Review: Notes from a Small Island, Bill Bryson

Review: Notes from a Small Island, Bill BrysonNotes from a Small Island by Bill Bryson
Published by William Morrow Genres: Nonfiction
Pages: 338
Format: E-Book, eBook
Source: Library
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Goodreads
three-half-stars

After nearly two decades in Britain, Bill Bryson, the acclaimed author of such best sellers as The Mother Tongue and Made in America, decided it was time to move back to the United States for a while. This was partly to let his wife and kids experience life in Bryson's homeland, and partly because he had read that 3.7 million Americans believed that they had been abducted by aliens at one time or another. It was thus clear to him that his people needed him. But before leaving his much-loved home in North Yorkshire, Bryson insisted on taking one last trip around Britain, a sort of valedictory tour of the green and kindly island that had so long been his home. His aim was to take stock of modern-day Britain, and to analyze what he loved so much about a country that had produced Marmite, zebra crossings, and place names like Farleigh Wallop, Titsey, and Shellow Bowells. With wit and irreverence, Bill Bryson presents the ludicrous and the endearing in equal measure. The result is a social commentary that conveys the true glory of Britain.

I have a little announcement. I picked up this book because my sister and I are planning a trip to the United Kingdom and Ireland in the summer of 2024.

Excited GIF

I thought reading a Bryson travelogue would be a lot of fun and add to the anticipation, especially as Bryson wrote it upon leaving the UK for the US (he now lives in the UK again)—I was expecting something a bit more wistful. I also thought he might travel to some of the same places on my itinerary and offer some insight.

Itinerary map for trip to the UK and Ireland

I’ll begin with about four days in London, travel by train to Edinburgh and spend a day there, then travel to Liverpool (stopping by Kendal on the way), spending an evening in the city. The next day, we’re off to Wales with a stop (and picture opportunity) in the village of Llanfair­pwllgwyngyll­gogery­chwyrn­drobwll­llan­tysilio­gogo­goch. We will take a ferry to Dublin and spend several days in Ireland, including Blarney Castle, the Ring of Kerry, and the Cliffs of Moher.

Sadly, I was a bit disappointed with this book. I suppose it isn’t Bryson’s fault he didn’t write the book I wanted to read, but given the enjoyment Bryson’s other books have offered, this was a bit of a letdown. He purports to love the UK, but he spent pretty much the entire book complaining about it. It bothered me that a lot of his complaining was due to his poor planning as well—he was downright rude to a few customer service professionals as well, and that never sits right with me. I suppose one thing that bothered me was that Bryson was privileged to be able to travel across the entirety of the UK, something I have dreamed about doing for over 30 years, and he didn’t appreciate it. I liked parts of the book and even chuckled a few times (hence 3½ stars), but overall, it’s not one of Bryson’s best.

A bit of an unrelated coda: I will probably read a lot of other books in anticipation of this trip, but I’m not sure I’ll include Bryson’s sequel to this one.

three-half-stars

Review: Country, Michael Hughes

Review: Country, Michael HughesCountry by Michael Hughes
Narrator: Michael Hughes
Published by HarperAudio on October 1, 2019
Genres: Historical Fiction
Length: 7 hours 19 minutes
Format: Audio, Audiobook
Source: Library
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Goodreads
five-stars

A vivid and brutal reimagining of Homer's Iliad, set in the Troubles of the late twentieth-century.

That was the start of it. A terrible business altogether. Oh, it was all kept off the news, for the sake of the talks and the ceasefire. But them that were around that part of the country remember every bit. Wait now till you hear the rest.

Northern Ireland, 1996.

After twenty-five years of conflict, the IRA and the British have agreed an uneasy ceasefire, as a first step towards lasting peace. But if decades of savage violence are leading only to smiles and handshakes, those on the ground in the border country will start to question what exactly they have been fighting for.

When an IRA man's wife turns informer, he and his brother gather their old comrades for an assault on the local army base. But the squad's feared sniper suddenly refuses to fight, and the SAS are sent in to crush this rogue terror cell before it can wreck the fragile truce, and drag the whole region back to the darkest days of the Troubles.

Inspired by the oldest war story of them all, this powerful new Irish novel explores the brutal glory of armed conflict, and the bitter tragedy of those on both sides who offer their lives to defend the honour of their country.

What a fantastic book. I am not sure what it says about the progress of humanity that setting a retelling of The Iliad amidst the end of the Troubles works so well, but it’s masterful. Working knowledge of neither The Iliad nor the Troubles is absolutely required to appreciate this book, but you will appreciate it on an entirely different level if you’re familiar with both. The characters are not caricatures or cardboard cutout representations of Greek and Trojan heroes; Hughes fleshes them out so fully that rather than a retelling, the story feels like it’s happening all over again, and this time, to real people. It’s well written, too, and I’m extremely glad I listened to the audiobook, read by Hughes, though a word of warning: a decent understanding of a Northern Irish dialect is required. Hughes manages to pick up some of Homer’s cadence while still making the story completely his own.

This book reminded me a little bit of Marlon James’s A Brief History of Seven Killings. In my review of that book, I wrote, “I’m not sure what to say about this book. It’s hard for me to recommend it to anyone because it’s really violent and disturbing, but it was completely captivating at the same time. I was riveted.” I might say the same about this book. I have a feeling this book will be one of my top reads of the year. I highly recommend it to anyone interested in the Troubles.

five-stars

Review: To the Bright Edge of the World, Eowyn Ivey

Review: To the Bright Edge of the World, Eowyn IveyTo The Bright Edge of the World by Eowyn Ivey
Narrator: John Glouchevitch, Christine Lakin, Kiff Vandenheuvel
Published by Hachette Audio on August 2, 2016
Genres: Historical Fiction
Length: 13 hours 27 minutes
Format: Audio, Audiobook
Source: Library
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Goodreads
five-stars

In the winter of 1885, Lieutenant Colonel Allen Forrester sets out with his men on an expedition into the newly acquired territory of Alaska. Their objective: to travel up the ferocious Wolverine River, mapping the interior and gathering information on the region’s potentially dangerous native tribes. With a young and newly pregnant wife at home, Forrester is anxious to complete the journey with all possible speed and return to her. But once the crew passes beyond the edge of the known world, there’s no telling what awaits them.

With gorgeous descriptions of the Alaskan wilds and a vivid cast of characters —including Forrester, his wife Sophie, a mysterious Eyak guide, and a Native American woman who joins the expedition—TO THE BRIGHT EDGE OF THE WORLD is an epic tale of one of America’s last frontiers, combining myth, history, romance, and adventure.

In the Middle Ages, mapmakers used to draw dragons, sea monsters, and other mythical creatures to mark the unknown: “Here be dragons.” Lt. Col. Allen Forrester must have understood the impulse. I loved this epistolary novel about an expedition to explore the fictional Wolverine River in Alaska. The characters come to life through letters, diary entries, and artifacts such as advertisements, photographs, drawings, and much more. I was listening to the audiobook, and I checked out the hardcover from the library so I could examine some of these artifacts as I read.

I probably wouldn’t have picked up this book had I not been participating in the Decades Reading Challenge and needed a book set in the 1880s or 1890s. I didn’t think I was much interested in reading about Alaska or its exploration. However, the book had good reviews, and I thought I’d at least check it out. I’m so glad I did because Eowyn Ivey managed to captivate me on a subject and setting I wasn’t much interested in.

The descriptions of Alaska were lyrical, and I rooted for the expedition to make it. More than that, Ivey transformed Sophie Forrester’s story—waiting at home for her husband to return and taking up photography—into a fascinating tale to equal her husband’s. I particularly loved the coda at the end.

Along with the Forresters’ story, Ivey also weaves the tale of the blossoming friendship between Walt Forrester, a descendant of the Colonel’s brother, and Josh Sloan, who works at a museum in Alaska. Walt wants to bequeath the Forrester papers and artifacts to the museum. I was charmed by their letters back and forth to each other.

The audiobook is excellent, but if you read it, do yourself a favor and have a paper copy on hand to experience the full multimedia experience this book offers.

 

five-stars

Review: Harlem Shuffle, Colson Whitehead

Review: Harlem Shuffle, Colson WhiteheadHarlem Shuffle by Colson Whitehead
Narrator: Dion Graham
Published by Penguin Random House Audio Publishing Group on September 14, 2021
Genres: Historical Fiction
Length: 10 hours and 36 minutes
Format: Audio, Audiobook
Source: Library
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Goodreads
four-stars

From two-time Pulitzer Prize-winning author Colson Whitehead, a gloriously entertaining novel of heists, shakedowns, and rip-offs set in Harlem in the 1960s.

"Ray Carney was only slightly bent when it came to being crooked..."

To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver's Row don't approve of him or their cramped apartment across from the subway tracks, it's still home.

Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger all the time.

Cash is tight, especially with all those installment-plan sofas, so if his cousin Freddie occasionally drops off the odd ring or necklace, Ray doesn't ask where it comes from. He knows a discreet jeweler downtown who doesn't ask questions, either.

Then Freddie falls in with a crew who plan to rob the Hotel Theresa—the "Waldorf of Harlem"—and volunteers Ray's services as the fence. The heist doesn't go as planned; they rarely do. Now Ray has a new clientele, one made up of shady cops, vicious local gangsters, two-bit pornographers, and other assorted Harlem lowlifes.

Thus begins the internal tussle between Ray the striver and Ray the crook. As Ray navigates this double life, he begins to see who actually pulls the strings in Harlem. Can Ray avoid getting killed, save his cousin, and grab his share of the big score, all while maintaining his reputation as the go-to source for all your quality home furniture needs?

'Harlem Shuffle's' ingenious story plays out in a beautifully recreated New York City of the early 1960s. It's a family saga masquerading as a crime novel, a hilarious morality play, a social novel about race and power, and ultimately a love letter to Harlem.

But mostly, it's a joy to listen to, another dazzling novel from the Pulitzer Prize and National Book Award-winning Colson Whitehead.

After two back-to-back Pulitzer award-winning novels, Colson Whitehead seems like he wanted to have a little bit of fun. And who could blame him? The subject matter of both The Underground Railroad and The Nickel Boys is so heavy. As he does in those previous novels, however, Whitehead brings the setting to vivid life. A couple of times, I laughed out loud as I listened to this one. Yet there were also moments when Whitehead’s virtuosity as a writer was fully displayed. Frankly, this one would make a great film, and I kind of hope it gets made.

As well drawn as Ray Carney is, I think perhaps Freddie and Pepper were my favorite characters, but the book is peopled with many memorable (and lovable) characters. I loved the attention to detail. For example, Ray always made observations about the furniture—even when he had a gun trained on him, he noticed the office furniture. I understand a sequel is in the offing, and I’m excited to see what is in store for Ray Carney in the next book.

four-stars

Review: The Glass Hotel, Emily St. John Mandel

Review: The Glass Hotel, Emily St. John MandelThe Glass Hotel by Emily St. John Mandel
Narrator: Dylan Moore
Published by Knopf Publishing Group on March 24, 2020
Length: 10 hours 26 minutes
Format: Audio, Audiobook
Source: Library
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Goodreads
four-half-stars

From the award-winning author of Station Eleven, an exhilarating novel set at the glittering intersection of two seemingly disparate events—a massive Ponzi scheme collapse and the mysterious disappearance of a woman from a ship at sea.

Vincent is a bartender at the Hotel Caiette, a five-star lodging on the northernmost tip of Vancouver Island. On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby’s glass wall: Why don’t you swallow broken glass. High above Manhattan, a greater crime is committed: Alkaitis is running an international Ponzi scheme, moving imaginary sums of money through clients’ accounts. When the financial empire collapses, it obliterates countless fortunes and devastates lives. Vincent, who had been posing as Jonathan’s wife, walks away into the night. Years later, a victim of the fraud is hired to investigate a strange occurrence: a woman has seemingly vanished from the deck of a container ship between ports of call.

In this captivating story of crisis and survival, Emily St. John Mandel takes readers through often hidden landscapes: campgrounds for the near-homeless, underground electronica clubs, the business of international shipping, service in luxury hotels, and life in a federal prison. Rife with unexpected beauty, The Glass Hotel is a captivating portrait of greed and guilt, love and delusion, ghosts and unintended consequences, and the infinite ways we search for meaning in our lives.

I checked this book out right after finishing Sea of Tranquility because I understood it had many of the same characters as that book. For most of the book, I admit this one was sitting on 4 stars, but I bumped it up by the end because I didn’t want to stop listening once I reached the last couple of hours. It didn’t reach the brilliance of Sea of Tranquility or Station Eleven for me, but it was definitely interesting. Who knew you could write a lyrical novel about a Ponzi scheme? But it is. I can’t really say I liked any of the characters, but I’m not sure you’re supposed to. My favorite parts were the office workers reflecting on what they were doing—Mandel calls these sections the Office Chorus. I understand she has said that the Bernie Madoff Ponzi scheme inspired her, and she was curious as to what the people working with him were thinking as they engaged in this illegal and unethical behavior. This book explored humanity’s interconnectedness and how our pasts and the people in them haunt us. It was compelling, though I’m not sure it will rise to the top reads of 2023—Sea of Tranquility might.

four-half-stars

Review: The Orphan of Cemetery Hill, Hester Fox

Review: The Orphan of Cemetery Hill, Hester FoxThe Orphan of Cemetery Hill by Hester Fox
Published by Graydon House on September 15, 2020
Genres: Fantasy/Science Fiction, Historical Fiction
Pages: 337
Format: E-Book, eBook
Source: Library
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Goodreads
three-half-stars

The dead won’t bother you if you don’t give them permission.

Boston, 1844.

Tabby has a peculiar gift: she can communicate with the recently departed. It makes her special, but it also makes her dangerous.

As an orphaned child, she fled with her sister, Alice, from their charlatan aunt Bellefonte, who wanted only to exploit Tabby’s gift so she could profit from the recent craze for seances.

Now a young woman and tragically separated from Alice, Tabby works with her adopted father, Eli, the kind caretaker of a large Boston cemetery. When a series of macabre grave robberies begins to plague the city, Tabby is ensnared in a deadly plot by the perpetrators, known only as the “Resurrection Men.”

In the end, Tabby’s gift will either save both her and the cemetery—or bring about her own destruction.

I wanted to read this book for two reasons:

  1. I had just finished Hester Fox’s newest book, A Lullaby for Witches, and there was an excerpt of this book at the end. I liked the first chapter.
  2. It is set in Boston, one of my favorite places.

After reading two of Hester Fox’s books (and having started a third), I feel secure in saying Fox is at her best in setting the scene. She evokes gothic New England settings with the practiced hand of the historian she is. The inspiration for Cemetery Hill is the Copp’s Hill Burying Ground in Boston’s North End. The North End is one of my favorite areas of Boston. Fox brings 19th-century Boston to life, but in my case, she didn’t have to work too hard since I had seen many of the places in the novel.

Characterization is more of a challenge. I found Tabby to be naive—especially for someone who has had to live by her wits for so long. I didn’t understand why she was so interested in Caleb. I didn’t like him at all, and it didn’t say much about her taste in men that she was that interested in him. He never seemed able to make up his mind what he wanted, and I suppose that’s realistic enough—real people have that problem. More problematic was that Fox didn’t seem to know if he was a decent guy or not, so he just came off to me as confusing. The lead characters just didn’t strike me as real in the way the characters in A Lullaby for Witches did. I don’t have to like characters in order to enjoy a book. Wuthering Heights is my favorite book, and I hate all the characters. I suppose something I have discovered about myself is that if a writer can take me to a place, I enjoy the reading experience, and Hester Fox can certainly take a reader to a place.

This paragraph contains a slightly spoilery detail. The sinister plot at the heart of the book didn’t ring true. I found it easier to believe Tabby was clairvoyant than that the villains in this novel were interested in using her ability to reanimate the dead. Why? What were they hoping to accomplish? That question was never clearly answered. I get why people would want to contact the dead, but I didn’t understand their Frankenstein-like pursuit of reanimation.

Those quibbles aside, I still believe the book is worth 3.5 stars. Why? I really enjoyed the setting, and I found Fox’s evocation of 1850s Boston fascinating. Though the lead characters didn’t interest me, I did like Eli and Tabby’s sister Alice. The book is escapist fun for any reader who likes gothic stories in a New England setting.

three-half-stars

Review: Ten Steps to Nanette: A Memoir Situation, Hannah Gadsby

Review: Ten Steps to Nanette: A Memoir Situation, Hannah GadsbyTen Steps to Nanette by Hannah Gadsby
Published by Allen & Unwin on March 29, 2022
Genres: Memoir
Pages: 400
Format: Hardcover
Source: Library
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Goodreads
five-stars

Multi-awardwinning Hannah Gadsby transformed comedy with her show Nanette, even as she declared that she was quitting stand-up. Now, she takes us through the defining moments in her life that led to the creation of Nanette and her powerful decision to tell the truth-no matter the cost.

"There is nothing stronger than a broken woman who has rebuilt herself."—Hannah Gadsby, Nanette

Gadsby's unique stand-up special Nanette was a viral success that left audiences captivated by her blistering honesty and her ability to create both tension and laughter in a single moment. But while her worldwide fame might have looked like an overnight sensation, her path from open mic to the global stage was hard-fought and anything but linear. Ten Steps to Nanette traces Gadsby's growth as a queer person from Tasmania—where homosexuality was illegal until 1997—to her ever-evolving relationship with comedy, to her struggle with late-in-life diagnoses of autism and ADHD, and finally to the backbone of Nanette—the renouncement of self-deprecation, the rejection of misogyny, and the moral significance of truth-telling. Equal parts harrowing and hilarious, Ten Steps to Nanette continues Gadsby's tradition of confounding expectations and norms, properly introducing us to one of the most explosive, formative voices of our time.

I had this book on hold in the library for so long that I forgot I’d done so. I was eager to read it because I found Nanette profoundly moving.  If you’ve seen Nanette or Gadsby’s newer show Douglas, some of the material in the memoir will be familiar to you. There are some traumatic details in the memoir that Gadsby elides, while other events are given more context than she has previously given in her show. We are all in charge of our stories and tell them the way we need to tell them, so I was unbothered—this is a memoir after all. I was fascinated by Gadsby’s stories about learning she had ADHD and autism. Her descriptions of how she struggled with tasks and frustrated others felt so familiar to me as I have watched my own children struggle in similar ways. Some parts of the memoir are much longer—Gadsby’s formative years take up the longest chapter—but I understand why the book was broken up the way it was. She is grouping parts of her life together in ways that explain where Nanette came from, so some parts just have to be longer. Gadsby sprinkles footnotes throughout, and they reminded me of Gadsby’s asides during her shows. I’m not sure how they’d impact the audiobook, but I didn’t find them distracting in the hardcover. I’d definitely recommend this memoir to anyone who has appreciated Hannah Gadsby’s shows and wants to know more about her creative process and inspiration.

five-stars

Review: A Lullaby for Witches, Hester Fox

Review: A Lullaby for Witches, Hester FoxA Lullaby for Witches by Hester Fox
Published by Graydon House on February 1, 2022
Genres: Fantasy/Science Fiction, Historical Fiction
Pages: 352
Format: E-Book, eBook
Source: Library
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Goodreads
four-half-stars


Two women. A history of witchcraft. And a deep-rooted female power that sings out across the centuries.

Once there was a young woman from a well-to-do New England family who never quite fit with the drawing rooms and parlors of her kin. Called instead to the tangled woods and wild cliffs surrounding her family’s estate, Margaret Harlowe grew both stranger and more beautiful as she cultivated her uncanny power. Soon, whispers of “witch” dogged her footsteps, and Margaret’s power began to wind itself with the tendrils of something darker.

One hundred and fifty years later, Augusta Podos takes a dream job at Harlowe House, the historic home of a wealthy New England family that has been turned into a small museum in Tynemouth, Massachusetts. When Augusta stumbles across an oblique reference to a daughter of the Harlowes who has nearly been expunged from the historical record, the mystery is too intriguing to ignore. But as she digs deeper, something sinister unfurls from its sleep, a dark power that binds one woman to the other across lines of blood and time. If Augusta can’t resist its allure, everything she knows and loves—including her very life—could be lost forever.

I enjoy a good witch book, and this was a pretty good witch book. As a bonus, it’s set in my current home state of Massachusetts in the fictional town of Tynemouth, somewhere on the North Shore (my best guess, based on its proximity to the real cities of Salem and Boston). Parts of Margaret’s story seemed stilted, I think in part because of the author’s choice to bring her into the present to reflect on her growing power in several italicized sections. The Margaret sections set entirely in the past rang true. I am not sure how else Fox might have accomplished her storyline, but those passages always took me out of the story for a minute. However, I kept turning the pages, wanting to know what would happen. Some of my questions remained unsatisfied, but I’m afraid they’re spoilers. If you highlight the text that follows this paragraph, you’ll see my spoiler questions, but if you don’t want the story spoiled, you can keep reading the paragraph that follows the spoilers section.

Spoilers!

  1. I never found out exactly how Augusta and Margaret were related. I worked on the assumption that she’d be a direct descendant until Margaret was killed before her child could be born. After that, I didn’t know how Augusta could be related to Margaret. 
  2. I also wanted to know more about Augusta’s family history. Fox teased several times that there were some big reveals buried in the boxes of mementos of her father, and Augusta sifts through them a few times, even finding Margaret’s comb and a family tree with the name Montrose, the maiden name of Margaret’s mother. “Bishop” was also on the family tree, and Bridget Bishop was executed during the Salem Witch Trials. Fox wouldn’t be the first writer to use Bridget Bishop as a real witch, if that’s the case—Deborah Harkness makes her protagonist in A Discovery of Witches a descendant of Bridget Bishop and a real witch.
  3. What exactly happened to Margaret? Did she vanish? Is she still out there, lurking? 

I understand some character names from Fox’s other books appear in this book as well, but this was my first book by Hester Fox. I liked it enough that it will not be my last. She reminds me a bit of Brunonia Barry in how she captures Massachusetts’s witchy history, and I really liked the idea that Augusta worked in a museum—the former home of a prominent family. There is a hint of Barry’s characterization from The Lace Reader and A Map of True Places in this book. I will always have a soft spot for Brunonia Barry because I won a trip to Salem, MA in connection with her book A Map of True Places, and I’m convinced it was a sort of beginning that led to our moving to MA two years later. I will also always have a soft spot for Salem, and truthfully, I’d love to live on the North Shore one day.

I really enjoyed Fox’s comment in her acknowledgments, offering “thanks and admiration” to “the many museum workers and volunteers who are actively decolonizing the field and making museums more equitable places, both for the audiences they serve and in the stories they tell.” This idea plays out in the novel in how Augusta and her co-workers work to remember the stories of the women of Tynemouth. For far too long, the stories of so many people have been forgotten, and this is especially true of women and people of color. Fox tried to include both in this novel. She was more successful in capturing the women, but I appreciated watching Augusta try to uncover forgotten stories for her exhibit.

four-half-stars

Review: The Bookshop on the Corner, Jenny Colgan

Review: The Bookshop on the Corner, Jenny ColganThe Bookshop on the Corner by Jenny Colgan
Published by HarperCollins Publishers on September 20, 2016
Genres: Contemporary Fiction
Pages: 368
Format: E-Book, eBook
Source: Library
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Goodreads
four-half-stars

Nina Redmond is a literary matchmaker. Pairing a reader with that perfect book is her passion… and also her job. Or at least it was. Until yesterday, she was a librarian in the hectic city. But now the job she loved is no more.

Determined to make a new life for herself, Nina moves to a sleepy village many miles away. There she buys a van and transforms it into a bookmobile—a mobile bookshop that she drives from neighborhood to neighborhood, changing one life after another with the power of storytelling.

From helping her grumpy landlord deliver a lamb, to sharing picnics with a charming train conductor who serenades her with poetry, Nina discovers there’s plenty of adventure, magic, and soul in a place that’s beginning to feel like home… a place where she just might be able to write her own happy ending.

If you’ve read my previous post, you know my cat doesn’t have long to live, and it’s been difficult to read anything. I haven’t listened to audiobooks like I usually do on my walks because I find it hard to concentrate. I thought if I found a sort of cozy read, something of a love letter to books, I might do all right, and I was right. This book was just what the doctor ordered. It’s not great literature. It’s not going to change the world. It’s even pretty corny and twee. It’s like a Hallmark Channel movie made into a book. But it was kind of nice to disappear into Nina’s world in Kirrinfief, a place I desperately wanted to be real as much as I wanted the lovely children’s book Up on the Rooftops to be real.

I really enjoyed Jenny Colgan’s characters, especially the ancillary ones. Fair warning: this is the kind of book where the minor characters sort of steal the show whenever they’re on the page and the main characters are more of a vehicle for the story than anyone you fall in love with.

The one thing I didn’t like about this book was the title. I read somewhere that the book’s title only appears in the American edition, but I’m not sure that’s true. The title is misleading because Nina buys an old van and converts it into a mobile bookshop, so it’s not on any corner. The cover art makes no sense, given the novel’s story. I read that the original title was The Little Shop of Happy Ever After, which makes more sense as it’s the name of Nina’s mobile bookshop.

I’ll probably read more of Jenny Colgan’s books. This book isn’t for everyone, and I suspect some people would hate it for being so twee, but if twee is what you need, it’s perfect. It was perfect for me, at this moment.

four-half-stars

Mid-April Reading Update

I finished a couple of books this week and decided to roll the reviews together.

Mid-April Reading UpdateA Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life by George Saunders
Published by Random House on January 12, 2021
Length: 14 hours 44 minutes
Format: Audio, Audiobook
Source: Audible
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Goodreads
five-stars

For the last twenty years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times.

In his introduction, Saunders writes, “We’re going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn’t fully endorse but that these writers accepted implicitly as the aim of art—namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?” He approaches the stories technically yet accessibly, and through them explains how narrative functions; why we stay immersed in a story and why we resist it; and the bedrock virtues a writer must foster. The process of writing, Saunders reminds us, is a technical craft, but also a way of training oneself to see the world with new openness and curiosity. A Swim in a Pond in the Rain is a deep exploration not just of how great writing works but of how the mind itself works while reading, and of how the reading and writing of stories make genuine connection possible.

My husband and I listened to this on audiobook. He has been trying to get me to read George Saunders since an aborted attempt at Lincoln in the Bardo. I just couldn’t follow that one on audio, but I do want to try to read it in print. I see this book as a companion to Thomas C. Foster’s How to Read Literature Like a Professor. Essentially, it’s a master class in how literature works using short stories by several Russian authors as a focus for analysis. If I had to pick a favorite short story, it would probably be “The Nose” (Chekov) or perhaps “Alyosha the Pot.” The book has a wonderful cast of narrators, including Rainn Wilson, B. D. Wong, Glenn Close, Phylicia Rashad, and Nick Offerman. Saunders narrates the analytical parts. I bought a print copy for use in my classroom. I’m not yet sure how I might use it, but I can see the potential.

Mid-April Reading UpdateThe Familiars by Stacey Halls
Published by MIRA on February 19, 2019
Genres: Historical Fiction
Pages: 335
Format: E-Book, eBook
Source: Library
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Goodreads
three-stars

Young Fleetwood Shuttleworth, a noblewoman, is with child again. None of her previous pregnancies have borne fruit, and her husband, Richard, is anxious for an heir. Then Fleetwood discovers a hidden doctor’s letter that carries a dire prediction: she will not survive another birth. By chance she meets a midwife named Alice Gray, who promises to help her deliver a healthy baby. But Alice soon stands accused of witchcraft.

Is there more to Alice than meets the eye? Fleetwood must risk everything to prove her innocence. As the two women’s lives become intertwined, the Witch Trials of 1612 loom. Time is running out; both their lives are at stake. Only they know the truth. Only they can save each other.

Rich and compelling, set against the frenzy of the real Pendle Hill Witch Trials, this novel explores the rights of 17th-century women and raises the question: Was witch-hunting really women-hunting? Fleetwood Shuttleworth, Alice Gray and the other characters are actual historical figures. King James I was obsessed with asserting power over the lawless countryside (even woodland creatures, or “familiars,” were suspected of dark magic) by capturing “witches”—in reality mostly poor and illiterate women.

I love reading books about witches, “real” or not, and I wanted to like this book more. It was compelling enough for me to finish; however, some of the author’s choices were perplexing. I didn’t find the protagonist, Fleetwood Shuttleworth, to be all that engaging, and I kept thinking about how much more interesting the story might have been if the protagonist had been one of the accused witches. It seems like a missed opportunity to me to have a relatively privileged outsider tell the story of the Pendle Witch Trials. Also, Fleetwood rides a horse all over Creation while hugely pregnant. I’m not sure how she got on the horse, never mind rode it, in that condition. Granted, I’m not a horsewoman, so what do I know. Another issue I had was that Fleetwood discovers early in the book, within the first few pages, that her husband is secretive, and she finds he’s hiding even more important information. They have a falling out, and it seems implausible when they reconcile. The author didn’t really lay the groundwork for that reconciliation to make sense. Still, I did learn some things about this interesting historical event.