Mansfield Park, Jane Austen

Mansfield Park (Penguin Classics)I finished Mansfield Park just under the wire with less than 24 hours remaining in the year, which means that I have also completed the Everything Austen Challenge.

Mansfield Park is the story of Fanny Price, daughter of the poor sister of Lady Bertram of Mansfield Park. The Bertrams offer to take Fanny in as a favor to their sister, who has had the misfortune to marry poorly and have yet another child practically every year. Fanny is at first treated disdainfully by the Bertrams and her aunt Mrs. Norris, the other sister of Lady Bertram, but she proves her worth to the family through her constancy of character, her forbearance, and her usefulness. Her cousin Edmund, the second eldest son, is the only member of the Bertram family to love Fanny from the first. She develops a love for Edmund beyond the sort of brotherly love he feels for her and is appalled when Henry Crawford, a man with what Fanny deems to be a dubious character, begins trying to win Fanny’s heart. Even worse, Edmund falls in love with Henry’s sister, Mary Crawford. Will Fanny ever catch a break?

This book is very different from the other Jane Austen books I’ve read. I always enjoy a trip into her world. However, it is in this book that Austen truly shows us a peek into the lives of people outside the gentle class with her portrayal of the Prices. Mary Crawford is a nasty little piece of work, and I never liked her. Very selfish and vain. I never liked the Bertram daughters, Maria and Julia, either. They were spoiled and reminded me of the ugly stepsisters in Cinderella. In fact, their aunt Mrs. Norris compares well with the wicked stepmother in that story as well, and of course, Fanny is the too-good-to-be-true, long-suffering Cinderella. She always puts others before herself. I feel at some points in the book, she plants herself on a bit of a moral high horse. But worse, she doesn’t seem to have a single fault. It’s no wonder that some readers don’t like her. She’s a bit too perfect. On the other hand, she is spunky in defying the Bertrams in refusing to marry Henry Crawford. She alone seems to have the true measure of his character.

Here in this novel we have an elopement even more scandalous than that of Lydia and Mr. Wickham. I was extremely puzzled by that plot turn, even though I knew it was coming, because I didn’t feel the groundwork was properly laid for it. I didn’t buy that either Maria or Henry Crawford were interested enough in each other to run off together they way that they did. On the other hand, I did feel Jane Austen explored some issues in this novel that she didn’t explore in her others, and the ending is not nice and neat. Maria has irreparably damaged her reputation and relationship with her family. Tom is sick, and it looks like consumption. Julia didn’t fare much better than Maria. Definitely not a happy ending for all.

Ultimately, I liked the novel better than I expected to, but not as much as Persuasion, Pride and Prejudice, or Sense and Sensibility. However, now I can say I’ve read all of Austen’s complete novels.

Rating: ★★★½☆

The Ruby in the Smoke, Philip Pullman

The Ruby in the Smoke: A Sally Lockhart MysteryIt figures the first day of my winter break I would develop a cold. I have been lying in bed, willing myself to recover by Christmas (and thanking myself for finishing the shopping relatively early for a change). Of course, it gave me plenty of time to read today, so I decided to finish Philip Pullman’s The Ruby in the Smoke.

This novel is the first of the Sally Lockhart trilogy. Sally Lockhart’s father has died under mysterious circumstances, and all she has to go on is the warning “Beware the Seven Blessings.” The first person she asks about the phrase dies of fright. Sally comes face-to-face with the seamy underbelly of Victorian London—opium dens, ruffians, and sooty, Dickensian waifs. She meets a photographer who agrees to help her, but he, like Sally, doesn’t know exactly what he’s gotten himself into.

I think Pullman evokes the setting of Victorian London well. The story is fast-paced and action-packed. Sally and the other characters, especially Jim, are likable enough. For some reason I can’t put my finger on, however, this book just didn’t grab me. I had no trouble putting it down on occasion, and I had to force myself through it a bit. I can’t figure out why because it has all the elements I like in a story, from setting to characters and plot, but it just didn’t interest me. I probably won’t read the other two novels in the series. You know, I tried to pick up The Golden Compass and felt the same way—it has all the elements I like in a story, too, and I never could get into it.

Rating: ★★★☆☆

The Haunting of Hill House, Shirley Jackson

The Haunting of Hill House (Penguin Classics)Shirley Jackson’s novel The Haunting of Hill House, widely regarded as one of the finest scary stories ever written, is the story of Dr. John Montague, who brings together guests Theodora and Eleanor along with the home’s future owner Luke in the hopes that they can help him in his quest to find scientific evidence of the supernatural. Theodora and Eleanor are invited because they have experienced the paranormal before; of the many guests Dr. Montague invites, they alone accept. The guests quickly begin experiencing terrifying events, and Eleanor seems to be an especial target of the house. But is she becoming possessed by the house, or is she the cause of all the supernatural events herself?

I found this book a little difficult to get through because I didn’t really care for the characters. I think because Eleanor clearly has some psychological problems, and the third-person limited narration seemed to focus on her point of view, it could be difficult to tell what was really going on, and what Eleanor imagined. For instance, she has quite a few arguments with Theodora, and I’m still unsure all of them weren’t in her mind. She isn’t a very likable character—a sort of child. On the other hand, the writing is superb in some places, and Jackson has an excellent aptitude for evoking mood and describing setting. She is wonderful at characterization. Mrs. Montague and Arthur were hilarious. Even Eleanor is well-drawn in her way, but I’m wondering about Jackson’s attraction for grown women with child-like minds—We Have Always Lived in the Castle, which I never finished, has one, too. In the end of the book, it’s unclear exactly what happened, and the reader is left to interpret events. I will give this book a higher mark than I ordinarily give a book I kind of had to slog through simply because the writing was brilliant. I just really need a reason to care about the characters if I am going to enjoy a book, and I didn’t find one in this book.

Rating: ★★★☆☆

How the Irish Saved Civilization, Thomas Cahill

How the Irish Saved Civilization Thomas Cahill inaugurated his Hinges of History series with How the Irish Saved Civilization. When Rome fell, Cahill says, the Irish clerics not only spread Christianity, but also saved the great Latin works from being lost to the ravages of history. He also argues the Irish kept the flame of Western culture burning as the rest of the world descended into the Dark Ages.

Parts of this book were quite interesting. Cahill’s love for Irish mythology shines through in his description of the Táin Bó Cúailnge, which made me want to return to the Táin again. His descriptions of St. Augustine, St. Patrick, and St. Columba were interesting and definitely had me searching the Web to learn more about them, but in the end, Cahill never really proves his thesis. The first half of the book is good, but somewhere during the chapter “What was Found,” Cahill loses the thread of his argument and ultimately admits most of what we retained could have survived without the Irish, then attributes the survival of Latin literature to the Irish without really explaining how. He also makes the leap that because the Irish had the oldest vernacular literature in Europe, they were somehow responsible for or influential over the vernacular literature that followed. Readers can learn a great deal about the lives of Patrick and Columba and a bit about early Irish literature, but they won’t learn how the Irish saved civilization.

Rating: ★★★☆☆

I read this book for the Bibliophilic Books Challenge. This is my sixth book for this challenge, which brings me to the level of Litlover. I will not be able to read six more books before the challenge ends in December, so I’m going to call this challenge complete. I originally committed to just three books, so I surpassed my expectations.

Gulliver’s Travels

Gulliver's TravelsJonathan Swift’s novel Gulliver’s Travels is as excellent a satire today as when it was published in 1726. Lemuel Gulliver is a surgeon with the soul of an explorer. Gulliver’s Travels purports to be the tale of his voyages, including descriptions of the strange peoples and sites he encounters. Most readers are familiar with his iconic adventures in Lilliput, a land populated by beings six inches tall, where Gulliver towers over the inhabitants like a giant. Gulliver is initially mistrusted and even held captive in Lilliput until he enters into the service of the king. Over time, Gulliver learns that Lilliput is at war with neighboring country Blefuscu over which end of the egg it is most proper to break—the little or the big. When Gulliver refuses to help Lilliput fight her enemy Blefuscu, he is charged with treason. He manages to escape and is rescued by a ship and returns home.

It’s not long before he’s at sea again and winds up in the land of Brobdingnag, a land populated by giants. Gulliver now finds himself in a land where he is of Lilliputian size in comparison to the inhabitants. He is cared for by a Brobdingnagian girl and exhibited as a curiosity. This time, his leave-taking is accidental as an eagle snatches the traveling box in which he’s being carried and drops it into the sea, where he is once again rescued.

On his third voyage, Gulliver visits several more interesting countries, including Japan, which I found curious as it’s the only “real” country described in the novel. The flying island of Laputa, with its focus on mathematics and music, was really interesting to me, especially in light of their impracticality. It reminded me a little bit of Donald in Mathmagic Land. You remember seeing it in school?

The final voyage, which Gulliver undertakes after swearing off exploring for good, takes Gulliver to the land of the Houyhnhnms, who are horse-like creatures. Gulliver comes to admire the Houyhnhnms more than people. The people he encounters in the land are course, uncivilized Yahoos. In this final voyage, Gulliver learns to appreciate the Houyhnhnms over his own kind, which he afterward refers to as Yahoos.

I think Lemuel Gulliver is a huge jerk. He abandons his family. His wife was pregnant when he left on his last voyage. When he returns, he rejects his family and prefers to spend time with a pair of horses he has procured. He passes judgment on the people he encounters. I found the Houyhnhnms to be haughty and proud and certainly couldn’t understand Gulliver’s adoration of them. Perhaps it is Swift’s way of asking the reader to think about why they look up to anyone. As usual, Swift’s satire is razor-sharp. I admit some of the book surprised me. Gulliver talks quite a lot about his bodily functions, and I admit I didn’t expect that out of a book written during that time, but I suppose it makes sense given that this is not the prim Victorian period. The book had some enjoyable moments. I liked the parts set in Brobdingnag and Laputa the best. I’m glad I read the book despite finding its protagonist to be hard to sympathize with, but I think a book about Gulliver’s wife would have been interesting, too. I would have kicked his sorry tail out the door, and good riddance. I think one of the chief ironies of the book is that Gulliver criticizes so many of the societies, ultimately idolizing the Houyhnhnms (undeservedly, in my opinion) and despising his own race, without seeing that he is one of the least likable, least worthy, and most fallible of them all. Ultimately, I just like to read about protagonists I can care about more. I found myself hoping Gulliver would suffer harm. A good frying pan over his head and kick in the ass administered by his wife when he showed up after the Houyhnhnms kicked him out would have redeemed the book nicely for me.

I read this novel via DailyLit.

Rating: ★★★½☆

The Meaning of Night

The Meaning of Night: A ConfessionThe story of the writing of Michael Cox’s The Meaning of Night is an interesting one. Diagnosed with a rare cancer, Cox began to lose his sight. He had begun the novel in the 1970’s, but cancer gave Cox a new sense of urgency. He finished the book, which in my paperback version stretches to nearly 700 pages.

The Meaning of Night is the story of Edward Glyver’s quest for revenge against Phoebus Daunt, who robbed him not only of his Eton education, but all he holds most dear. The book begins memorably as Glyver kills an innocent man to be sure that he will have the resolve to murder Phoebus Daunt when he has the opportunity: “After killing the red-haired man, I took myself off to Quinn’s for an oyster supper.” Following his account of killing this stranger, Glyver tells the story of his childhood, including his expulsion from Eton, his employment with Christopher Tredgold, and his infatuation with the beautiful Miss Emily Carteret, the daughter of the 25th Baron Tansor’s first cousin and employee, Paul Carteret. Glyver uncovers the truth of his parentage and reveals his motive for wanting to kill Phoebus Daunt.

I read this book at the recommendation of my husband, and while I enjoyed parts of it, I had some major problems with it. First, I could find no characters to like. I didn’t feel much sympathy for Edward Glyver. He’s unlikeable in the extreme. He values the wrong things in life, and he spends his days in dissolution, feeling sorry for himself. He was indeed treated unfairly, but he certainly meted out the same sort of treatment to other undeserving and innocent parties. Another issue I had with the book was its length. The story moves at a slow pace, and I found it difficult to plow through the beginning of the book, particularly as Edward Glyver had given me no reason to be interested in or care about what happened to him. I am not sure what should have been cut, but I hate investing so much time in a book this long for so little reward. The story turns on coincidence, which normally I don’t mind and have actually used in my own writing, but for some reason in this novel it bothered me. It seems Alastair Sooke and I are in agreement on our reviews. What Cox does very well in this book is capture a sort of seedy underbelly of Victorian society and the sharp divisions between classes.

Cox succumbed to cancer on March 31, 2009 after finishing The Glass of Time, a companion to The Meaning of Night.

Rating: ★★★☆☆

This book is my eighth book for the Typically British Challenge, bringing me to the highest level of the challenge: Cream Crackered. Looks like I have finished this one.

Good Omens

Good Omens (audio)Neil Gaiman & Terry Pratchett’s Good Omens examines the apocalypse with a sense of humor. I have not previously read any Terry Pratchett, but Neil Gaiman’s books, especially The Graveyard Book, have been favorites. So… exactly what would happen if the Antichrist wasn’t terribly invested in making Armageddon happen?

The novel begins with an introduction of Crawly (later Crowley), a demon, and Aziraphale, an angel—unlikely friends present at the fall of man (Crowley was the serpent) who remain on earth until the fulfillment of God’s ineffable plan. The thing is, they like it a little too much and make an unlikely team as they try to prevent the apocalypse. Meanwhile, Adam Young grows up in the small English town of Tadfield, the leader of a small gang of children, not knowing his destiny is to bring about the end of times. His neighbor, Anathema Device, is the descendant of Agnes Nutter, a witch whose prophecies are so accurate they’re very nearly useless, moves to Tadfield to be in place as Armageddon unfolds. The Four Horsemen of the Apocalypse—Death, War, Famine, and Pollution (Pestilence retired, muttering something about penicillin)—descend on Tadfield.

I found the book entertaining, and Martin Jarvis is a good narrator. The book seemed to go fast. It was funny—some moments of genuine laugh-out-loud humor. I particularly liked the characterization of Death as being technologically illiterate. The characters are likable, especially Crowley and Aziraphale. In the end, however, the book felt more like a snack than a meal—light fun, but ultimately not terribly memorable.

Rating: ★★★½☆

Typically British Challenge

This book brings me one book closer to meeting the “Bob’s Your Uncle” level (six books) for the Typically British Reading Challenge.