confusing childhood—and continues through twenty-five years of haunting implosions and long reverberations.

Heavy is a fantastic, well-written memoir. It’s unflinching, honest, raw, and beautiful. Fair warning: it is extremely sad and deals with some difficult issues, including addiction, weight fixation, anorexia, physical abuse, psychological abuse, sexual abuse, and racism.

Review: Justice: What’s the Right Thing to Do?, Michael Sandel

Review: Justice: What’s the Right Thing to Do?, Michael SandelJustice: What's the Right Thing to Do? by Michael J. Sandel
Published by Farrar Straus and Giroux Genres: Nonfiction
Pages: 308
Format: Paperback
Source: Library
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five-stars

"For Michael Sandel, justice is not a spectator sport," The Nation's reviewer of Justice remarked. In his acclaimed book―based on his legendary Harvard course―Sandel offers a rare education in thinking through the complicated issues and controversies we face in public life today. It has emerged as a most lucid and engaging guide for those who yearn for a more robust and thoughtful public discourse. "In terms we can all understand," wrote Jonathan Rauch in The New York Times, Justice "confronts us with the concepts that lurk . . . beneath our conflicts."

Affirmative action, same-sex marriage, physician-assisted suicide, abortion, national service, the moral limits of markets―Sandel relates the big questions of political philosophy to the most vexing issues of the day, and shows how a surer grasp of philosophy can help us make sense of politics, morality, and our own convictions as well.

Justice is lively, thought-provoking, and wise―an essential new addition to the small shelf of books that speak convincingly to the hard questions of our civic life.

I co-teach a course on Social Justice in Literature and History, and my teaching partner and I have used parts of Sandel’s philosophy as a framework for the course for the last three years; however, I had not yet read the entirety of Sandel’s book until now. Sandel breaks down complicated topics remarkably well, as you can see in this book and the lectures available online. He injects occasional humor into the book, but there’s no mistaking the book’s seriousness of purpose. It makes an excellent companion to Michael Schur’s How to Be Perfect. In fact, I’ve wondered several times if Michael Sandel’s book inspired Schur. There is a little more humor in Schur’s book, which readers might expect coming from a comedy author, and Schur deals with different philosophical issues (such as what do you do with the art of horrible people?). However, the books undeniably overlap in many respects.

An important note: Sandel’s lectures are fun to watch and retread a lot of the ground covered in the book. Some of the book comes verbatim from his lecture notes. However, audience participation makes the lectures entertaining to watch, and the course also comes with suggested readings. I highly recommend checking it out. It’s rather remarkable that anyone with an internet connection can take a popular Harvard course for free.

five-stars

Review: Elegy for Mary Turner: An Illustrated Account of a Lynching, Rachel Marie-Crane Williams

Review: Elegy for Mary Turner: An Illustrated Account of a Lynching, Rachel Marie-Crane WilliamsElegy for Mary Turner: An Illustrated Account of a Lynching by Rachel Marie-Crane Williams
Published by Verso on March 16, 2021
Genres: Biography, History, Nonfiction
Pages: 57
Format: Paperback
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five-stars

A lyrical and haunting depiction of American racial violence and lynching, evoked through stunning full-color artwork.

In late May 1918 in Valdosta, Georgia, ten Black men and one Black woman—Mary Turner, eight months pregnant at the time—were lynched and tortured by mobs of white citizens.

Through hauntingly detailed full-color artwork and collage, Elegy for Mary Turner names those who were killed, identifies the killers, and evokes a landscape in which the NAACP investigated the crimes when the state would not and a time when white citizens baked pies and flocked to see Black corpses while Black people fought to make their lives—and their mourning—matter.

Included are contributions from C. Tyrone Forehand, great-grandnephew of Mary and Hayes Turner, whose family has long campaigned for the deaths to be remembered; abolitionist activist and educator Mariame Kaba, reflecting on the violence visited on Black women’s bodies; and historian Julie Buckner Armstrong, who opens a window onto the broader scale of lynching’s terror in American history.

I read this book after one of my students recommended it. I think she may have read it in one of her other classes. This book describes one of the most horrific murders I think I’ve ever read about. And on top of everything that happened to Mary Turner and her family, the end of the book explains that the marker on the site of her lynching had to be removed to storage after being repeatedly defaced.

Mary Turner Memorial, photo published in Valdosta Daily Times

And yet some would have you believe that it’s people who want students to know the truth, the full and real history of slavery, Jim Crow, racial terror lynching, and White supremacy who are racially divisive. We must reckon honestly with our history of racism. This is an important book about a history that people should know. This is not ancient history. My great-grandmother, whom I knew as a child, was born the year after Mary Turner.

NPR: An Author Replies To The Unspeakable In Her ‘Elegy’ For Lynching Victim Mary Turner

Equal Justice Initiative: Mary Turner, Pregnant, Lynched in Georgia for Publicly Criticizing Husband’s Lynching

Black Past: Mary Turner (1899-1918)

five-stars

Review: The Lost Apothecary, Sarah Penner

Review: The Lost Apothecary, Sarah PennerThe Lost Apothecary by Sarah Penner
Published by Park Row on March 2, 2021
Genres: Contemporary Fiction, Historical Fiction, Mystery
Pages: 305
Format: Paperback
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four-stars

A female apothecary secretly dispenses poisons to liberate women from the men who have wronged them - setting three lives across centuries on a dangerous collision course.

Rule #1: The poison must never be used to harm another woman. Rule #2: The names of the murderer and her victim must be recorded in the apothecary’s register.

One cold February evening in 1791, at the back of a dark London alley in a hidden apothecary shop, Nella awaits her newest customer. Once a respected healer, Nella now uses her knowledge for a darker purpose—selling well-disguised poisons to desperate women who would kill to be free of the men in their lives. But when her new patron turns out to be a precocious twelve-year-old named Eliza Fanning, an unexpected friendship sets in motion a string of events that jeopardizes Nella’s world and threatens to expose the many women whose names are written in her register.

In present-day London, aspiring historian Caroline Parcewell spends her tenth wedding anniversary alone, reeling from the discovery of her husband’s infidelity. When she finds an old apothecary vial near the river Thames, she can’t resist investigating, only to realize she’s found a link to the unsolved “apothecary murders” that haunted London over two centuries ago. As she deepens her search, Caroline’s life collides with Nella’s and Eliza’s in a stunning twist of fate —and not everyone will survive.

This was a fun read. I received this book from a work colleague who said it was one of her favorite reads last year, and she didn’t see it on my Goodreads account. In fact, this book hadn’t even crossed my radar until she gave it to me. My favorite genre is historical fiction, and I enjoyed going back in time to Nella’s apothecary shop. Usually, when books are set in both the past and the present, I find the parts set in the present kind of a slog. A good example of this phenomenon is Anne Rice’s books. However, this book was different. The parts set in the present were just as captivating, mainly because I enjoyed Caroline’s quest to find out the story behind the apothecary bottle she found while mudlarking in the Thames. Parts of the storyline strain credulity. I know enough about historical research to know Caroline would have had to have done a lot more digging to find the answers she sought, and it would have taken years, if she even found them at all. But books are where you go to escape realism sometimes, and this book was a nice escape. It’s a light read that I’d recommend to anyone who likes reading historical fiction, particularly set in London, or anyone who wishes, like Caroline, that they could take a vacation in London all by themselves.

four-stars

Two Books You Should Read by Indigenous Authors

This week, I finished two books, both by indigenous authors. Postcolonial Love Poem is Mojave and an enrolled member of the Gila River Indian Tribe. Activist Roxanne Dunbar-Ortiz believes her mother was Native American but assimilated when she married Dunbar-Ortiz’s father. I highly recommend both books, which take on America’s history as a colonizing country—something the U.S. frequently pretends not to be.

Two Books You Should Read by Indigenous AuthorsPostcolonial Love Poem by Natalie Díaz
Published by Graywolf Press on March 3, 2020
Genres: Poetry
Pages: 107
Format: Paperback
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five-stars

Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award. Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.

Diaz defies three conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

My favorite poems in this collection were “American Arithmetic,” “They Don’t Love You Like I Love You,” “The First Water is the Body,” and “exhibits from The American Water Museum.” I liked them all for different reasons. I was familiar with “American Arithmetic” already. I think someone on Twitter pointed me in that poem’s direction a few years ago. It’s a clever use of statistics to make a point. “They Don’t Love You Like I Love You” plays with lyrics from “Maps” by the Yeah Yeah Yeahs. I wanted to teach that poem this year, but we had a snow day, and I had to move some things around. I liked the two water poems for the messages about water and life. This collection was an excellent read on the train to and from Boston yesterday.

Two Books You Should Read by Indigenous AuthorsAn Indigenous Peoples' History of the United States (ReVisioning American History, #3) by Roxanne Dunbar-Ortiz
Published by Beacon Press on September 16, 2014
Genres: Nonfiction
Pages: 296
Format: E-Book, eBook
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five-stars

The first history of the United States told from the perspective of indigenous peoples.
Today in the United States, there are more than five hundred federally recognized Indigenous nations comprising nearly three million people, descendants of the fifteen million Native people who once inhabited this land. The centuries-long genocidal program of the US settler-colonial regimen has largely been omitted from history. Roxanne Dunbar-Ortiz offers a history of the United States told from the perspective of Indigenous peoples and reveals how Native Americans, for centuries, actively resisted expansion of the US empire. Spanning more than four hundred years, this classic bottom-up peoples’ history radically reframes US history and explodes the silences that have haunted our national narrative.

I read this book in fits in starts. I first started to read it some time back, I forget how long ago, but I had to set it aside for reasons I no longer remember (probably grad school). I picked it up again recently as I was teaching a unit in my Social Justice class on Native history and literature. As advertised, this book examines the history of America through the eyes of indigenous people. I was looking for a bit more about more recent history, including activism on the part of the American Indian Movement and more recent strides such as the Indian Child Welfare Act (which is under threat) and cultural revival efforts. Still, this book was an interesting introduction to the many ways the United States’ genocide and war against indigenous people have impacted today’s events. For instance, I happened to note a politician on TV using the term “Indian Country” to refer to a country/territory hostile to Americans, and it was right after I had read in Dunbar-Ortiz’s book that the military still uses this term. The legacy of the horrible racism and greed perpetrated against indigenous people is still very much a part of our country today.

Review: Shelley’s Ghost: Reshaping the Image of a Literary Family, Stephen Hebron and Elizabeth C. Denlinger

Review: Shelley’s Ghost: Reshaping the Image of a Literary Family, Stephen Hebron and Elizabeth C. DenlingerShelley's Ghost: Reshaping the Image of a Literary Family by Stephen Hebron, Elizabeth C. Denlinger
Published by Bodleian Library on January 15, 2011
Genres: Biography, Nonfiction, Poetry
Pages: 192
Format: Paperback
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five-stars

It is difficult to think of a family more endowed with literary genius than the Shelley family—from the Romantic poet Percy Bysshe Shelley and his wife, novelist Mary Shelley, to Mary’s parents, William Godwin and Mary Wollstonecraft—all were authors in their own right. Using extensive archival material Shelley’s Ghost explores the making of this remarkable literary family’s reputation.

Drawing on the Bodleian Library’s outstanding collection of letters, poetry manuscripts, rare printed books, portraits, and other personalia—including Shelley’s working notebooks, Keats’s letters to Shelley, William Godwin’s diary, and the original manuscript of Mary Shelley’s Frankenstein—Stephen Hebron charts the history of this talented yet troubled family. After Percy Bysshe Shelley’s drowning in 1822, Mary published various manuscripts relating to both her husband’s and her father’s lives, and passed this historical legacy to her son, Sir Percy Florence Shelley and his wife, Lady Jane Shelley. As guardians of the archive until they bequeathed it to the Bodleian in 1892, Sir Percy Florence and Lady Jane helped shape the posthumous reputations of these writers. An afterword by Elizabeth Denlinger of the New York Public Library offers an additional perspective, exploring material relating to the Shelley family that slipped beyond the family’s control.

An unparalleled look at one of the most significant families of British Romantic literature, Shelley’s Ghost will be welcomed by scholars and the many fans of this enduring literacy legacy.

Percy Bysshe Shelley was the poet who made me fall in love with poetry. I can’t claim I always understand what he says, but he captures something that really spoke to me as a high-school student with dreams of being a writer, too. Later, I took a course in college called Late Romantic Literature. My university was on the quarter system at that time, and each quarter was 10 weeks long. I recall we spent two weeks each on Lord Byron, Percy Bysshe Shelley, John Keats, and Mary Shelley. I don’t remember what the other two weeks’ focus was. The course only deepened my appreciation for the Romantic poets, especially Shelley. About ten years ago, I was given this book after entering a contest. The goal was to record yourself reciting a Shelley poem, and the best entry would win a signed edition of this book. I didn’t submit the best entry, but I submitted one of only three entries, so the Bodleian decided to give all of us a copy. It was rather nice of them to do, and I started to read the book, but one thing happened and then another, and I’m sad to say I let the book sit on my bookshelf. I finally read it over my winter break.

The images in the book are gorgeous. I wish I were better able to read the letters and manuscripts photographed for the book, or perhaps that full transcriptions had been provided in an appendix. Unfortunately, the Bodleian has taken down the exhibition website as the technologies used to build and maintain it are obsolete. You can see some of the exhibition in this video:

I am not sure to what extent this exhibition was permanent or that visitors to the Bodleian could see it today, but the exhibition book captures beautiful photographs of everything from artwork to manuscripts. The text of the exhibition book presents the history of the family from William Godwin and Mary Wollstonecraft through Percy Florence Shelley and his wife Jane, Lady Shelley. Percy Florence Shelley was the only child of Percy Bysshe and Mary Wollstonecraft Shelley to survive to adulthood. I found myself particularly interested in Lady Shelley as she turned out to be something of an eccentric, and her devotion to the memory of her late father- and mother-in-law may be one reason why we have so many of the family’s manuscripts and belongings. She seems to have adored her mother-in-law, Mary Shelley.

I really love seeing the handwriting of writers, and this book includes several images from journals, notebooks, and letters written by Percy Bysshe Shelley, Mary Shelley, and her parents William Godwin and Mary Wollstonecraft. I was particularly intrigued by the chapter on Shelley’s notebooks. Shelley drowned, along with his friend Edward Williams, when his boat the Don Juan capsized off the coast of Italy. How poignant and sad that Shelley had a tendency to draw boats in his journals. I was also struck by the work Mary Shelley did to secure her husband’s literary legacy while fighting her father-in-law’s wishes to bury all of his son’s work, especially as Mary needed her father-in-law’s support to ensure her son, Percy Florence Shelley, had a proper education and inherited the Shelley baronetcy. (I’m not sure she cared as much about the title as she did that her son was educated and had the support he needed.)

I was moved by William Godwin’s letter to his daughter in February 1823 (some months after Shelley’s death):

Do not, I intreat you, be cast down about your worldly circumstances. You certainly contain within yourself the means of your subsistence. Your talents are truly extraordinary. Frankenstein is universally known; &, though it can never be a book for vulgar reading, it is every where respected. It is the most wonderful work to have been written at twenty years of age that I ever heard of.

I wonder if she felt at all encouraged that her father, widely considered a great philosopher and writer in his time, felt this way about her work, and not because she was his daughter, but because she was good.

I think anyone with an interest in Romantic poets or Shelley, in particular, will enjoy the beautiful images in this book. The text may or may not illuminate the family history, depending on the reader’s familiarity with the broad strokes of their lives. It’s a beautiful book and one I’m happy to own (even if it took me a decade to finally read).

five-stars

November Reading Round-Up

I haven’t had much time to do reviews lately, so I’m going to gather up a few short reviews for books I’ve read since finishing the last book I reviewed, Sourdough Culture. I re-read Toni Morrison’s Song of Solomon and Colson Whitehead’s The Underground Railroad as I was teaching both books this month. I tried something I have never done before I listened to both books as I took my daily walks at 1.3x speed. I found I was able to keep up and get through the readings more quickly. I’m not sure it would work with books I’ve never read before, but it was a great timesaver for re-reading books I needed to read for work.

I also re-read Frankenstein along with Michael Ian Black’s podcast Obscure. It was interesting, as Michael pointed out some of the book’s flaws, and I have to admit I hadn’t noticed these storytelling issues in the past, largely, I believe, as a result of English teacher conditioning. I’d be the first to admit not all classics are great, but it was interesting to read this book along with someone who didn’t like it.

November Reading Round-UpThe 1619 Project: Born on the Water by Nikole Hannah-Jones, Renée Watson, Nikkolas Smith
Published by Kokila on November 16, 2021
Genres: Childrens
Pages: 48
Format: Hardcover
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five-stars

The 1619 Project’s lyrical picture book in verse chronicles the consequences of slavery and the history of Black resistance in the United States, thoughtfully rendered by Pulitzer Prize-winning journalist Nikole Hannah-Jones and Newbery honor-winning author Renée Watson. A young student receives a family tree assignment in school, but she can only trace back three generations. Grandma gathers the whole family, and the student learns that 400 years ago, in 1619, their ancestors were stolen and brought to America by white slave traders. But before that, they had a home, a land, a language. She learns how the people said to be born on the water survived.

This book was outstanding. I often purchase children’s books for classroom use even though I teach high school because if you can explain a topic to a child, pretty much anyone can understand it. Over the last five years or so, in particular, children’s publishing has made a much greater effort to incorporate books about children of color by authors of color. They still have a way to go, but it’s important for all children to see themselves in books, and it’s also important for all children to learn about people who are different from them. Dr. Rudine Sims Bishop developed the term “mirrors, windows, and sliding glass doors” to explain this concept. The sliding glass doors are an invitation to enter, to go inside. I was able to attend a keynote at a recent English teacher’s conference in which the author Nikole Hannah-Jones and illustrator Nikkolas Smith discussed the making of this book, and it was fascinating to hear about the way Smith developed the artwork, which is gorgeous. What I love most about this book is the counternarrative it offers to a colonist’s perspective that an indigenous culture had no culture. Naturally, this is never true, but it’s a lie that is often told to justify treating people as less than human. This would be a great gift for any child’s library, and it should also be in every school and classroom library.

November Reading Round-UpGrace: Based on the Jeff Buckley Story by Tiffanie DeBartolo, Pascal Dizin
Published by First Second on April 28, 2019
Genres: Biography
Pages: 160
Format: Paperback
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three-stars

A moving graphic biography for music lovers, Grace: The Jeff Buckley Story is painstakingly researched and created in collaboration with Jeff Buckley's estate.

California, 1991. All his life, people have told Jeff Buckley how much he looks like his father, the famous ’60s folksinger he barely knew. But Jeff believes he has gifts of his own: a rare, octave-spanning voice and a songwriting genius that has only started to show itself. After he falls in love with a mysterious girl in New York, he sets out to make a name for himself outside his father’s shadow. What follows are six turbulent years of music, heartbreak, hope, and daring—culminating in a tragedy that’s still reverberating in the music world today. Written by Tiffanie DeBartolo and with art by Pascal Dizin and Lisa Reist, this graphic novel biography uses archival material provided by Jeff’s mother, Mary Guibert, to reveal the young songwriter in the process of becoming a legend.

This book was good. Let me start by saying that I’m a huge fan of Jeff Buckley’s, and I have been for a long time. I recently went to see a touring production of Hadestown with my husband, and once my husband pointed out that Orpheus was giving off Jeff Buckley vibes, I couldn’t unsee it. I listened to the off-Broadway production and discovered that Damon Daunno pretty much sounds just like Jeff Buckley.

And he even resembles him a bit. Broadway performer Reeve Carney has been tapped to play Jeff Buckley in a film production based on the artist’s life. I remembered I had this graphic biography on my wishlist, so I went ahead and purchased it. I felt that at times, the story was not treated with seriousness, but this feeling has more to do with the art than the writing. I really didn’t care for the art; the cover led me to believe I’d be seeing something different inside the book, and while some of the art was fantastic, most of it was too cartoony. The story sort of peters out after Buckley records Grace, and I would have liked to have seen more of his story. The book seems to imply that Buckley committed suicide, which is a rumor that has been given no credit by anyone who knew him.

November Reading Round-UpWe Are Still Here!: Native American Truths Everyone Should Know by Traci Sorell, Frané Lessac
Published by Charlesbridge Publishing on April 20, 2021
Genres: Childrens
Pages: 40
Format: Hardcover
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five-stars

Twelve Native American kids present historical and contemporary laws, policies, struggles, and victories in Native life, each with a powerful refrain: We are still here! Too often, Native American history is treated as a finished chapter instead of relevant and ongoing. This companion book to the award-winning We Are Grateful: Otsaliheliga offers readers everything they never learned in school about Native American people's past, present, and future. Precise, lyrical writing presents topics including: forced assimilation (such as boarding schools), land allotment and Native tribal reorganization, termination (the US government not recognizing tribes as nations), Native urban relocation (from reservations), self-determination (tribal self-empowerment), Native civil rights, the Indian Child Welfare Act (ICWA), religious freedom, economic development (including casino development), Native language revival efforts, cultural persistence, and nationhood.

This was another classroom library purchase, and I think it explains very succinctly what issues indigenous people have experienced with settler colonialism in the USA. I was not surprised to learn one of the sources for the information was David Treuer’s The Heartbeat of Wounded Knee. I learned much of the information covered in this children’s book from Treuer’s book. However, as I said before, if you can explain it to a child, you can explain it to anyone. One of the reviewers on Goodreads complained this would not make a great read-aloud for children, and I would say I agree with that assessment. It’s more of an information text for people of all ages who want to learn about the issues the book discusses.

November Reading Round-UpChange Sings: a Children's Anthem by Amanda Gorman, Loren Long
Published by Viking Books for Young Readers on September 21, 2021
Genres: Childrens
Pages: 32
Format: Hardcover
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Goodreads
five-stars

A lyrical picture book debut from Youth Poet Laureate Amanda Gorman and illustrator Loren Long. “I can hear change humming/ In its loudest, proudest song. / I don’t fear change coming, / And so I sing along.” In this stirring, much-anticipated picture book by inaugural Youth Poet Laureate and activist Amanda Gorman, anything is possible when our voices join together. As a young girl leads a cast of characters on a musical journey, they learn that they have the power to make changes—big or small—in the world, in their communities, and in most importantly, in themselves.

In contrast to the previous book, this book was made for read-alouds, and it’s no wonder, as Amanda Gorman is a brilliant young poet. This book’s catchy language will appeal to people of all ages, as well. I would highly recommend it to anyone thinking of gifts for children, especially. I’m not sure if it has a place in my classroom library, as it doesn’t focus on a single issue, though the artwork makes it clear the book is about community organization. I think that’s what would make the book appealing to children, however. It’s a beautifully written and beautifully illustrated book.

Update 12/2: I have removed the name of one of the illustrators of Grace by request. I retrieve all metadata on books from Goodreads.

Canning and Preserving Books

I have been wanting to try canning and preserving for a long time, but I was intimidated and also didn’t have enough time to devote to learning a new thing. If you’ve been following this blog for a while, you might remember that I have made soap pretty often in the past and also taught myself how to make bread. I learned both of these home crafts, for lack of a better term, through reading books (my preferred medium for learning). One of my students told me that’s really weird because she, like many other people her age, prefers to learn by watching YouTube videos.

Shrug Gif

I bought myself two canning and preserving books. I figured I’d have time to read them and try out some recipes now that it’s summer (a perfect time to learn to preserve) and I’m all done with grad school. I did a bit of research to find out which books most people were recommending on blogs, and I wound up buying two.

Canning and Preserving BooksFoolproof Preserving: A Guide to Small Batch Jams, Jellies, Pickles, Condiments, and More by America's Test Kitchen
Published by America's Test Kitchen on April 5, 2016
Genres: Cooking
Pages: 320
Format: Paperback
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five-stars

Canning perfected the America’s Test Kitchen way. The art of preserving produce by canning and preserving has come full circle from grandmother's kitchen to a whole new generation now eager to learn it. This detailed guide to home preserving is perfect for novice canners and experts alike and offers more than 100 foolproof recipes across a wide range of categories, from sweet jams and jellies to savory jams, vegetables, condiments, pickles, whole fruits, and more. Let the experts at America's Test Kitchen show you how to do it right with detailed tutorials, troubleshooting tips, equipment information, and insight into the science behind canning.

What I loved most about this book is that all the recipes are small-batch, and the book is geared toward novices. One reviewer on Goodreads criticized this book for having a lot of recipes that cannot be processed for long-term storage. That’s a fair critique. One example I noted was their recipe for onion jam; however, the Ball book below has a similar onion jam recipe that can be processed. I thought their instructions were very clear. I have learned to trust America’s Test Kitchen books and recipes online/in magazines after trying so many. They all just work because, well, ATK tests everything (hence, their name). It’s nice to know what pitfalls to avoid. Their ingredient and equipment reviews were really helpful. On their advice, I bought the canning pot, jar lifter, and pectin they recommended.

Canning and Preserving BooksThe All New Ball Book Of Canning And Preserving: Over 350 of the Best Canned, Jammed, Pickled, and Preserved Recipes by BALL
Published by Oxmoor House on May 31, 2016
Genres: Cooking
Pages: 368
Format: Paperback
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Goodreads
five-stars

From the experts at Jarden Home Brands, makers of Ball canning products, comes the first truly comprehensive canning guide created for today's home cooks. This modern handbook boasts more than 350 of the best recipes ranging from jams and jellies to jerkies, pickles, salsas, and more—including extender recipes to create brand new dishes using your freshly preserved farmer's market finds or vegetable garden bounty. Organized by technique, The All New Ball Book of Canning and Preserving covers water bath and pressure canning, pickling, fermenting, freezing, dehydrating, and smoking. Straightforward instructions and step-by-step photos ensure success for beginners, while practiced home canners will find more advanced methods and inspiring ingredient twists. Thoroughly tested for safety and quality by thermal process engineers at the Fresh Preserving Quality Assurance Lab, recipes range from much-loved classics—Tart Lemon Jelly, Tomato-Herb Jam, Ploughman's Pickles—to fresh flavors such as Asian Pear Kimchi, Smoked Maple-Juniper Bacon, and homemade Kombucha. Make the most of your preserves with delicious dishes including Crab Cakes garnished with Eastern Shore Corn Relish and traditional Strawberry-Rhubarb Hand Pies. Special sidebars highlight seasonal fruits and vegetables, while handy charts cover processing times, temperatures, and recipe formulas for fast preparation. Lushly illustrated with color photographs, The All New Ball Book of Canning and Preserving is a classic in the making for a new generation of home cooks.

This book is a comprehensive compendium that includes instructions and recipes for everything from jams and fruit preserves to dehydration and smoking and curing meat. I think many of the recipes and techniques are within reach of beginners, but whether or not beginners would want to invest in them is probably another issue; for example, I’m not sure I have an interest in curing my own bacon. Still, that’s just me. Most of the book is dedicated to canning in many forms, from jams to pickles. There is a chapter on pressure canning. I’m not sure I feel like I want to invest in a separate gadget just to try pressure canning, but some of the recipes in that section do look good. There is an intriguing recipe for mustard in the fermenting section that I want to try, and their dill pickle spears look like they’d be interesting to try as well.

Both of these books are great in terms of instructions, advice, and recipes, but I give the nudge to the Ball book in terms of range. I haven’t tried any of its recipes yet, but I made some of the ATK book’s blueberry jam and preserved some cherries in syrup. I’m hoping to try dill pickles next. I took some pictures to chronicle this journey.

Blueberries on the Bush
Photo credit Steve Huff

My husband and I went to our local pick-your-own farm and got four quarts of blueberries. There was something really satisfying about pulling the fruit off the bush and hearing it plink as it fell into the bucket or cardboard box. I’ve never picked blueberries before, but I have gone to this farm to pick strawberries and apples.

Blueberries

I decided to make the America’s Test Kitchen book’s Blueberry Earl Grey jam because I love Earl Grey tea. Also, it was a small two-jar recipe that would give me a chance to try out processing, a technique for preserving jam for long-term storage—up to a year.

Blueberries Cooking

The blueberries don’t need to cook very long before they start to release their juice. After you add the pectin and sugar, it seems like a really quick process. Even though I was just making two jars

Blueberries Becoming Jam

I tried out my new canning pot, which is the one America’s Test Kitchen recommends in their book both in terms of value and durability. When I was done I had two jars of blueberry jam. I can’t taste the Earl Grey tea at all. A friend told me you need a lot more tea than five teabags to impart flavor, so I’m not sure what the folks at ATK were tasting, but it didn’t come through for me. Lesson learned. I’m not going to bother adding the tea in the future.

Jars of Blueberry Jam

Our local pick-your-own had a few tart cherries in their farm store, but the season is pretty much over, and if they grow sweet cherries, I missed it. I bought some sweet cherries from my grocery store. Making the cherries in syrup was a process because I had to pit all the cherries, and I don’t have a cherry pitter. I’m not sure I should get one because I don’t think I’ll be preserving cherries in syrup a lot. They are extremely delicious, but the cherry season is so short. It seems like something I might do once a year. I did a search online to see how you go about pitting cherries if you don’t have a pitter. I found a video that recommends pushing a metal straw through the top of the cherry so the pit comes out the bottom. This might be a fine idea if you only have to pit a few cherries, but if you have to pit three pounds, it’s a bit tedious. Some of the cherries fought pretty hard to hold onto their pits. My hands were covered in cherry juice, and I made a big mess, but I got it done. I followed some additional advice in the ATK book about cutting a vanilla bean in half, scraping out the seeds and putting them in the syrup, and then cutting the bean in fourths and putting one section in each jar. Now, that did make the cherries have a hint of a vanilla flavor that was really delicious, but I don’t want to tell you what I paid for vanilla beans. It was shy of sacrificing my firstborn. I don’t know if the same effect can be achieved by using vanilla extract or not. In any case, I processed the cherries to practice using the canner again.

Cherries in Syrup

I tried some on vanilla ice cream, and they were delicious. They were not overly sweet—just the right amount of sweetness and that yummy hint of vanilla. Fruit in syrup can be cloying, but these were excellent. Perfect for vanilla ice cream.

Cherries on Ice Cream

I really enjoyed starting my canning adventures, and these two books are both highly recommended for anyone looking to try it.