The Winter Rose, Jennifer Donnelly

[amazon_image id=”1401307469″ link=”true” target=”_blank” size=”medium” class=”alignleft”]The Winter Rose[/amazon_image]Jennifer Donnelly’s novel [amazon_link id=”1401307469″ target=”_blank” ]The Winter Rose[/amazon_link], the second in her “Rose” trilogy, is a sprawling story, but I’ll do my best to summarize it. Most of the story focuses on India Selwyn Jones, sister to Maud Selwyn Jones, a minor character introduced in [amazon_link id=”0312378025″ target=”_blank” ]The Tea Rose[/amazon_link]. Oddly enough, without divulging spoilers, people who ought to have remembered Maud and made some connections, didn’t. India is a doctor with dreams of opening a free clinic for women and children in Whitechapel. She begins working for an established doctor, but it becomes clear to her that she cannot work for him long due to his antiquated methods of practicing medicine that India knows have harmed and even killed his patients. Meanwhile, she becomes entangled with notorious gangster Sid Malone, who unbeknownst to most of the cast, is the brother of tea magnate Fiona Finnegan Bristow. Fiona is desperate to make contact with Sid, whose real name is Charlie Finnegan, and convince him to leave his life of crime. India is engaged to be married to MP Freddie Lytton—a bigger cad probably never drew breath. Freddie is only interested in India’s large inheritance. India and Sid fall in love, but they are kept apart through Freddie’s machinations. A large subplot of the novel involves the Finnegans’ youngest brother, Seamie, and his friend Willa Alden, who travel to Africa, where the book’s long dénoument takes place, to climb Mt. Kilimanjaro. Willa suffers a horrible accident, and her budding romance with Seamie is left unresolved (because it is the focus of [amazon_link id=”1401301045″ target=”_blank” ]The Wild Rose[/amazon_link]).

Whew!

There is a lot going on in this book. I did enjoy it, but perhaps not as much as The Tea Rose. I think it was because I didn’t like India as a heroine a whole lot. I couldn’t figure out Sid’s attraction to her. One thing I do need to single out for praise is Donnelly’s description of the Moskowitz family. I have worked at a Jewish high school for seven years, and in that time, I have come to learn much about Jewish culture and tradition. Usually authors who are not Jewish have difficulty capturing it, but Donnelly did a fine job. Ultimately, the book is just too big. Donnelly clearly did her research, and she showed all of it. As a result, the story is unwieldy. Some plotline inconsistencies were bothersome, too, but as they are a bit spoilery, I won’t mention them here. Suffice it to say that even Donnelly seemed to lose the thread of her story at times. One thing Donnelly does well is create villains with whom the reader can also empathize. She did it in [amazon_link id=”B004SYA7PM” target=”_blank” ]Revolution[/amazon_link] with Max R. Peters, and she even managed to explain Jack the Ripper’s behavior (a little bit, anyway) in The Tea Rose. Freddie Lytton is no different, but he is more sympathetic than Donnelly’s other villains. While I couldn’t help but hate him, Donnelly was also careful to show how people like Freddie are made, not born, and how they might still, deep inside, hate themselves for what they do. In all, I still enjoyed the book very much and look forward to seeing if Seamie and Willa can sort things out in The Wild Rose. The Finnegan family are a fun bunch.

Rating: ★★★★☆

A Jane Austen Education, William Deresiewicz

[amazon_image id=”1594202885″ link=”true” target=”_blank” size=”medium” class=”alignleft”]A Jane Austen Education: How Six Novels Taught Me About Love, Friendship, and the Things That Really Matter[/amazon_image]Part memoir, part literary criticism, William Deresiewicz’s book [amazon_link id=”1594202885″ target=”_blank” ]A Jane Austen Education: How Six Novels Taught Me About Love, Friendship, and the Things That Really Matter[/amazon_link] examines the life lessons Jane Austen’s six major novels had for the author, a former professor at Yale and literary critic. The book is organized around the six novels and different lessons each taught (along with a concluding chapter):

  • Emma Everyday Matters
  • Pride and Prejudice Growing Up
  • Northanger Abbey Learning to Learn
  • Mansfield Park Being Good
  • Persuasion True Friends
  • Sense and Sensibility Falling in Love

Until the very end of the book, I wasn’t sure whether I liked the author. He slowly reveals some of the problems he had and how he became the person he is today through his reading and application of Austen’s lessons. In the process, he is truthful about his character as it was being formed, warts and all. By the end of the book, however, the author emerges as a thoughtful, likeable, and worthy gentleman. His lessons are sometimes hard-won, and Deresiewicz does not stint at telling the truth, even at his own expense. His insights into Austen’s novels, particularly [amazon_link id=”0141439807″ target=”_blank” ]Mansfield Park[/amazon_link] and [amazon_link id=”0141040378″ target=”_blank” ]Sense and Sensibility[/amazon_link], made me think about Austen’s novels in new ways. If you are an Austen fan, Deresiewicz will help you see her novels in a new way, and if you aren’t one, he just might convert you. Most of all, he made me want to pick up Austen’s books again to see if I could see in them what he did. I can’t believe I missed some of this stuff. But that’s what good teachers do—they help you see what you missed.

Rating: ★★★★☆

The Story of Britain, Rebecca Fraser

[amazon_image id=”039332902X” link=”true” target=”_blank” size=”medium” class=”alignleft”]The Story of Britain: From the Romans to the Present: A Narrative History[/amazon_image]Rebecca Fraser’s comprehensive book [amazon_link id=”039332902X” target=”_blank” ]The Story of Britain: From the Romans to the Present: A Narrative History[/amazon_link] delivers exactly what the title promises: Britain’s history for approximately the last 2,000 years. With such vast subject matter, 800+ pages seems like an achievement in brevity. Fraser’s chapters are divided by monarchs, and until the Prime Minister is established as leader, the chapters mainly focus on the monarchy. After the introduction of the Prime Minister, focus shifts to the Prime Minister, Parliament, and more general matters. Sprinkled among the hard history, Fraser shares stories some readers might consider trivial, but that are nonetheless entertaining. Rather than pick out one thing, it might be easier for you to scan my public notes and highlights. The monarchy comes off well in the narrative, as do Winston Churchill and Margaret Thatcher. The book overall has a sort of liberal bent, however, which the author takes no pains to disguise (this is not a criticism but an observation).

In all, the book was by turns delightful and intriguing, but I have some quibbles with it that prevent it from earning five stars. First, Fraser frequently neglects to use commas in situations when doing so would make her writing clearer. A reader should not have to re-read sentences two and three times when a simple comma could have clarified meaning. I know commas can be a style issue, but in nonfiction writing, I expect a more faithful adherence to grammatical and mechanical rules. If that sounds too English teacher school marmy, then I apologize, but above all, nonfiction should inform, and readers should not be distracted by punctuation errors as they are trying to understand what they’re reading. Another quibble I have with the book is that I know Fraser made some errors. Case in point, she refers to Sputnik as a manned space craft. In another instance, she refers to great naval hero as Paul Jones. He was John Paul Jones. Minor? Perhaps. However one was his full name and the other was not. Fraser seems particularly weak when referencing American history, which makes sense given it is not the subject of her book—another example is the slogan “Fifty-four Forty or Fight,” which Fraser renders “Fifty-four Fifty or Fight.” Such inaccuracies may be minor, but they made me question the accuracy of everything else I read that I didn’t know. From what I can tell, the book is largely accurate, but these issues did make me question.

In all, the book is a fascinating read about the history of a fascinating country, and setting aside the issues I had with it, I’m glad I read it. I learned a great deal from it, and it sparked some interest in eras I previously had not given much study to. I would recommend it highly to anyone interested in British history and/or culture. You might find it handy to read on the Kindle like I did: it’s a chunkster if you have to prop it up in bed.

Rating: ★★★★☆

American Gods, Neil Gaiman

American Gods: A NovelAs a result of your votes when I was struggling to decide what to read next, I picked up Neil Gaiman’s American Gods. Neil Gaiman himself has said that this book tends to be a somewhat polarizing book: people tend to either love it or hate it. The novel is the story of Shadow, who is in prison for an indeterminate crime involving robbery of some sort. He is released a few days early when his wife dies in a car accident. Having nowhere to really go and nothing to do, he accepts the offer of a mysterious man named Wednesday to work for him—to protect him, transport him from place to place, run errands, hurt people who need to be hurt (only in an emergency), and in the unlikely event of his death, hold his vigil (37). Gradually, Shadow learns that Wednesday is actually Odin the All-Father, brought to America by immigrants who believed in him and sacrificed to him during the Viking Age. Wednesday has really recruited Shadow to help him face a coming storm—the new gods of television, the Internet, media, and other modern conveniences are usurping the old gods, and what’s more, the new gods want the old ones dead. Before he knows it, Shadow is on the ultimate road trip across America, helping Wednesday gather forces from among the old gods to fight the new gods.

This book was cleverly researched and interesting from a mythological standpoint. I kept wondering what Joseph Campbell would have made of it. In the novel, the reader meets gods and creatures as diverse as leprechauns, Anansi, Thoth, Anubis, Mad Sweeney, and Easter. The book certainly had me researching various mythological references so I could understand what was happening in the story. For sheer chutzpah with storytelling, I have to give Neil Gaiman props. What he did with this novel is not something very many writers could do. All that said, I didn’t completely like it. I liked parts of it. Other parts seemed to go down a path I couldn’t follow, and some threads introduced in the novel were dropped later. In some ways, it felt to me like Gaiman tried to do too much with this novel. On the other hand, some threads were brilliantly woven throughout the book. The concept is pure genius, and I don’t really even have problems with most of the execution. Ultimately, it just didn’t have some indefinable something that makes me enjoy a book. I give it four stars because I can recognize its brilliance, and I certainly don’t want to leave anyone with the impression that I hated it. I didn’t. It just didn’t do “it” for me, even though I found it interesting, and despite its size, a quicker read than I anticipated. Four stars then is a compromise between the three stars I’d give it based on my personal reaction to it and the five stars I’d give it for what I’d recognize as its epic greatness. My own reaction probably has something to do with the fact that I’m not a huge reader of fantasy or science fiction. I have certainly liked other books by Neil Gaiman: Stardust, Coraline, and The Graveyard Book. I would certainly try other books by Gaiman in the future.

Rating: ★★★★☆

I read this book for three reading challenges: the Once Upon a Time Challenge, the Take a Chance Challenge, and the Gothic Reading Challenge. Gaiman’s books are great for Carl’s Once Upon a Time Challenge, which asks readers to try fantasy, fairy tales, myths, and similar types of stories. The first person who ever recommended American Gods to me was a Barnes and Noble employee who described it as Gaiman’s masterpiece. While it wasn’t quite on the employee recommendations shelf, I think a personal recommendation counts for the Staff Member’s Choice part of the Take a Chance Challenge. I hesitated about including it in the Gothic Reading Challenge, but the more I thought about it, the more I concluded it had some definite gothic elements (as in Poe or Lovecraft rather than Brontë). It’s more strictly supernatural than the sort of haunted gothic of books like Wuthering Heights, Jane Eyre, or Rebecca.

Between, Georgia, by Joshilyn Jackson

Between, GeorgiaJoshilyn Jackson’s novel Between, Georgia is the story of Nonny Frett, born to teenage Hazel Crabtree, who turned up on Bernese Frett Baxter’s doorstep in labor in the middle of the night. Bernese, a nurse, also happens to be the sworn enemy of Hazel’s mother, Ona Crabtree. Hazel gives her baby to the Fretts, and Nonny is adopted by deaf and blind Stacia Frett. Once Ona gets wind of the deception, her cold war with Bernese heats up and eventually breaks out into all-out war in an incident involving a dog attack. Biologically a Crabtree, but raised a Frett, Nonny always seems to be in between: caught between her no-account husband Jonno, whom she can’t seem to get rid of, and her friend, Henry Crabtree (either a distant relation or no relation).

First of all, it bears repeating (because every review I’ve read by a Georgian includes this fact), Between, Georgia, is a real place. I have driven through it. And that’s all most people say about places like Between. It is Between Athens and Atlanta, yes, but also exactly between Loganville and Monroe, which is think is the original origin of its name (if I’m not mistaken). One review I read of this book criticized it for having eccentric characters. It is true that Southern literature has its fair share of crazies. Maybe this video can illuminate things for you Yankees.

http://www.youtube.com/watch?v=W3KQgulBzh0

I know the reviewer said she’s lived in a small Southern town and folks were actually normal, and she’s probably telling the truth. Mainly (as Huck would say). But these are real people. I sure know them. So yes, this book has crazy people in it, but I think some of them were my family members—in fact, I’m pretty sure a lot of the Crabtrees were based on family members.

Joshilyn Jackson spoke at a Georgia Council of Teachers of English conference I went to a couple of years ago. She is hysterical in person, and has a wonderful voice, which is why folks seem to like her audio books. I remember her saying at the conference that she got interested in Between as she drove through town because she noticed the population sign: it had evidently lost a resident, and the sign had been changed. Jackson imagined that a person who would be so meticulous about the population sign must be someone like Bernese.

This was a fun, light read, and it was genuinely funny in some parts. It’s always a bit interesting to read about places you know or have visited or lived in.

Rating: ★★★★☆

This book qualifies for the Loved One’s Choice book in the Take a Chance Challenge because my mother passed it on to me and said I would like it. She was right. I did.

Great Expectations, Charles Dickens

Great ExpectationsWhat can I say about Charles Dickens’s Great Expectations? I am not sure if a summary is necessary or not, but it’s the story of an orphan named Pip who is raised by his cruel sister and kind brother-in-law (seriously, Joe Gargery is one of the sweetest men in classic literature, isn’t he?). One day he encounters a convict who threatens him if he doesn’t bring food and a file to remove the convict’s chains. Pip steals food from his sister’s cupboard, but feels guilty and is dreadfully worried he will be caught. Some time later, his uncle brings him to the home of Miss Havisham so he can be a playmate to Miss Havisham’s adopted daughter Estella. Estella is a cold-hearted witch, and she learned well the lessons about hating men taught by her adopted mother, abandoned at the altar and forever after frozen in that moment of time (from the wedding dress to the moldy cake and clocks stopped at the time of the catastrophe). Seriously Miss Havisham is one piece of awesome characterization. Pip wants more than anything to be a gentleman so he has some chance of earning Estella’s love, for predictably (though who knows why, because she doesn’t deserve it), Pip falls in love with her. Pip suddenly has a mysterious benefactor who pays for him to become a gentleman. He goes to London, embarrassed by his humble beginnings and ashamed of his family (thus avoiding them). He racks up debts. He discovers who his benefactor is, and it is NOT who I thought it would be or who Pip thought it would be, either. In case you haven’t read it, I will not spoil it for you. Eventually Pip loses his money, but he gains his old sense of self back with Joe Gargery’s help.

I read this novel via DailyLit, and despite it being originally published as a serial novel, I have to say I think I might have done better to read it on my Kindle. I had a little trouble following everything, or I felt like I did. After reading some summaries online, I discovered I actually followed the novel fairly well, but I had forgotten a major character and therefore did not make a very important connection late in the book. Charles Dickens is a master of writing character, and his characters Miss Havisham, Joe Gargery, and Abel Magwitch jump off the page. I also loved Wemmick’s father, who everyone calls “The Aged.” The characters were a bit difficult for me to keep up with because of how I chose to read the book. Pip I found frustrating. Why does he fall for Estella when she clearly does nothing to earn his affection? (I guess he’s a masochist.) Why does he turn his back on good old Joe? He turns out all right in the end, but he makes a lot of annoying mistakes that make you want to kick him.

I don’t know why I never read much Dickens. This is only my third Dickens book (after A Christmas Carol and A Tale of Two Cities). It was an enjoyable read, and I will of course read more Dickens, but more than anything else, it’s satisfying to cross off a book I feel like I should have read a long time ago.

Rating: ★★★★☆

I read this book as part of my own Books I Should Have Read in School, but Didn’t Challenge. It’s my first read for that challenge, and I need to read five more to complete it. I’m not going to count it as historical fiction because it seems to me to be set in Dickens’s own present, which doesn’t fit my definition of historical fiction per sé. Miss Havisham brings the gothic, however, so I will count it toward the Gothic Reading Challenge (16 more books to go on this challenge). My next DailyLit book will be The Man in the Iron Mask. Oooh, I love Dumas’s adventures! And French! Bonus!

Books I Should Have Read in School, but Didn't

A Discovery of Witches, Deborah Harkness

A Discovery of Witches: A NovelDeborah Harkness’s debut novel A Discovery of Witches combines several elements I like—a great gothic house (and a castle), supernatural creatures (especially witches; I love witches), and academia. Diana Bishop, a rather reluctant witch and descendant of Bridget Bishop—the first “witch” executed in the Salem Witch Trials, is a professor researching the history of alchemy in Oxford’s Bodleian Library when she is able to call forth a manuscript called Ashmole 782, believed lost for over 150 years. Diana suddenly attracts the attention of several other creatures—witches, daemons, and a vampire named Matthew Clairmont. Soon the two make even more startling discoveries—hidden inside Diana’s DNA are predispositions for just about every magical power witches possess. Together they must discover what Ashmole 782’s secrets are; why her parents were murdered when she was a child; and why daemons, witches, and vampires want to prevent them from discovering anything (and from being together).

A review on Amazon describes this as a combination of The Da Vinci Code, Harry Potter, and a romance, which is just about right, except I’d throw Twilight into the mix. It’s certainly better written than The Da Vinci Code and perhaps Twilight, but not Harry Potter. It must be hard to write about vampires right about now. For one thing, we want the strange Byronic dangerousness of the vampire, but we don’t like the whole murdering people to eat deal. We have, if you’ll pardon the pun, taken the fangs out of our vampires. Edward Cullen is a great example of this phenomenon, and Matthew Clairmont is not terribly different. Despite the author’s attempts to tell us otherwise, he never comes across the page as very dangerous. Nor do any of his “family.” The vampires that do seem frightening are all bad guys. Despite lacking some teeth, they are fairly charming. I particularly liked Marcus. For astute readers, there’s a reference to another famous vampire in chapter 13 (I think—it’s hard to keep track when you’re listening) that vampire fans will enjoy. Harkness also dispenses with some of the vampire myths—her vampires can go out in the sun without incinerating (or sparkling).

I actually liked the witches much better, especially Diana’s aunts Sarah and Em. Sarah has a sort of hardened no-nonsense way of speaking, and Em is just sweet. I absolutely love their house. I won’t spoil it for those of you who want to read it. The daemons confuse me. I can’t tell what they are that makes them different from humans except for exceptional creativity and intelligence. They don’t seem to have any supernatural powers like vampires or witches. Harkness’s witches, I understand, but I would have liked to have understood her vampires better.

I think I enjoyed this book on audio perhaps more than I might have in print because Jennifer Ikeda was such a great reader. She can do a variety of accents easily—French, Australian, and Scottish. She made each character sound different and instantly recognizable. I did find myself wishing I were reading the hardcover in some parts so I could easily flip around and check things.

However, I admit I don’t care a lot for the main characters, Diana and Matthew. Are they just grown up versions of Bella and Edward? Well, kind of. Diana is Bella with a little bit more self-esteem and attitude, maybe. The descriptions of the places, the food, and the other characters made me keep listening, and I enjoyed it enough to read the sequel, which I might enjoy more because of where it will be set (a bit spoilery, so I won’t give it away). Diana and Matthew are a strange couple. They seem a little forced together as though they were set up by a good friend and are trying to make a go of it without really feeling any sparks.

It’s a worthy debut, and I think it will likely be fairly popular. Despite my feelings about the main characters, I did enjoy the book and look forward to the next one.

Rating: ★★★★☆

Diana’s aunts Sarah and Em and Matthew’s best friend Hamish qualify this book for the GLBT Challenge. The supernatural elements and ancient houses make for a great Gothic Reading Challenge read. I need to read 17 more books for the Gothic Reading Challenge.

Juliet, Anne Fortier

JulietAfter the death of her Aunt Rose, Julie Jacobs is given an intriguing bequest—a key to a safety deposit box in a bank in Siena, Italy. As keys do, this key unlocks the door to a future Julie could never have imagined as she discovers her connection to the star-crossed lovers who inspired William Shakespeare’s Romeo and Juliet.

Juliet is a fast-paced thriller that fans of William Shakespeare’s play will enjoy. Fortier weaves in references to Romeo and Juliet both obvious and subtle. The ending probably won’t surprise readers much, but the ride is a great deal of fun. Fortier’s research is meticulous. She brings Siena alive, both in the medieval past and present. She introduces the Tolomeis and Salimbenis, two prominent Siena families who really did have a feud. Reading this book made me want to teach Romeo and Juliet again this year, and here I thought I was a little tired of it.

I was puzzled by Fortier’s choice of Siena, when it is in fair Verona that Shakespeare lays his scene, but after doing some digging, I found the earliest references to a story involving Romeo and Juliet set the story in Siena, and Siena makes a great deal of sense with its history of feuding families and its ancient traditions, including the Palio, a horse race that originated in the Middle Ages. A sense of the connection we all have to history pervades this book. My interest in family history and in medieval history made this an enjoyable read. You’ll read reviews that compare this novel to The Da Vinci Code, which I suppose is inevitable because of the unraveling of clues bound to reveal surprising information that will upend long-held beliefs against the backdrop of a European city, but don’t let the comparisons fool you. This novel is much smarter than The Da Vinci Code, and the characters are much more fully realized. I did feel Julie’s sister Janice could be a bit of a caricature, and Eva Maria was a little over the top, but I enjoyed the other characters, especially the characters in the medieval portions of the story—Giulietta Tolomei, Romeo Marescotti, Friar Lorenzo, and the feuding Tolomeis and Salimbenis.

Anyone who enjoys Shakespeare-related fiction should enjoy this novel, but even folks who aren’t Shakespeare fans can enjoy this read.

Rating: ★★★★½

The Heretic’s Daughter

The Heretic’s Daughter: A NovelKathleen Kent has a personal stake in telling the story of Martha Carrier, who was executed for witchcraft during the Salem witch trials: she is a tenth generation descendant of Martha Carrier. The Heretic’s Daughter is a story of the witch trials told through the point of view of eleven-year-old Sarah Carrier, Martha’s daughter, who herself was one of the youngest among the accused. In fact, the real Sarah Carrier was younger than Kent’s Sarah by about five years!

Sarah describes contention against her family and the climate of Andover, Billerica, and surrounding environs prior to the witch trials. She doesn’t understand her mother’s ways, and they seem to be at odds with each other all the time. Then whispers of witchcraft start finding their way to Sarah’s ears, and before long the entire Carrier family is embroiled in the trials.

Martha Carrier
I took this picture of Martha Carrier's memorial on our trip to Salem. Click for larger version.

The Heretic’s Daughter is beautifully written and poignant. However, it’s also slow to start. The first half of the book moved slowly for me, but after the witch trials begin, the book finds its stride and moves quickly. I read the second half in one sitting. I did enjoy Kent’s portrayal of the Carrier family’s contentiousness, which does much to explain why their neighbors turn on them—and in fact, it was often contentious men and women who were accused. It’s also refreshing to read a book that seeks to portray the accused realistically instead of glorifying them as saints. It is mostly well-researched and rings true with the exception one glaring mistake—Giles Corey, one of the most famous figures in the trials because of his resistance and his major role in Arthur Miller’s The Crucible, is called Miles Corey in this book. Not only is that a strange mistake given the attention to detail Kent otherwise displays, but it’s astonishing that an an editor didn’t catch the error. However, setting that issue aside, the book itself is more accurate than Miller’s play, and I found it much more enjoyable to read, too.

I’m glad I persevered with this book through the slow beginning—which did have some beautiful passages, good description, and it laid essential groundwork—the second half of the book was worth the investment. Readers might also be interested in Maud Newton’s interview with Kent.

Rating: ★★★★☆

R.I.P. Challenge V

This book is my second book for the R.I.P. Challenge, which means I have officially finished at the level to which I committed; however, I am going to read Dracula, My Love and Wuthering Bites in the hope that I can read four books and move up a level in the challenge.

The Three Weissmanns of Westport

The Three Weissmanns of Westport: A NovelCathleen Schine’s novel The Three Weissmanns of Westport is a modern retelling of Jane Austen’s Sense and Sensibility. I first became intrigued by the novel after I heard Lois Reitzes interview Schine on Between the Lines. Here is the interview:

Cathleen Schine, author of The Three Weissmans of Westport

Schine explains in the interview that her motivation for telling the tale lay in part in the fact that in many ways, women today are as vulnerable to the same financial difficulties as the Dashwoods because of divorce. It was an interesting take. The story begins as Betty Weissmann learns her husband nearly fifty years, Joseph, plans to leave her for a younger woman, the Fanny Dashwoodish Felicity. In an argument over the apartment the Weissmanns share in the Central Park West area in Manhattan, Betty finds herself cut off from the money she has never had to worry about in the past. Meanwhile, Betty’s two daughters have troubles of their own. Schine has recast the characters into older counterparts, and I found it worked well. Annie is the Elinor figure; a librarian with two grown sons, she pines for Felicity’s brother, the novelist Frederick Barrows. Miranda is the Marianne figure, a literary agent who peddles fake memoirs and is outed by Oprah. Cousin Lou, the Mr. Middleton figure, comes to the rescue and offers the Weissmanns his cottage in Westport because they’re “like family.” The three women move in together. Miranda falls in love with the dashing young actor Kit and his son Henry. Betty mourns the death of her marriage like a true widow. Annie wonders how she is going to pay all the bills.

One of the enjoyable aspects of reading derivative works like this—modern updates or retellings—is seeing how an old story can still speak to a modern audience and can still be as fresh and as true as it ever was. I particularly liked A Thousand Acres, Jane Smiley’s retelling of King Lear for that reason. This retelling works. The situations were plausible, and the characters were flawed, but intriguing and funny and even charming enough to keep me interested. In this case, knowing Sense and Sensibility made me wonder how the author might, for instance, deal with Willoughby’s betrayal or Elinor’s introduction to Lucy Steele. It was satisfying to turn the page, then, and see it coming. For instance, as soon as Amber and Crystal walked on the scene, I thought “here come the Misses Steele.” Schine captured those two particularly well. The book has a lot of pop culture references, from James Frey, to Shamwow, to Snuggies, and more, but I wonder if these problems won’t date the book in the future. Then again, maybe it will be a snapshot of the early 21st century. Austen purists won’t like some of the changes made to the ending. I think the ending Sense and Sensibility of is one of the best endings ever. However, I liked the ending of this book. Around about the middle, I had to keep plowing through the book to see how Schine would modernize next.

Rating: ★★★★☆

This is my first book for the Everything Austen Challenge.