February Reviews

I fell a little behind in reviewing books. It seems like January and February are always the busiest months at my school. I finished three books in February and early March, some of which I counted for reading challenges.

February ReviewsCaste: The Origins of Our Discontents by Isabel Wilkerson
Published by Random House on August 4, 2020
Pages: 496
Source: Audible
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Goodreads
five-stars

The Pulitzer Prize–winning, bestselling author of The Warmth of Other Suns examines the unspoken caste system that has shaped America and shows how our lives today are still defined by a hierarchy of human divisions.

“As we go about our daily lives, caste is the wordless usher in a darkened theater, flashlight cast down in the aisles, guiding us to our assigned seats for a performance. The hierarchy of caste is not about feelings or morality. It is about power—which groups have it and which do not.”

In this brilliant book, Isabel Wilkerson gives us a masterful portrait of an unseen phenomenon in America as she explores, through an immersive, deeply researched narrative and stories about real people, how America today and throughout its history has been shaped by a hidden caste system, a rigid hierarchy of human rankings.

Beyond race, class, or other factors, there is a powerful caste system that influences people’s lives and behavior and the nation’s fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people—including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others—she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their out-cast of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity.

While Wilkerson’s analogy between caste and race has been criticized, I found this book very interesting and illuminating. I agree with some of Charisse Burden-Stelly’s arguments in the article I linked. I don’t know enough to argue either for or against thinking of the U.S. as a race-based caste system, but it was interesting to see the ways in which the Indian caste system, the Nazi regime, and America’s racism were similar in construction. I will also add that it’s important to be cautious about comparing any system to Nazi Germany. The Nazis killed 11 million people. I would never argue that American racism or India’s caste system haven’t been deadly. Of course they have. As Sunil Khilnani argues in an article for The New Yorker, “Applying a single abstraction to multiple realities inevitably creates friction—sometimes productive, sometimes not. In the book’s comparison of the Third Reich to India and America, for example, a rather jarring distinction is set aside: the final objective of Nazi ideology was to eliminate Jewish people, not just to subordinate them.” In spite of these valid critiques, I found the book interesting, and I recommend it to people who want to understand racism.

February ReviewsJohn Keats: A New Life by Nicholas Roe
Published by Yale University Press Genres: Biography, Nonfiction
Pages: 446
Format: Hardcover
Source: Library
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Goodreads
five-stars

This landmark biography of celebrated Romantic poet John Keats explodes entrenched conceptions of him as a delicate, overly sensitive, tragic figure. Instead, Nicholas Roe reveals the real flesh-and-blood poet: a passionate man driven by ambition but prey to doubt, suspicion, and jealousy; sure of his vocation while bitterly resentful of the obstacles that blighted his career; devoured by sexual desire and frustration; and in thrall to alcohol and opium. Through unparalleled original research, Roe arrives at a fascinating reassessment of Keats's entire life, from his early years at Keats's Livery Stables through his harrowing battle with tuberculosis and death at age 25. Zeroing in on crucial turning points, Roe finds in the locations of Keats's poems new keys to the nature of his imaginative quest.

Roe is the first biographer to provide a full and fresh account of Keats's childhood in the City of London and how it shaped the would-be poet. The mysterious early death of Keats's father, his mother's too-swift remarriage, living in the shadow of the notorious madhouse Bedlam—all these affected Keats far more than has been previously understood. The author also sheds light on Keats's doomed passion for Fanny Brawne, his circle of brilliant friends, hitherto unknown City relatives, and much more. Filled with revelations and daring to ask new questions, this book now stands as the definitive volume on one of the most beloved poets of the English language.

I checked this book out of my local library, and as I was writing this post, I discovered I must have purchased it about nine years ago. At any rate, Amazon says I did. I have no memory of buying it, and I could not tell you where it might be. However, I’m glad to learn that I have a copy of this book somewhere because I really enjoyed it. Nicholas Roe is extremely thorough. I have to admit I was really waiting to get to the part when Keats met Fanny Brawne. I have a girl crush on Fanny Brawne. However, I enjoyed meeting the Keats who emerges from the pages of Roe’s biography. The biggest scandal stirred up by this particular book was Roe’s speculation that Keats was an opium addict, or at least that he dosed himself with laudanum. I didn’t find that particularly shocking. If it’s true, Keats joined a great number of other people living in his era (and for that matter, our own, as we’re in the midst of an opioid epidemic). One aspect of Keats’s story that really struck me was that he knew immediately that he was dying when he contracted tuberculosis because of his medical training. He identified the blood sputum as “arterial blood.” How horrible it must have been to be a young man, just discovering his genius as a writer, only to understand he would not live. No wonder he wrote this remarkable poem:

When I have fears that I may cease to be
Before my pen has gleaned my teeming brain,
Before high-pilèd books, in charactery,
Hold like rich garners the full ripened grain;
When I behold, upon the night’s starred face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows with the magic hand of chance;
And when I feel, fair creature of an hour,
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love—then on the shore
Of the wide world I stand alone, and think
Till love and fame to nothingness do sink.

I’d love to read more literary biographies like this one. My one quibble with the book is that it had two image collections, including pictures of many people and places important to Keats, but no pictures of Keats. I mentioned this complaint on Twitter, and a writer acquaintance of mine said it might be true that Roe couldn’t afford pictures of Keats. When I asked if his press couldn’t have helped with that, she said maybe not. I find that to be puzzling, if true, especially as Roe describes some of the more famous images of Keats. I would think he’d want to have copies of those images, at least, in the book.

February ReviewsIreland by Frank Delaney
Narrator: Frank Delaney
Published by HarperAudio on February 1, 2005
Genres: Historical Fiction
Length: 19 hours and 29 minutes
Format: Audio, Audiobook
Source: Library
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Goodreads
five-stars

From a land famous for storytelling comes an epic novel of Ireland that captures the intimate, passionate texture of the Irish spirit.

One evening in 1951, an itinerant storyteller arrives unannounced at a house in the Irish countryside. In exchange for a bed and a warm meal, he invites his hosts and their neighbors to join him by the wintry fireside, and begins to tell formative stories of Ireland’s history. Ronan, a nine-year-old boy, grows so entranced by the storytelling that, when the old man leaves abruptly under mysterious circumstances, the boy devotes himself to finding him again.

Ronan’s search for the Storyteller becomes both a journey of self-discovery, long unspoken family secrets, and an immersion into the sometimes conflicting histories of his native land. A sweeping novel of huge ambition, Ireland is the beautifully told story of a remarkable nation. It rings with the truth of a writer passionate about his country and in full command of his craft.

This book was utterly charming! I put out a call on Twitter for books set in Ireland, and everyone was recommending Tana French. I am not opposed to mystery or thrillers. I read them sometimes. But I was looking for this book, which no one was recommending—I found it on my own. I wanted to read something that captured the place and its people. Delaney was a fantastic narrator, and the book was shot through with humor. When I initially saw how long the audiobook was, I was nervous about finishing it before it was due to the library. I was only able to borrow it for 14 days, and it’s over 19 hours long! But I needn’t have worried. I was looking for excuses to listen to it. Part travelogue, part history, part myth, and all story, Ireland is highly recommended for anyone who wants to travel to Ireland through a book. It’s one of the most delightful books I have read in a long time. I won’t give away the ending, but I appreciated the direction Delaney took it.

I’m going to make an effort to finish writing reviews a bit more quickly, but we’re all caught up for now.

Review: In the Midst of Winter, Isabel Allende

Review: In the Midst of Winter, Isabel AllendeIn the Midst of Winter by Isabel Allende
Published by Atria Books on October 31, 2017
Genres: Contemporary Fiction
Pages: 352
Format: Hardcover
Source: Library
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Goodreads
four-stars

New York Times and worldwide bestselling “dazzling storyteller” (Associated Press) Isabel Allende returns with a sweeping novel about three very different people who are brought together in a mesmerizing story that journeys from present-day Brooklyn to Guatemala in the recent past to 1970s Chile and Brazil.

In the Midst of Winter begins with a minor traffic accident—which becomes the catalyst for an unexpected and moving love story between two people who thought they were deep into the winter of their lives. Richard Bowmaster—a 60-year-old human rights scholar—hits the car of Evelyn Ortega—a young, undocumented immigrant from Guatemala—in the middle of a snowstorm in Brooklyn. What at first seems just a small inconvenience takes an unforeseen and far more serious turn when Evelyn turns up at the professor’s house seeking help. At a loss, the professor asks his tenant Lucia Maraz—a 62-year-old lecturer from Chile—for her advice. These three very different people are brought together in a mesmerizing story that moves from present-day Brooklyn to Guatemala in the recent past to 1970s Chile and Brazil, sparking the beginning of a long-overdue love story between Richard and Lucia.

Exploring the timely issues of human rights and the plight of immigrants and refugees, the book recalls Allende’s landmark novel The House of the Spirits in the way it embraces the cause of “humanity, and it does so with passion, humor, and wisdom that transcend politics” (Jonathan Yardley, The Washington Post). In the Midst of Winter will stay with you long after you turn the final page.

In the Midst of Winter is my first Isabel Allende, and I enjoyed it. The story kept me turning pages, wondering what would happen next. It was a deceptive book in that it reads like a cozy mystery, to a certain degree, but it tackles some fairly important issues, such as the Disappeared in Chile in the 1970s and 1980s and the plight of Guatemalans living with violence in the present day. It also touches on depression, cancer, alcoholism, and human trafficking. There is a surprising amount of humor in the novel, but I never felt Allende wasn’t treating the subjects with seriousness. Some aspects of the ending will not surprise, but others might keep readers guessing.

I read this book because Twitter friends and founders of the hashtag #THEBOOKCHAT are planning to discuss the book on January 23, and I wanted to be able to participate in the chat—talking about books with other adults is always fun for this high school English teacher. Otherwise, I would likely never have read it, and I’m glad I did. It was a nice way to start off the reading year. It examined some serious social justice issues but included some dark humor and warmth. The characters were fully realized and well-drawn. I’m excited to participate in the chat with my Twitter friends in a couple of weeks.

four-stars

Review: Crazy Horse and Custer: Born Enemies, S. D. Nelson

Review: Crazy Horse and Custer: Born Enemies, S. D. NelsonCrazy Horse and Custer: Born Enemies by S.D. Nelson
Published by Harry N. Abrams on November 9, 2021
Genres: Biography, Childrens, History, Nonfiction, Young Adult
Pages: 144
Format: Hardcover
Source: Library
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Goodreads
four-stars

With photographs and stunning illustrations from acclaimed author-artist S.D. Nelson, this thrilling double biography juxtaposes the lives of two enemies whose conflict changed American history: Crazy Horse and George Custer.

In 1876, Lakota chief Crazy Horse helped lead his people’s resistance against the white man’s invasion of the northern Great Plains. One of the leaders of the US military forces was Army Lt. Col. George Armstrong Custer. The men had long been enemies. At the height of the war, when tribalism had reached its peak, they crossed paths for the last time.

In this action-packed double biography, S. D. Nelson draws fascinating parallels between Crazy Horse and Custer, whose lives were intertwined. These warriors were alike in many ways, yet they often collided in deadly rivalry. Witness reports and reflections by their peers and enemies accompany side-by-side storytelling that offers very different perspectives on the same historical events. The two men’s opposing destinies culminated in the infamous Battle of the Greasy Grass, as the Lakota called it, or the Battle of the Little Bighorn, as it was called by the Euro-Americans.

In Crazy Horse and Custer, Nelson’s gripping narrative and signature illustration style based on Plains Indians ledger art, along with a mix of period photographs and paintings, shines light on two men whose conflict forever changed Lakota and US history. The book includes an author’s note, timeline, endnotes, and bibliography.

This book approaches the biographies of Crazy Horse and George Armstrong Custer by drawing parallels between their lives. It is striking that the two men who would face each other at the Battle of Little Bighorn were born a year apart and died a year apart. I appreciated that Nelson did not engage in the hagiography of either man but instead demonstrated their humanity, flaws and all. Truthfully, though, it’s hard for Custer to come across well to a modern reader, revered as he might have been at the time of his death. The author even points out that in our current time, Crazy Horse is largely admired while Custer is reviled.

I first became interested in this history when I saw the film Little Big Man as a middle schooler. It’s a great film and one of the first (if not the very first) revisionist Western. Though the main character is a White man who is kidnapped by Cheyenne as a child and assimilated into the tribe, some (though admittedly not all) of the Cheyenne characters are played by Native actors, and indigenous people are shown in a more sympathetic light than Hollywood had traditionally depicted them. After seeing this film, I started to read about what happened with Custer, who is a character in the movie.

This book seems to be pitched to late middle-grade readers. I admit I learned a lot I didn’t know about both men. I had no idea Custer and his father were pro-slavery, for example. I knew next to nothing of Crazy Horse’s biography. The book is organized into short chapters that alternate between the biographies of both men. The author explains that he feels uniquely qualified to tell this story as the descendant of a Lakota woman who married a White man who had served under Custer in the Army until being honorably discharged before the Battle of Little Bighorn.

Though the intended audience for this book is probably middle schoolers, anyone with a passing interest in the history of the so-called Indian Wars might enjoy reading this book. I appreciated the author’s artwork as part of the storytelling as well. Crazy Horse and George Armstrong Custer both come alive in the pages of this book.

four-stars

Review: Never a Dull Moment: 1971—The Year that Rock Exploded

Review: Never a Dull Moment: 1971—The Year that Rock ExplodedNever a Dull Moment: 1971—The Year That Rock Exploded by David Hepworth
Published by Recorded Books on June 9, 2016
Genres: History, Nonfiction
Length: 11 hours 39 minutes
Format: Audio, Audiobook
Source: Library
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Goodreads
four-half-stars

A rollicking look at 1971—the busiest, most innovative, and resonant year of the 70s, defined by the musical arrival of such stars as David Bowie, Pink Floyd, Led Zeppelin, and Joni Mitchell

On New Year's Eve, 1970, Paul McCartney told his lawyers to issue the writ at the High Court in London, effectively ending The Beatles. You might say this was the last day of the pop era. The following day, which was a Friday, was 1971. You might say this was the first day of the rock era. And within the remaining 364 days of this monumental year, the world would hear Don McLean's "American Pie," The Rolling Stones' "Brown Sugar," The Who's "Baba O'Riley," Zeppelin's "Stairway to Heaven," Rod Stewart's "Maggie May," Marvin Gaye's "What's Going On," and more.

David Hepworth, an ardent music fan and well-regarded critic, was twenty-one in '71, the same age as many of the legendary artists who arrived on the scene. Taking us on a tour of the major moments, the events, and songs of this remarkable year, he shows how musicians came together to form the perfect storm of rock and roll greatness, starting a musical era that would last longer than anyone predicted. Those who joined bands to escape things that lasted found themselves in a new age, its colossal start being part of the genre's staying power.

Never a Dull Moment is more than a love song to the music of 1971. It's also an homage to the things that inspired art and artists alike. From Soul Train to The Godfather, hot pants to table tennis, Hepworth explores both the music and its landscapes, culminating in an epic story of rock and roll's best year.

I wanted to read this book for a long time for many reasons, chief of which is that 1971 is the year I was born but also because I knew it was such a great year for music. Hepworth’s thesis is that 1971 was the greatest year for rock music, and given the evidence he provides, he makes a fairly strong case. I don’t necessarily agree with all of his arguments, but I think he makes a great case, and he clearly has done his research. I was impressed by the breadth of music Hepworth covered, too; I think many rock writers tend to be kind of niche. The book was entertaining, and each chapter ends with a playlist (my version is embedded below). On the other hand, reviews I’ve read critique the author because he picked the year he turned 20, and most of us wax nostalgic for the music we heard when we came of age, no matter how good or bad it was. I think there is also something to this argument. Hepworth reasons that 1971 was the year rock turned 17, so it arguably was also coming of age that year.

One of the more fun arguments Hepworth makes is that if you put together the biggest solo songs by each of the four Beatles, you’d have one of the best Beatles albums ever made: George Harrison’s “My Sweet Lord” and “Isn’t it a Pity?,” John Lennon’s “Jealous Guy” and “Imagine,” Paul McCartney’s “Another Day,” “The Back Seat of My Car,” and “Uncle Albert/Admiral Halsey,” and Ringo Starr’s “It Don’t Come Easy.” Another Spotify user put together an imagined album, and I have to admit it’s compelling:

I listened to the audiobook, and this is one I’d recommend reading in print. You might spend less time looking up things later on. I found it challenging to look up all the songs for the playlist. There was one song I couldn’t find on Spotify, so it doesn’t appear in the playlist below, but I honestly can’t remember what the song was anymore (I’d never heard of it before, and it went right out of my head). If I have another quibble, I’d argue Hepworth devotes a lot of space in the playlist to songs that really haven’t stood the test of time and are not in the same league as the more well-known songs on the list. Of course, that’s just my opinion, and I’m also speaking from the vantage point of someone who doesn’t remember the songs when they came out. Ask me about the late 1980s and early 1990s, and I might have a playlist with as many idiosyncracies as Hepworth’s. He had “Anticipation” by Carly Simon on the list twice, too (eh, I just left it like that). I was a bit surprised by Hepworth’s selection for the best song on the best album of the year. I don’t exactly think he’s out of the left-field with the choice. It makes a ton of sense. I might have argued for another song released, ironically enough, the same month—November. I don’t know if it’s spoiler-y of me to share the song title, but if you want to know it, let me know. Both the song he argued for the one I argued for are in the playlist below. One final point: near the end of the book, Hepworth argues that rock’s future was embodied in Elvis Presley’s career turn that year: becoming a nostalgia act and playing his hits for Vegas crowds rather than making new music. He argues that most rock acts end up that way—playing their earlier songs as their creative output diminishes. It’s a bit hard to argue with as there are few rock bands I can think of who are making music as compelling as the music they made when they were young. I have to say that part of the book made me feel a bit sad. In all, I would recommend this book for anyone who likes classic rock and wants to zoom in on a particularly significant year.

four-half-stars

Review: The Death of Vivek Oji, Akwaeke Emezi

Review: The Death of Vivek Oji, Akwaeke EmeziThe Death of Vivek Oji by Akwaeke Emezi
Narrator: Yetide Badaki, Chukwudi Iwuji
Published by Penguin Audio on August 4, 2020
Length: 7 hours 38 minutes
Format: Audio, Audiobook
Source: Library
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Goodreads
three-stars

Named one of the year’s most anticipated books by The New York Times, Harper’s Bazaar, BuzzFeed, and more. What does it mean for a family to lose a child they never really knew?

One afternoon, in a town in southeastern Nigeria, a mother opens her front door to discover her son’s body, wrapped in colorful fabric, at her feet. What follows is the tumultuous, heart-wrenching story of one family’s struggle to understand a child whose spirit is both gentle and mysterious. Raised by a distant father and an understanding but overprotective mother, Vivek suffers disorienting blackouts, moments of disconnection between self and surroundings. As adolescence gives way to adulthood, Vivek finds solace in friendships with the warm, boisterous daughters of the Nigerwives, foreign-born women married to Nigerian men. But Vivek’s closest bond is with Osita, the worldly, high-spirited cousin whose teasing confidence masks a guarded private life. As their relationship deepens—and Osita struggles to understand Vivek’s escalating crisis—the mystery gives way to a heart-stopping act of violence in a moment of exhilarating freedom.

Propulsively readable, teeming with unforgettable characters, The Death of Vivek Oji is a novel of family and friendship that challenges expectations—a dramatic story of loss and transcendence that will move every reader.

I read this book as part of the Book Voyage: Read Around the World Challenge for September: read a book set in Africa. I had been wanting to read The Death of Vivek Oji for some time, and friends had recommended it. I also read it in the wake of Chimamanda Ngozi Adichie’s attack on the author, Akwaeke Emezi, which made the rounds on Twitter and revealed Adichie has anti-trans sentiments, so I thought reading this book might be one way to support the author.

I’m not really sure why the story didn’t grab me. I think because Vivek/Nnemdi was an ancillary character in her own death, even though Emezi gave her a voice to narrate some of the chapters from her grave. Instead, this was the story of everyone else’s reactions to her death—yes, I get that this was the point—and especially due to the fact that no one was using her proper pronouns until the end, I was finding it hard to really follow her as a character. How did she identify? I felt like it mattered that the reader understand this important fact of her life. I felt like there was a bit too much going on to make the story gel for me. Osita’s conflict over his sexuality and relationship with his cousin, Juju’s conflict over her sexuality, the infidelity of Juju’s father, Juju being a girl instead of a boy, and the Niger wives’ experiences as ex-pats married to Nigerian husbands. Any one of those topics would have been ample material for a novel, but put together made the novel feel like it didn’t quite cohere for me.

On the other hand, the writing is very good, and the perspective Emezi offers is fresh. I understand that voice is paramount in Emezi’s work. Kavita’s grief over the loss of her child was palpable and very hard to read. For me, she is the character who emerges as most memorable, and I would have loved a focus entirely on her story as she wrestled with her grief and found out the truth about her child’s gender identity after that child’s death. The audiobook narrators were brilliant as well, and I highly recommend listening to this on audio with the caveat that it is hard to follow as the story shifts in time. In fact, that might be the reason it didn’t quite grab me. However, even though this book wasn’t for me, I recognize what Emezi is doing and look forward to reading other works they write.

three-stars

Review: Salt Houses, Hala Alyan

Review: Salt Houses, Hala AlyanSalt Houses by Hala Alyan
Narrator: Leila Buck
Published by Mariner Books on June 5, 2018
Genres: Historical Fiction
Length: 13 hours 35 minutes
Format: Audio, Audiobook
Source: Library
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Goodreads
five-stars

On the eve of her daughter Alia’s wedding, Salma reads the girl’s future in a cup of coffee dregs. She sees an unsettled life for Alia and her children; she also sees travel and luck. While she chooses to keep her predictions to herself that day, they will all soon come to pass when the family is uprooted in the wake of the Six-Day War of 1967.

Salma is forced to leave her home in Nablus; Alia’s brother gets pulled into a politically militarized world he can’t escape; and Alia and her gentle-spirited husband move to Kuwait City, where they reluctantly build a life with their three children. When Saddam Hussein invades Kuwait in 1990, Alia and her family once again lose their home, their land, and their story as they know it, scattering to Beirut, Paris, Boston, and beyond. Soon Alia’s children begin families of their own, once again navigating the burdens (and blessings) of assimilation in foreign cities.

Lyrical and heartbreaking, Salt Houses is a remarkable debut novel that challenges and humanizes an age-old conflict we might think we understand—one that asks us to confront that most devastating of all truths: you can’t go home again.

This was an excellent book. I highly recommend it to anyone who enjoys a good intergenerational family saga. The book brilliantly explores the cost of war and the trauma of losing a homeland, especially in the quietly heartbreaking ending. It also explores the endurance of people in the face of conflict. Home may be lost, but the family will continue. It’s a great addition to the genre of historical fiction exploring what happens to a diaspora. The strength of women and how they hang onto and pass on culture and stories was such an important part of this book as well.

I really enjoyed the characters, who were so well-drawn and fully fleshed that I felt like I knew them. My favorites were probably Riham and Atef, but I really appreciated all of the characters. Alia is the character around which the book turns, and by the end, the reader has met five generations of the family as they have struggled to make a permanent home. I particularly appreciated how strong the women characters were. I think many Westerners have stereotyped notions of what Muslim women in the Middle East are like, and honestly, one of the best ways to dispel stereotypes is to tell our stories.

I also liked the structure of the novel. It was interesting for me to move among different characters and see the family dynamics and history through different family members’ eyes. The story begins in Nablus in Palestine in the 1960s in the leadup to the Six Days War and traces the family to the near present in 2014 in Amman, Jordan, which is another element of the structure that I liked. At times, the characters reflect on events in the past, but I didn’t find it hard to keep track, even though I was listening to the book instead of reading it in print. The narrator was also excellent, but after listening to the author (see below), I wish she had been able to narrate it. One of Alyan’s strengths is her ability to draw a scene. I think my absolute favorite scene in the book was Riham in the water, but Atef’s reflections near the novel’s end, and Souad’s chapter and Lina’s chapter were also compelling. I think this is a book I’ll be recommending to others.

The author has a fascinating story herself. Check out this story from NPR:

In this TED video, Alyan shares some of her poetry:

If you want to see her visit to Politics and Prose, check out this video, which includes a reading:

I read this book for my August selection for the Book Voyage Challenge—a book set in the Middle East.

five-stars

Review: Shakespeare: The World as Stage, Bill Bryson

Review: Shakespeare: The World as Stage, Bill BrysonShakespeare by Bill Bryson
Narrator: Bill Bryson
Published by HarperAudio on October 23, 2007
Genres: Biography, History, Nonfiction
Length: 5 hours 28 minutes
Format: Audio, Audiobook
Source: Library
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Goodreads
five-stars

William Shakespeare, the most celebrated poet in the English language, left behind nearly a million words of text, but his biography has long been a thicket of wild supposition arranged around scant facts. With a steady hand and his trademark wit, Bill Bryson sorts through this colorful muddle to reveal the man himself.

Bryson documents the efforts of earlier scholars, from today's most respected academics to eccentrics like Delia Bacon, an American who developed a firm but unsubstantiated conviction that her namesake, Francis Bacon, was the true author of Shakespeare's plays. Emulating the style of his famous travelogues, Bryson records episodes in his research, including a visit to a bunkerlike room in Washington, D.C., where the world's largest collection of First Folios is housed.

Bryson celebrates Shakespeare as a writer of unimaginable talent and enormous inventiveness, a coiner of phrases ("vanish into thin air," "foregone conclusion," "one fell swoop") that even today have common currency. His Shakespeare is like no one else's the beneficiary of Bryson's genial nature, his engaging skepticism, and a gift for storytelling unrivaled in our time.

If you’ve seen my most recent reviews, you might have noticed I’m on a bit of a Bill Bryson kick right now. I had been wanting to read this book for a while, but for one reason or another, I hadn’t moved it from my TBR pile to my reading pile. The other day, I had to put a hold on an audiobook I wanted from the library, and I figured I’d see if I could listen to this one instead, especially as it is short. Yesterday, the book I had put on hold became available to check out, so I thought I should try to finish this book up.

Did I learn anything new here? Well, not really, but that’s only because I’ve read a lot about Shakespeare. I’m no expert, but I have been teaching his plays for over 20 years, and I have taken coursework in addition to the reading I’ve done. I think the average casual reader would learn quite a bit.

Bryson is by no means a Shakespeare scholar, but what he writes in this slim book corresponds with what I have learned from others. The book’s brevity and humor might make it more accessible for some people interested in learning more about what we can know definitively about William Shakespeare. The truth is, we know quite a lot, particularly for a man of the sixteenth/seventeenth centuries. He’s one of the most dissected people to have lived, and unlikely new discoveries are sometimes made. Bryson recounts a few of these in the book. He carefully veers away from speculating when we don’t really know—which is refreshing because people fill in the gaps of our knowledge of Shakespeare’s life in some really strange ways. I thoroughly enjoyed this book for what it was meant to be: a brief biography based entirely on what we know about William Shakespeare.

five-stars

Review: A Walk in the Woods, Bill Bryson

Review: A Walk in the Woods, Bill BrysonA Walk in the Woods: Rediscovering America on the Appalachian Trail by Bill Bryson
Narrator: Rob McQuay
Published by Broadway Books on May 4, 1999
Genres: Memoir, Nonfiction, Travel
Length: 9 hours 47 minutes
Format: Audio, Audiobook
Source: Library
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five-stars

Back in America after twenty years in Britain, Bill Bryson decided to reacquaint himself with his native country by walking the 2,100-mile Appalachian Trail, which stretches from Georgia to Maine. The AT offers an astonishing landscape of silent forests and sparkling lakes—and to a writer with the comic genius of Bill Bryson, it also provides endless opportunities to witness the majestic silliness of his fellow human beings. For a start, there's the gloriously out-of-shape Stephen Katz, a buddy from Iowa along for the walk. Despite Katz's overwhelming desire to find cozy restaurants, he and Bryson eventually settle into their stride, and while on the trail they meet a bizarre assortment of hilarious characters. But A Walk in the Woods is more than just a laugh-out-loud hike. Bryson's acute eye is a wise witness to this beautiful but fragile trail, and as he tells its fascinating history, he makes a moving plea for the conservation of America's last great wilderness. An adventure, a comedy, and a celebration, A Walk in the Woods has become a modern classic of travel literature.

After finishing and enjoying Bill Bryson’s book about traveling Australia, In a Sunburned Country, I wanted to read A Walk in the Woods. I have taken up walking myself, and while I harbor no desire to walk the Appalachian Trail, I understand the joy a good walk can bring. This book really brings together a few different elements. On one level, it’s the history and ecology of the AT. It’s also a travelogue, which I expected after reading In a Sunburned Country. However, what I didn’t expect (not having read reviews) was that this would be a buddy story. Bryson is accompanied on his journey—his old friend Stephen Katz joins Bryson’s hike and threatens to walk away with the whole narrative. I’d love to know Katz’s reasons for wanting to walk the AT with Bill Bryson, but I’m glad he went.

My largest problem with the book was the narrator wasn’t Bryson. He also mispronounced a few proper nouns, which always bothers me. There are more than a few Deliverance references meant to be jokes, as well. That old stereotype wears very thin after a while, but I felt Bryson was attempting to rationalize some of his anxiety; I’m not sure to what extent he really believes those stereotypes.

This book was particularly fun to listen to as I walked, and I especially enjoyed hearing about some of the places I was more familiar with—the segment on Mount Greylock was interesting to me, as I have visited it and remember seeing everything he described. I imagine it would be fun to read this book while hiking the AT. I learned a great deal about the AT, and I also learned more about ecological concerns facing conservationists today.

five-stars

Review: In a Sunburned Country, Bill Bryson

Review: In a Sunburned Country, Bill BrysonIn a Sunburned Country by Bill Bryson
Narrator: Bill Bryson
Published by Random House on January 4, 2000
Genres: Nonfiction, Travel
Length: 11 hours 54 minutes
Format: Audio, Audiobook
Source: Library
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four-half-stars

Every time Bill Bryson walks out the door, memorable travel literature threatens to break out. His previous excursion along the Appalachian Trail resulted in the sublime national bestseller A Walk in the Woods. In A Sunburned Country is his report on what he found in an entirely different place: Australia, the country that doubles as a continent, and a place with the friendliest inhabitants, the hottest, driest weather, and the most peculiar and lethal wildlife to be found on the planet. The result is a deliciously funny, fact-filled, and adventurous performance by a writer who combines humor, wonder, and unflagging curiosity.

Despite the fact that Australia harbors more things that can kill you in extremely nasty ways than anywhere else, including sharks, crocodiles, snakes, even riptides and deserts, Bill Bryson adores the place, and he takes his readers on a rollicking ride far beyond that beaten tourist path. Wherever he goes he finds Australians who are cheerful, extroverted, and unfailingly obliging, and these beaming products of land with clean, safe cities, cold beer, and constant sunshine fill the pages of this wonderful book. Australia is an immense and fortunate land, and it has found in Bill Bryson its perfect guide.

After an aborted attempt at reading The Narrow Road to the Deep North* by Richard Flanagan for the Book Voyage Challenge (a book set in Australia or New Zealand), I decided to check this title out from the library. I had previously read Bryson’s book The Mother Tongue with mixed results, but I had heard this book was pretty good, and it was. I learned a lot about Australian history and natural science, none of which I knew. Bryson makes the point that we forget about Australia, and I think it’s a valid point.

I found his chapters on the indigenous population to be most interesting. Is there a place in the world where an indigenous population has been treated with a modicum of respect? I’m sincerely asking. What happened to Australia’s Aboriginal population is very similar to what happened to the indigenous population in the United States.

I was also fascinated by Bryson’s description of Australia’s natural features and wildlife. I’m not sure if he has convinced me to visit Australia or steer clear! Of course, Bryson’s characteristic wit makes for a fun read. It made me want to read more of his books, especially those that deal a bit with travel (I checked A Walk in the Woods out from my library). Bryson makes an effort to see as much of Australia as he can—even places that it sounds like many Australians don’t necessarily see. He has a deep curiosity and a wonderful way of drawing the reader into that curiosity.

Bryson narrates this audiobook, and he is a good narrator—many writers are not necessarily good at reading their work. If you do read it, I recommend the audiobook with the caveat that you might find you want to look up some of the text. It was a much more enjoyable read than I was expecting. My only concern is that at times, Bryson seems a bit glib. It was hard to read his concern for the Aboriginal population summed up like this:

If I were contacted by the Commonwealth of Australia to advise on Aboriginal issues, all I could write would be “Do more. Try harder. Start now.”

So without an original or helpful thought in my head, I just sat for some minutes and watched these poor disconnected people shuffle past. Then I did what most white Australians do. I read my newspaper and drank my coffee and didn’t see them anymore.

No one is asking Bryson to solve a problem that is centuries in the making. Obviously, no one person can resolve systemic racism alone, especially as a visitor to another country, but deciding not to see it is remaining complicit. This book is now about 20 years old, and I wonder if Bryson would write that last sentence again if he wrote this book now (not that we can excuse him for writing it then). I am glad he spent some pages discussing Aboriginal issues and history, but this book is not the book to really learn about Australia’s indigenous population. Bryson’s curiosity only went so far.

Where he shines is in his self-deprecating description of his traveling fiascos (not being able to find a room, staying in bad hotels, getting an egregious sunburn, freaking out over the local fauna). As long as he keeps it light, this is a fun read. Bryson’s gift is making the reader feel like they’re traveling right along with him, and this was a pretty good trip.

*I was really hating this book. I disliked every single character, and the story was not grabbing me. I feel a little bad since the author was basing it on his father’s experiences in World War II, but there it is.

four-half-stars

Review: A Brief History of Seven Killings, Marlon James

Review: A Brief History of Seven Killings, Marlon JamesA Brief History of Seven Killings by Marlon James
Narrator: Ryan Anderson, Dwight Bacquie, Cherise Boothe, Robertson Dean, Johnathan McClain, Robert Younis
Published by Highbridge on October 24, 2014
Genres: Historical Fiction
Length: 26 hours
Format: Audio, Audiobook
Source: Library
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five-stars

From the acclaimed author of The Book of Night Women comes a masterfully written novel that explores the attempted assassination of Bob Marley in the late 1970s.

On December 3, 1976, just before the Jamaican general election and two days before Bob Marley was to play the Smile Jamaica Concert, gunmen stormed his house, machine guns blazing. The attack nearly killed the Reggae superstar, his wife, and his manager, and injured several others. Marley would go on to perform at the free concert on December 5, but he left the country the next day, not to return for two years.

Deftly spanning decades and continents and peopled with a wide range of characters—assassins, journalists, drug dealers, and even ghosts—A Brief History of Seven Killings is the fictional exploration of that dangerous and unstable time and its bloody aftermath, from the streets and slums of Kingston in the 1970s, to the crack wars in 1980s New York, to a radically altered Jamaica in the 1990s. Brilliantly inventive and stunningly ambitious, this novel is a revealing modern epic that will secure Marlon James’ place among the great literary talents of his generation.

Damn. I’m not sure what to say about this book. It’s hard for me to recommend it to anyone because it’s really violent and disturbing, but it was completely captivating at the same time. I was riveted. A Brief History of Seven Killings is long and at times unwieldy—I can’t tell you how many killings there were because I lost track, but it was way more than seven, and this novel is anything but brief. I wound up reading chapter summaries after I listened to each chapter so that I could be sure I picked up on the salient plot points.

I highly recommend the audiobook, but with the caveat that you really have to pay attention. The voice actors do a good job, though some of them seem to handle the Jamaican Patois better than others; truthfully, I don’t know that I know enough about the Jamaican Patois to be able to discern how well the narrators captured it. One thing I can say confidently is that their acting was good. Some of the scenes were downright harrowing to listen to in a way I’m not sure is as easily captured in print.

This might seem like a strange way to put it, but Marlon James shines the most in this book when describing scenes of violence. He almost renders the most violent scenes as poetry. Some of the scenes are downright cinematic. I’ve seen some reviewers compare Marlon James to Quentin Tarantino, a comparison that seems particularly apt to me. I also see the influence of William Faulkner.

The book’s epigram is a Jamaican proverb: “If it no go so, it go near so.” In the video below, James says that “fiction is a lie that tells the truth.” I didn’t know anything about the history behind this novel, but as I can tell, as James shares, that it was heavily researched. I was completely unaware of the assassination attempt that left Bob Marley, his wife, and his manager wounded but—astonishingly—killed no one. Timothy White’s 1991 article for Spin is apparently one of the sources, and I highly recommend it as supplementary reading. Reading it made me think that it was a brave act for Marlon James to write this book. It’s not hard to see why James might have read about the incidents surrounding the attempted assassination and think it would make a hell of a book. I definitely don’t think this book is for everyone, but I found it both fascinating and horrifying in equal measures. In the end, however, I can see why it won the Booker Prize some years ago.

I read this book for the Book Voyage: Read Around the World Challenge for June: a book set on an island.

If you have about an hour, you might enjoy Marlon James’s visit to Politics and Prose in Washington, DC.

https://www.youtube.com/watch?v=ZNx5FXpAoNU

five-stars