Review: Klara and the Sun, Kazuo Ishiguro

Review: Klara and the Sun, Kazuo IshiguroKlara and the Sun by Kazuo Ishiguro, Sura Siu
Published by Random House Audio on March 2, 2021
Length: 10 hours 16 minutes
Format: Audio, Audiobook
Source: Audible
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Goodreads
five-stars

'KLARA AND THE SUN' IS A MAGNIFICENT NEW NOVEL FROM THE NOBEL LAUREATE KAZUO ISHIGURO - AUTHOR OF 'NEVER LET ME GO' AND THE BOOKER PRIZE-WINNING 'THE REMAINS OF THE DAY.'

'KLARA AND THE SUN,' the first novel by Kazuo Ishiguro since he was awarded the Nobel Prize in Literature, tells the story of Klara, an Artificial Friend with outstanding observational qualities, who from her place in the store, watches carefully the behavior of those who come to browse, and of those who pass on the street outside. She remains hopeful that a customer will soon choose her.

'KLARA AND THE SUN' is a thrilling book that offers a look at our changing world through the eyes of an unforgettable narrator, and one that explores the fundamental question: What does it mean to love?
In its award citation in 2017, the Nobel committee described Ishiguro's books as "novels of great emotional force" and said he has "uncovered the abyss of our illusory sense of connection with the world."

Kazuo Ishiguro seems to me, more than any other author living, to be writing to explore what it means to be human. Where does our humanity reside? How do we remember? How are we remembered? Or, as Josie’s father asks Klara in one of the most profoundly moving parts of the book, “Do you believe in the human heart? I don’t mean simply the organ. I’m speaking in the poetic sense. The human heart. Do you believe there is such a thing?” That passage was the first part of the book to cause me to burst into tears—it was not the last—and as I explained to my husband, it reminded me of this essay, “Joyas Voladores” by Brian Doyle, adding more dimension to the essay (which, honestly, didn’t make me cry the first time I read it but now makes me cry because I associate it with this passage). Ron Charles argues in his review of Klara and the Sun that ” the real subject, as always in Ishiguro’s dusk-lit fiction, is the moral quandary of the human heart.”

I have yet to finish an Ishiguro novel without bawling, and this book was no exception. As with his other novels, in Klara and the Sun, Ishiguro’s narrator has a compelling voice. Her childlike propensity to hope, her belief in the healing power of the sun, is simply heartbreaking. It’s hard not to draw parallels to both The Remains of the Day and Never Let Me Go, and both of those novels also have memorable narrators who struggle to make sense of the mysteries of the human heart as well. There is something different in Klara’s struggle to please, to understand. She has the lack of agency of Kathy in Never Let Me Go and the outsider observational perspective of Stevens in The Remains of the Day, but she’s somehow more innocent. The ending of the book just wrecked me.

This book is one of the best I read this year. It has me thinking about what it means to be human and how much of our humanity we have lost over the last several years. Prepare the tissues if you read it. I couldn’t recommend it more highly. Superb.

five-stars

Review: Shelley’s Ghost: Reshaping the Image of a Literary Family, Stephen Hebron and Elizabeth C. Denlinger

Review: Shelley’s Ghost: Reshaping the Image of a Literary Family, Stephen Hebron and Elizabeth C. DenlingerShelley's Ghost: Reshaping the Image of a Literary Family by Stephen Hebron, Elizabeth C. Denlinger
Published by Bodleian Library on January 15, 2011
Genres: Biography, Nonfiction, Poetry
Pages: 192
Format: Paperback
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five-stars

It is difficult to think of a family more endowed with literary genius than the Shelley family—from the Romantic poet Percy Bysshe Shelley and his wife, novelist Mary Shelley, to Mary’s parents, William Godwin and Mary Wollstonecraft—all were authors in their own right. Using extensive archival material Shelley’s Ghost explores the making of this remarkable literary family’s reputation.

Drawing on the Bodleian Library’s outstanding collection of letters, poetry manuscripts, rare printed books, portraits, and other personalia—including Shelley’s working notebooks, Keats’s letters to Shelley, William Godwin’s diary, and the original manuscript of Mary Shelley’s Frankenstein—Stephen Hebron charts the history of this talented yet troubled family. After Percy Bysshe Shelley’s drowning in 1822, Mary published various manuscripts relating to both her husband’s and her father’s lives, and passed this historical legacy to her son, Sir Percy Florence Shelley and his wife, Lady Jane Shelley. As guardians of the archive until they bequeathed it to the Bodleian in 1892, Sir Percy Florence and Lady Jane helped shape the posthumous reputations of these writers. An afterword by Elizabeth Denlinger of the New York Public Library offers an additional perspective, exploring material relating to the Shelley family that slipped beyond the family’s control.

An unparalleled look at one of the most significant families of British Romantic literature, Shelley’s Ghost will be welcomed by scholars and the many fans of this enduring literacy legacy.

Percy Bysshe Shelley was the poet who made me fall in love with poetry. I can’t claim I always understand what he says, but he captures something that really spoke to me as a high-school student with dreams of being a writer, too. Later, I took a course in college called Late Romantic Literature. My university was on the quarter system at that time, and each quarter was 10 weeks long. I recall we spent two weeks each on Lord Byron, Percy Bysshe Shelley, John Keats, and Mary Shelley. I don’t remember what the other two weeks’ focus was. The course only deepened my appreciation for the Romantic poets, especially Shelley. About ten years ago, I was given this book after entering a contest. The goal was to record yourself reciting a Shelley poem, and the best entry would win a signed edition of this book. I didn’t submit the best entry, but I submitted one of only three entries, so the Bodleian decided to give all of us a copy. It was rather nice of them to do, and I started to read the book, but one thing happened and then another, and I’m sad to say I let the book sit on my bookshelf. I finally read it over my winter break.

The images in the book are gorgeous. I wish I were better able to read the letters and manuscripts photographed for the book, or perhaps that full transcriptions had been provided in an appendix. Unfortunately, the Bodleian has taken down the exhibition website as the technologies used to build and maintain it are obsolete. You can see some of the exhibition in this video:

I am not sure to what extent this exhibition was permanent or that visitors to the Bodleian could see it today, but the exhibition book captures beautiful photographs of everything from artwork to manuscripts. The text of the exhibition book presents the history of the family from William Godwin and Mary Wollstonecraft through Percy Florence Shelley and his wife Jane, Lady Shelley. Percy Florence Shelley was the only child of Percy Bysshe and Mary Wollstonecraft Shelley to survive to adulthood. I found myself particularly interested in Lady Shelley as she turned out to be something of an eccentric, and her devotion to the memory of her late father- and mother-in-law may be one reason why we have so many of the family’s manuscripts and belongings. She seems to have adored her mother-in-law, Mary Shelley.

I really love seeing the handwriting of writers, and this book includes several images from journals, notebooks, and letters written by Percy Bysshe Shelley, Mary Shelley, and her parents William Godwin and Mary Wollstonecraft. I was particularly intrigued by the chapter on Shelley’s notebooks. Shelley drowned, along with his friend Edward Williams, when his boat the Don Juan capsized off the coast of Italy. How poignant and sad that Shelley had a tendency to draw boats in his journals. I was also struck by the work Mary Shelley did to secure her husband’s literary legacy while fighting her father-in-law’s wishes to bury all of his son’s work, especially as Mary needed her father-in-law’s support to ensure her son, Percy Florence Shelley, had a proper education and inherited the Shelley baronetcy. (I’m not sure she cared as much about the title as she did that her son was educated and had the support he needed.)

I was moved by William Godwin’s letter to his daughter in February 1823 (some months after Shelley’s death):

Do not, I intreat you, be cast down about your worldly circumstances. You certainly contain within yourself the means of your subsistence. Your talents are truly extraordinary. Frankenstein is universally known; &, though it can never be a book for vulgar reading, it is every where respected. It is the most wonderful work to have been written at twenty years of age that I ever heard of.

I wonder if she felt at all encouraged that her father, widely considered a great philosopher and writer in his time, felt this way about her work, and not because she was his daughter, but because she was good.

I think anyone with an interest in Romantic poets or Shelley, in particular, will enjoy the beautiful images in this book. The text may or may not illuminate the family history, depending on the reader’s familiarity with the broad strokes of their lives. It’s a beautiful book and one I’m happy to own (even if it took me a decade to finally read).

five-stars

Review: The Storyteller: Tales of Life and Music, Dave Grohl

Review: The Storyteller: Tales of Life and Music, Dave GrohlThe Storyteller: Tales of Life and Music by Dave Grohl
Published by HarperAudio on October 5, 2021
Genres: Memoir
Format: Audio, Audiobook
Source: Audible
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Goodreads
five-stars

So, I've written a book.

Having entertained the idea for years, and even offered a few questionable opportunities ("It's a piece of cake! Just do 4 hours of interviews, find someone else to write it, put your face on the cover, and voila!") I have decided to write these stories just as I have always done, in my own hand. The joy that I have felt from chronicling these tales is not unlike listening back to a song that I've recorded and can't wait to share with the world, or reading a primitive journal entry from a stained notebook, or even hearing my voice bounce between the Kiss posters on my wall as a child.

This certainly doesn't mean that I'm quitting my day job, but it does give me a place to shed a little light on what it's like to be a kid from Springfield, Virginia, walking through life while living out the crazy dreams I had as young musician. From hitting the road with Scream at 18 years old, to my time in Nirvana and the Foo Fighters, jamming with Iggy Pop or playing at the Academy Awards or dancing with AC/DC and the Preservation Hall Jazz Band, drumming for Tom Petty or meeting Sir Paul McCartney at Royal Albert Hall, bedtime stories with Joan Jett or a chance meeting with Little Richard, to flying halfway around the world for one epic night with my daughters…the list goes on. I look forward to focusing the lens through which I see these memories a little sharper for you with much excitement.

I loved this book. It’s one of the best memoirs I’ve read; I’d rank it right up with Bruce Springsteen’s memoir Born to Run. I was exactly the right age when Nirvana broke. I was a sophomore in college. I turned 20 the month Nevermind was released. All these years later, I still think “Smells Like Teen Spirit” captures the Gen-X zeitgeist. In the immortal words of Kurt Cobain, “Oh well, whatever, never mind.”  I mean, that’s pretty much the Gen-X ethos.

My favorite stories from the book (in no particular order):

  • Dave Grohl rescheduled a show in Perth, Australia, necessitating a ridiculous trip from Australia to the US and back just so he could take his daughters to the Daddy/Daughter Dance and honor his tour obligations. On the flight back to Australia, he suffered from both food poisoning and turbulence.
  • Grohl played drums with Tom Petty and the Heartbreakers on Saturday Night Live. Tom Petty apparently gives looks that tell entire stories. Apparently, Grohl nearly became a permanent Heartbreaker.
  • Grohl’s Republican father disowned him when he dropped out of high school to pursue music (with his mother’s blessing). His father’s parting words were classic.
  • Grohl bought himself the Joan Jett Barbie on a shopping trip with his daughters. Later, Joan Jett stayed with the Grohls at their house and read bedtime stories to Violet Grohl, Dave’s daughter.
  • Grohl apparently lived in a haunted house and had an encounter with a medium who told him his dreams about UFOs were real.
  • After Kurt Cobain’s death, Grohl retreated to a remote part of Ireland. His encounter with a hitchhiker with take your breath away, but I don’t want to give it away.

Grohl handled some aspects of his story with class: he has plenty of reason to blast Courtney Love, but he never even mentioned her in the book. Likewise, he maintained the privacy of his ex-wife and ex-girlfriends. He lays all of his success at the feet of his mother, and truthfully, she sounds like a lovely person. I definitely want to read her book now that I’ve read his.

Grohl’s memoir is aptly titled, for he is a born storyteller. I was highly entertained for the entire ride, and if you pick up this book, too, I highly recommend you listen to Grohl read the audiobook (you will not be disappointed).

Grohl put together an epic playlist with all the songs and/or artists he mentioned (thanks to my sister for sending it to me; she’s the biggest Dave Grohl fan I know).

five-stars

Review: The Final Revival of Opal & Nev, Dawnie Walton

Review: The Final Revival of Opal & Nev, Dawnie WaltonThe Final Revival of Opal & Nev by Dawnie Walton
Published by 37 Ink, Simon Schuster Audio on March 30, 2021
Genres: Contemporary Fiction, Historical Fiction
Length: 13 hours 17 minutes
Format: Audio, Audiobook
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five-stars

An electrifying novel about the meteoric rise of an iconic interracial rock duo in the 1970s, their sensational breakup, and the dark secrets unearthed when they try to reunite decades later for one last tour.

Opal is a fiercely independent young woman pushing against the grain in her style and attitude, Afro-punk before that term existed. Coming of age in Detroit, she can’t imagine settling for a 9-to-5 job—despite her unusual looks, Opal believes she can be a star. So when the aspiring British singer/songwriter Neville Charles discovers her at a bar’s amateur night, she takes him up on his offer to make rock music together for the fledgling Rivington Records.

In early seventies New York City, just as she’s finding her niche as part of a flamboyant and funky creative scene, a rival band signed to her label brandishes a Confederate flag at a promotional concert. Opal’s bold protest and the violence that ensues set off a chain of events that will not only change the lives of those she loves, but also be a deadly reminder that repercussions are always harsher for women, especially black women, who dare to speak their truth.

Decades later, as Opal considers a 2016 reunion with Nev, music journalist S. Sunny Shelton seizes the chance to curate an oral history about her idols. Sunny thought she knew most of the stories leading up to the cult duo’s most politicized chapter. But as her interviews dig deeper, a nasty new allegation from an unexpected source threatens to blow up everything.

Provocative and chilling, The Final Revival of Opal & Nev features a backup chorus of unforgettable voices, a heroine the likes of which we’ve not seen in storytelling, and a daring structure, and introduces a bold new voice in contemporary fiction.

This book is AMAZING. I highly recommend listening to it on audio, as it’s read by a full cast including some pretty major players: Bahni Turpin, an award-winning audiobook narrator, voices Opal Jewel, and Tony-winning actor André De Shields (Hermes in Hadestown) voices Virgil LaFleur, Opal’s stylist and best friend. I wanted for those two characters, in particular, to be real people so that I could hang out with them and just listen to their stories. I loved everything about this book: the audiobook narration, the references to social media, the Rolling Stone-type magazine Sunny writes for, and the interview-style format.

I’m sure that fans of Daisy Jones & The Six would like it, but for me, it goes even deeper than that book to expose issues of sexism and racism in music. The story is both a fascinating look at rock’s history and its present. Dawnie Walton writes with authority on the subject, and as a lifelong music lover, it was so refreshing and fun to read about its history in a book like this. Walton couldn’t have bundled more of my personal interests into one book if she had tried—in fact, all she needed to do was make one of the characters a bread baker, and there’s literally nothing else to add. I highly recommend it to anyone who loves music.

five-stars

Review: Salt Houses, Hala Alyan

Review: Salt Houses, Hala AlyanSalt Houses by Hala Alyan
Narrator: Leila Buck
Published by Mariner Books on June 5, 2018
Genres: Historical Fiction
Length: 13 hours 35 minutes
Format: Audio, Audiobook
Source: Library
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five-stars

On the eve of her daughter Alia’s wedding, Salma reads the girl’s future in a cup of coffee dregs. She sees an unsettled life for Alia and her children; she also sees travel and luck. While she chooses to keep her predictions to herself that day, they will all soon come to pass when the family is uprooted in the wake of the Six-Day War of 1967.

Salma is forced to leave her home in Nablus; Alia’s brother gets pulled into a politically militarized world he can’t escape; and Alia and her gentle-spirited husband move to Kuwait City, where they reluctantly build a life with their three children. When Saddam Hussein invades Kuwait in 1990, Alia and her family once again lose their home, their land, and their story as they know it, scattering to Beirut, Paris, Boston, and beyond. Soon Alia’s children begin families of their own, once again navigating the burdens (and blessings) of assimilation in foreign cities.

Lyrical and heartbreaking, Salt Houses is a remarkable debut novel that challenges and humanizes an age-old conflict we might think we understand—one that asks us to confront that most devastating of all truths: you can’t go home again.

This was an excellent book. I highly recommend it to anyone who enjoys a good intergenerational family saga. The book brilliantly explores the cost of war and the trauma of losing a homeland, especially in the quietly heartbreaking ending. It also explores the endurance of people in the face of conflict. Home may be lost, but the family will continue. It’s a great addition to the genre of historical fiction exploring what happens to a diaspora. The strength of women and how they hang onto and pass on culture and stories was such an important part of this book as well.

I really enjoyed the characters, who were so well-drawn and fully fleshed that I felt like I knew them. My favorites were probably Riham and Atef, but I really appreciated all of the characters. Alia is the character around which the book turns, and by the end, the reader has met five generations of the family as they have struggled to make a permanent home. I particularly appreciated how strong the women characters were. I think many Westerners have stereotyped notions of what Muslim women in the Middle East are like, and honestly, one of the best ways to dispel stereotypes is to tell our stories.

I also liked the structure of the novel. It was interesting for me to move among different characters and see the family dynamics and history through different family members’ eyes. The story begins in Nablus in Palestine in the 1960s in the leadup to the Six Days War and traces the family to the near present in 2014 in Amman, Jordan, which is another element of the structure that I liked. At times, the characters reflect on events in the past, but I didn’t find it hard to keep track, even though I was listening to the book instead of reading it in print. The narrator was also excellent, but after listening to the author (see below), I wish she had been able to narrate it. One of Alyan’s strengths is her ability to draw a scene. I think my absolute favorite scene in the book was Riham in the water, but Atef’s reflections near the novel’s end, and Souad’s chapter and Lina’s chapter were also compelling. I think this is a book I’ll be recommending to others.

The author has a fascinating story herself. Check out this story from NPR:

In this TED video, Alyan shares some of her poetry:

If you want to see her visit to Politics and Prose, check out this video, which includes a reading:

I read this book for my August selection for the Book Voyage Challenge—a book set in the Middle East.

five-stars

Review: Shakespeare: The World as Stage, Bill Bryson

Review: Shakespeare: The World as Stage, Bill BrysonShakespeare by Bill Bryson
Narrator: Bill Bryson
Published by HarperAudio on October 23, 2007
Genres: Biography, History, Nonfiction
Length: 5 hours 28 minutes
Format: Audio, Audiobook
Source: Library
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five-stars

William Shakespeare, the most celebrated poet in the English language, left behind nearly a million words of text, but his biography has long been a thicket of wild supposition arranged around scant facts. With a steady hand and his trademark wit, Bill Bryson sorts through this colorful muddle to reveal the man himself.

Bryson documents the efforts of earlier scholars, from today's most respected academics to eccentrics like Delia Bacon, an American who developed a firm but unsubstantiated conviction that her namesake, Francis Bacon, was the true author of Shakespeare's plays. Emulating the style of his famous travelogues, Bryson records episodes in his research, including a visit to a bunkerlike room in Washington, D.C., where the world's largest collection of First Folios is housed.

Bryson celebrates Shakespeare as a writer of unimaginable talent and enormous inventiveness, a coiner of phrases ("vanish into thin air," "foregone conclusion," "one fell swoop") that even today have common currency. His Shakespeare is like no one else's the beneficiary of Bryson's genial nature, his engaging skepticism, and a gift for storytelling unrivaled in our time.

If you’ve seen my most recent reviews, you might have noticed I’m on a bit of a Bill Bryson kick right now. I had been wanting to read this book for a while, but for one reason or another, I hadn’t moved it from my TBR pile to my reading pile. The other day, I had to put a hold on an audiobook I wanted from the library, and I figured I’d see if I could listen to this one instead, especially as it is short. Yesterday, the book I had put on hold became available to check out, so I thought I should try to finish this book up.

Did I learn anything new here? Well, not really, but that’s only because I’ve read a lot about Shakespeare. I’m no expert, but I have been teaching his plays for over 20 years, and I have taken coursework in addition to the reading I’ve done. I think the average casual reader would learn quite a bit.

Bryson is by no means a Shakespeare scholar, but what he writes in this slim book corresponds with what I have learned from others. The book’s brevity and humor might make it more accessible for some people interested in learning more about what we can know definitively about William Shakespeare. The truth is, we know quite a lot, particularly for a man of the sixteenth/seventeenth centuries. He’s one of the most dissected people to have lived, and unlikely new discoveries are sometimes made. Bryson recounts a few of these in the book. He carefully veers away from speculating when we don’t really know—which is refreshing because people fill in the gaps of our knowledge of Shakespeare’s life in some really strange ways. I thoroughly enjoyed this book for what it was meant to be: a brief biography based entirely on what we know about William Shakespeare.

five-stars

Review: A Walk in the Woods, Bill Bryson

Review: A Walk in the Woods, Bill BrysonA Walk in the Woods: Rediscovering America on the Appalachian Trail by Bill Bryson
Narrator: Rob McQuay
Published by Broadway Books on May 4, 1999
Genres: Memoir, Nonfiction, Travel
Length: 9 hours 47 minutes
Format: Audio, Audiobook
Source: Library
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five-stars

Back in America after twenty years in Britain, Bill Bryson decided to reacquaint himself with his native country by walking the 2,100-mile Appalachian Trail, which stretches from Georgia to Maine. The AT offers an astonishing landscape of silent forests and sparkling lakes—and to a writer with the comic genius of Bill Bryson, it also provides endless opportunities to witness the majestic silliness of his fellow human beings. For a start, there's the gloriously out-of-shape Stephen Katz, a buddy from Iowa along for the walk. Despite Katz's overwhelming desire to find cozy restaurants, he and Bryson eventually settle into their stride, and while on the trail they meet a bizarre assortment of hilarious characters. But A Walk in the Woods is more than just a laugh-out-loud hike. Bryson's acute eye is a wise witness to this beautiful but fragile trail, and as he tells its fascinating history, he makes a moving plea for the conservation of America's last great wilderness. An adventure, a comedy, and a celebration, A Walk in the Woods has become a modern classic of travel literature.

After finishing and enjoying Bill Bryson’s book about traveling Australia, In a Sunburned Country, I wanted to read A Walk in the Woods. I have taken up walking myself, and while I harbor no desire to walk the Appalachian Trail, I understand the joy a good walk can bring. This book really brings together a few different elements. On one level, it’s the history and ecology of the AT. It’s also a travelogue, which I expected after reading In a Sunburned Country. However, what I didn’t expect (not having read reviews) was that this would be a buddy story. Bryson is accompanied on his journey—his old friend Stephen Katz joins Bryson’s hike and threatens to walk away with the whole narrative. I’d love to know Katz’s reasons for wanting to walk the AT with Bill Bryson, but I’m glad he went.

My largest problem with the book was the narrator wasn’t Bryson. He also mispronounced a few proper nouns, which always bothers me. There are more than a few Deliverance references meant to be jokes, as well. That old stereotype wears very thin after a while, but I felt Bryson was attempting to rationalize some of his anxiety; I’m not sure to what extent he really believes those stereotypes.

This book was particularly fun to listen to as I walked, and I especially enjoyed hearing about some of the places I was more familiar with—the segment on Mount Greylock was interesting to me, as I have visited it and remember seeing everything he described. I imagine it would be fun to read this book while hiking the AT. I learned a great deal about the AT, and I also learned more about ecological concerns facing conservationists today.

five-stars

Review: A Brief History of Seven Killings, Marlon James

Review: A Brief History of Seven Killings, Marlon JamesA Brief History of Seven Killings by Marlon James
Narrator: Ryan Anderson, Dwight Bacquie, Cherise Boothe, Robertson Dean, Johnathan McClain, Robert Younis
Published by Highbridge on October 24, 2014
Genres: Historical Fiction
Length: 26 hours
Format: Audio, Audiobook
Source: Library
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five-stars

From the acclaimed author of The Book of Night Women comes a masterfully written novel that explores the attempted assassination of Bob Marley in the late 1970s.

On December 3, 1976, just before the Jamaican general election and two days before Bob Marley was to play the Smile Jamaica Concert, gunmen stormed his house, machine guns blazing. The attack nearly killed the Reggae superstar, his wife, and his manager, and injured several others. Marley would go on to perform at the free concert on December 5, but he left the country the next day, not to return for two years.

Deftly spanning decades and continents and peopled with a wide range of characters—assassins, journalists, drug dealers, and even ghosts—A Brief History of Seven Killings is the fictional exploration of that dangerous and unstable time and its bloody aftermath, from the streets and slums of Kingston in the 1970s, to the crack wars in 1980s New York, to a radically altered Jamaica in the 1990s. Brilliantly inventive and stunningly ambitious, this novel is a revealing modern epic that will secure Marlon James’ place among the great literary talents of his generation.

Damn. I’m not sure what to say about this book. It’s hard for me to recommend it to anyone because it’s really violent and disturbing, but it was completely captivating at the same time. I was riveted. A Brief History of Seven Killings is long and at times unwieldy—I can’t tell you how many killings there were because I lost track, but it was way more than seven, and this novel is anything but brief. I wound up reading chapter summaries after I listened to each chapter so that I could be sure I picked up on the salient plot points.

I highly recommend the audiobook, but with the caveat that you really have to pay attention. The voice actors do a good job, though some of them seem to handle the Jamaican Patois better than others; truthfully, I don’t know that I know enough about the Jamaican Patois to be able to discern how well the narrators captured it. One thing I can say confidently is that their acting was good. Some of the scenes were downright harrowing to listen to in a way I’m not sure is as easily captured in print.

This might seem like a strange way to put it, but Marlon James shines the most in this book when describing scenes of violence. He almost renders the most violent scenes as poetry. Some of the scenes are downright cinematic. I’ve seen some reviewers compare Marlon James to Quentin Tarantino, a comparison that seems particularly apt to me. I also see the influence of William Faulkner.

The book’s epigram is a Jamaican proverb: “If it no go so, it go near so.” In the video below, James says that “fiction is a lie that tells the truth.” I didn’t know anything about the history behind this novel, but as I can tell, as James shares, that it was heavily researched. I was completely unaware of the assassination attempt that left Bob Marley, his wife, and his manager wounded but—astonishingly—killed no one. Timothy White’s 1991 article for Spin is apparently one of the sources, and I highly recommend it as supplementary reading. Reading it made me think that it was a brave act for Marlon James to write this book. It’s not hard to see why James might have read about the incidents surrounding the attempted assassination and think it would make a hell of a book. I definitely don’t think this book is for everyone, but I found it both fascinating and horrifying in equal measures. In the end, however, I can see why it won the Booker Prize some years ago.

I read this book for the Book Voyage: Read Around the World Challenge for June: a book set on an island.

If you have about an hour, you might enjoy Marlon James’s visit to Politics and Prose in Washington, DC.

https://www.youtube.com/watch?v=ZNx5FXpAoNU

five-stars

Review: How the Word is Passed, Clint Smith

Review: How the Word is Passed, Clint SmithHow the Word Is Passed: A Reckoning with the History of Slavery Across America by Clint Smith
on June 1, 2021
Genres: History
Pages: 352
Format: Hardcover
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five-stars

Poet and contributor to The Atlantic Clint Smith’s revealing, contemporary portrait of America as a slave-owning nation.

Beginning in his own hometown of New Orleans, Clint Smith leads the reader through an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation's collective history, and ourselves.

It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving over 400 people on the premises. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola Prison in Louisiana, a former plantation named for the country from which most of its enslaved people arrived and which has since become one of the most gruesome maximum-security prisons in the world. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.

In a deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country's most essential stories are hidden in plain view-whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods—like downtown Manhattan—on which the brutal history of the trade in enslaved men, women and children has been deeply imprinted.

Informed by scholarship and brought alive by the story of people living today, Clint Smith’s debut work of nonfiction is a landmark work of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in understanding our country.

This is a fascinating book and a must-read for, well, everyone. In the pages of this book, Clint Smith embarks on a journey to several sites associated with slavery and racism and shares the stories of those sites and how their past is either reckoned with or isn’t. For a taste, you might consider reading Smith’s recent article in The Atlantic: “Why Confederate Lies Live On.” For another, more poetic taste, check out this poem:

In the book’s Epilogue, Smith writes that we are not as removed from the history of slavery and racism as some of us would like to pretend. Recalling a story his grandmother told him about White children throwing food at her from their bus as she walked, he writes, “The children who threw food at my grandmother and called her a n***** are likely bouncing their own great-grandchildren on their laps” (288). I know for a fact that they are because I was raised by them, as hard as it is for me to say. I love some of my family and they have been and in some cases still are deeply racist. Part of the reason that racism persists is ignorance. So much of the truth of what really happened was not taught in schools. I know I didn’t learn it. I do think more efforts are made now to try to right that wrong, but many states are also engaged in a fierce battle—at this very moment—to prevent teachers from teaching students the truth about slavery and racism.

Learning the truth about this country could be cleansing and freeing, but there is so much fear. As Smith argues, students “knowing their history helps them more effectively identify the lies” they are told about their history and their present (262). Ultimately, Smith’s thesis is that if we know the truth, we can heal and move forward, but if we continue to remain ignorant, then our societal problems due to racism will persist.

Smith’s writing is lyrical and beautiful at times. Smith’s background as a poet is on full display in some of the language he uses. He begins the book by calling on readers to listen. In his Prologue, he uses language such as “congregation,” “crowd,” and “gathered” to call his audience together to hear what he has learned in his travels to Monticello, the Whitney Plantation, Angola Prison, Blandford Cemetery, Galveston, New York City, and Gorée Island (Senegal), finally ending with his grandparents’ stories. Smith makes the clear argument that history is us; we caused it to happen, and we can change its course.

I can’t recommend this book highly enough.

five-stars

Reading Roundup: May-June 2021

I haven’t written any reviews in a couple of months as I prepared to defend my dissertation and had little time to do much of anything but that, but the good news is that I am now Dr. Huff! Here is a picture of me and my dissertation committee right after my dissertation chair referred to me as Dr. Huff for the very first time.

Dana Huff Dissertation Defense

I can’t remember if I have written about it here or not, but I joined Noom and lost nearly 40 pounds since November 2020. One of the things I did to get active and lose weight was take up walking. I walk at least 10,000 steps each day, usually more. As I walk, I listen to audiobooks, which has pretty much been the only way I’ve been able to read as much as I have over this year. Here are some quick reviews of the books I read in May and June (so far).

Reading Roundup: May-June 2021Fool by Christopher Moore
Narrator: Euan Morton
Published by Harper Audio on February 10, 2009
Genres: Historical Fiction
Length: 8 hours 41 minutes
Format: Audio, Audiobook
Source: Audible
Buy on Amazon
Goodreads
four-stars

"This is a bawdy tale. Herein you will find gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity, as well as nontraditional grammar, split infinitives, and the odd wank . . . If that's the sort of thing you think you might enjoy, then you have happened upon the perfect story!"

A man of infinite jest, Pocket has been Lear's cherished fool for years, from the time the king's grown daughters—selfish, scheming Goneril, sadistic (but erotic-fantasy-grade-hot) Regan, and sweet, loyal Cordelia—were mere girls. So naturally Pocket is at his brainless, elderly liege's side when Lear—at the insidious urging of Edmund, the bastard (in every way imaginable) son of the Earl of Gloucester—demands that his kids swear their undying love and devotion before a collection of assembled guests. Of course, Goneril and Regan are only too happy to brownnose Dad. But Cordelia believes that her father's request is kind of . . . well . . . stupid, and her blunt honesty ends up costing her her rightful share of the kingdom and earns her a banishment to boot.

Well, now the bangers and mash have really hit the fan. The whole damn country's about to go to hell in a handbasket because of a stubborn old fart's wounded pride. And the only person who can possibly make things right . . . is Pocket, a small and slight clown with a biting sense of humor. He's already managed to sidestep catastrophe (and the vengeful blades of many an offended nobleman) on numerous occasions, using his razor-sharp mind, rapier wit . . . and the equally well-honed daggers he keeps conveniently hidden behind his back. Now he's going to have to do some very fancy maneuvering—cast some spells, incite a few assassinations, start a war or two (the usual stuff)—to get Cordelia back into Daddy Lear's good graces, to derail the fiendish power plays of Cordelia's twisted sisters, to rescue his gigantic, gigantically dim, and always randy friend and apprentice fool, Drool, from repeated beatings . . . and to shag every lusciously shaggable wench who's amenable to shagging along the way. Pocket may be a fool . . . but he's definitely not an idiot.

I read and enjoyed Christopher Moore’s The Serpent of Venice, which is actually this book’s sequel, so after my husband and I listened to King Lear on audio, we decided to try this. If you like Python-esque humor, you’ll appreciate Christopher Moore.

Reading Roundup: May-June 2021The Mountains Sing by Nguyễn Phan Quế Mai
Narrator: Quyen Ngo
Published by Dreamscape Media on March 17, 2020
Genres: Historical Fiction
Length: 10 hours 44 minutes
Format: Audio, Audiobook
Source: Library
Buy on Amazon
Goodreads
five-stars

With the epic sweep of Min Jin Lee's Pachinko and Yaa Gyasi's Homegoing and the lyrical beauty of Vaddey Ratner's In the Shadow of the Banyan, The Mountains Sing tells an enveloping, multigenerational tale of the Trần family, set against the backdrop of the Việt Nam War.

Trần Diệu Lan, who was born in 1920, was forced to flee her family farm with her six children during the Land Reform as the Communist government rose in the North. Years later in Hà Nội, her young granddaughter, Hương, comes of age as her parents and uncles head off down the Hồ Chí Minh Trail to fight in a conflict that tore not just her beloved country, but her family apart.

Vivid, gripping, and steeped in the language and traditions of Việt Nam, The Mountains Sing brings to life the human costs of this conflict from the point of view of the Vietnamese people themselves, while showing us the true power of kindness and hope. The Mountains Sing is celebrated Vietnamese poet Nguyễn Phan Quế Mai's first novel in English.

This is a stellar book, and I’m glad I listened to it as I was able to rely on the narrator’s fluency with Vietnamese. I can see why the Goodreads review mentioned the books by Lee, Gyasi, and Ratner (all of which I’ve also read). If you liked any of those books, you will like this one for sure. I read this book as my selection for the Book Voyage Challenge’s book set in South Asia.

Reading Roundup: May-June 2021Pachinko by Min Jin Lee
Narrator: Allison Hiroto
Published by Hachette Book Group on February 7, 2017
Genres: Historical Fiction
Format: Audio, Audiobook
Source: Library
Buy on Amazon
Goodreads
five-stars

Pachinko follows one Korean family through the generations, beginning in early 1900s Korea with Sunja, the prized daughter of a poor yet proud family, whose unplanned pregnancy threatens to shame them all. Deserted by her lover, Sunja is saved when a young tubercular minister offers to marry and bring her to Japan.

So begins a sweeping saga of an exceptional family in exile from its homeland and caught in the indifferent arc of history. Through desperate struggles and hard-won triumphs, its members are bound together by deep roots as they face enduring questions of faith, family, and identity.

I learned so much from this book. I haven’t read very much about immigration and racism outside of the United States, and this book opened my eyes to a great deal of history I didn’t know. I really enjoy multigenerational family sagas. I read this book as my selection for the Book Voyage Challenge’s book set in North Asia. I read these last two books out of order, as I mistakenly thought the book set in South Asia was for April, but it was actually the book set in North Asia.

Reading Roundup: May-June 2021The Fortune Cookie Chronicles: Adventures in the World of Chinese Food by Jennifer 8. Lee
Published by Twelve on March 23, 2009
Genres: Cooking, History
Pages: 320
Format: Paperback
Buy on Amazon
Goodreads
four-stars

If you think McDonald's is the most ubiquitous restaurant experience in America, consider that there are more Chinese restaurants in America than McDonalds, Burger Kings, and Wendys combined. New York Times reporter and Chinese-American (or American-born Chinese). In her search, Jennifer 8 Lee traces the history of Chinese-American experience through the lens of the food. In a compelling blend of sociology and history, Jenny Lee exposes the indentured servitude Chinese restaurants expect from illegal immigrant chefs, investigates the relationship between Jews and Chinese food, and weaves a personal narrative about her own relationship with Chinese food.

The Fortune Cookie Chronicles speaks to the immigrant experience as a whole, and the way it has shaped our country.

This book was given to me in a wonderful book swap I participated in via Twitter. I probably never would have picked it for myself, even though I love reading food histories. I learned a lot in this book, not the least America’s adoption of Chinese-American cuisine. I knew some of the fraught history with immigration, but there was still much to learn on that front as well.

I also re-read King Lear and A Thousand Acres.