Top Ten Tuesday adapted from http://www.flickr.com/photos/ceasedesist/4812981497/

Top Ten Best/Worst Book to Movie Adaptations

Top Ten Tuesday adapted from http://www.flickr.com/photos/ceasedesist/4812981497/This week’s Top Ten Tuesday is all about book to movie adaptations. Oh, this is a hard one. I will start with the best ones. Links go to the movies’ IMDb profiles.

  1. Brokeback Mountain the movie is even better than Annie Proulx’s short story. Proulx doesn’t develop the characters as much, and Innis and Jack’s wives are just window dressing. The movie gives the story much more depth and heart. I hardly ever say this kind of thing. The book is usually better. Which brings me to #2.
  2. The Princess Bride is another case where I think the movie is better. The book gets a little lost, but the movie stays focused. Plus the acting is just great. Easily one of the most quotable movies of all time.
  3. To Kill a Mockingbird is a great film. Not as good as the book, but really great. Everyone talks about how wonderful Gregory Peck was as Atticus Finch, and he was, but they always forget that Mary Badham was phenomenal as Scout. She was nominated for an Academy Award. She didn’t win. Probably because of her age. She was only ten years old.
  4. One Flew Over the Cuckoo’s Nest was famously reviled by Ken Kesey, who didn’t like it that you couldn’t tell the story through the eyes of the schizophrenic Chief Bromden, but the film turned in some stellar performances by some actors often known more for comedy. Great film.
  5. The Color Purple jiggled some things around, but they got the most important stuff right. I love this film all over again every time I see it.
  6. Sense and Sensibility is gorgeously shot and the acting is awesome. I like everyone in it.
  7. Pride and Prejudice, both the version with Jennifer Ehle as Elizabeth and the one with Keira Knightley.
  8. The adaptation of Louis Sachar’s novel Holes was awesome. Pretty much just like the book.
  9. I don’t know if it’s cheating to include plays, but I’m gonna. Franco Zeffirelli’s Romeo and Juliet is pretty much the gold standard of Shakespeare in film.
  10. Clueless is a pretty awesome update of Emma. I love that movie.

My choices for worst adaptations:

  1. As much as I love the Harry Potter movies, Harry Potter and the Prisoner of Azkaban hits all the wrong notes from the opening when Harry is practicing spells outside of school in a Muggle house, which everyone knows underage wizards can’t do, to the made up toad chorus and talking shrunken head, to the confusing deletion of the Marauders’ subplot that renders the movie incomprehensible unless you have read the book. And everyone looks scruffy the whole movie long. They don’t have to be as well scrubbed as when Chris Columbus directs, and I don’t mind them looking like normal teenagers, but having parts of your shirt untucked, your tie askew, and your hair mussed in every single scene? Nah. I’m blaming the director for this one because I like the others just fine (except for Michael Gambon’s performance, especially in Goblet of Fire—Dumbledore wouldn’t manhandle Harry like that). It’s a shame because it is easily one of the top books in the series.
  2. Just about every version of Wuthering Heights except this one, though to be fair, I haven’t seen the newest one with Kaya Scodelario. Why on earth people can’t get that book straightened out in film form, I do not get. Some versions cut the Hareton and Cathy part altogether. Others delete Lockwood.
  3. The Scarlet Letter with Demi Moore. What were they thinking? We were discussing the scene when Reverend Dimmesdale reveals the scarlet letter carved into his own chest and dies in one of my classes one day, and I re-read it to the class. One of my students said, “Wow, this would make a great movie.” Yeah, you’d think, but no.
  4. This version of Macbeth is pretty heinous, but I do use two scenes from it when I teach the play. They do some neat camera tilt tricks and use mirrors in a clever way in the scene when Banquo’s ghost shows up, and the opening with the three witches dressed like schoolgirls busting up a graveyard is good.
  5. The Rankin/Bass versions of The Hobbit and The Return of the King and Ralph Bakshi’s version of The Lord of the Rings. Ugh. I much prefer Peter Jackson’s adaptions despite the changes made. He takes the subject matter seriously.
  6. The Black Cauldron was ruined by Disney. I don’t blame you if you didn’t read Lloyd Alexander’s Prydain Chronicles if you thought they were like that movie. I remember dragging my mom to see it and being so disappointed.
  7. And by that same token, The Seeker adapted from Susan Cooper’s novel The Dark is Rising is heinous. I keep using that word. But it’s so true in this case. Take this one together with The Black Cauldron and there’s a fair chance kids won’t give these wonderful books steeped in Welsh myth and legend a shot at all.
  8. Their Eyes Were Watching God was pretty bad. Oh, you mean you never even knew it it existed? There is a good reason for that. I love that book. I can’t believe the film is so bad.
  9. Beowulf. Oh. My. Gosh. What the heck was that?
  10. Midnight in the Garden of Good and Evil should have been good. Kevin Spacey is in it. Clint Eastwood directed it. The Lady Chablis played herself. Instead it’s terrible. Don’t watch it.
Top Ten Tuesday adapted from http://www.flickr.com/photos/ceasedesist/4812981497/

Top Ten Most Frustrating Characters Ever

Top Ten Tuesday adapted from http://www.flickr.com/photos/ceasedesist/4812981497/

This week’s Top Ten Tuesday asks who the most frustrating characters in literature are. I know I’ve wanted to shake all of these people at some point.

  1. Father Ralph de Briccasart from The Thorn Birds. He could have been really happy with Meggie, but his ambition to rise in the Church was more important than anything else.
  2. Holden Caulfield from The Catcher in the Rye. I think Stradlater said it best when he said, “Shut up, Holden.”
  3. Catherine Earnshaw from Wuthering Heights. Oh, come on. Horrible, manipulative snot. Plays on the affections of both men who love her and drove one to vengeful madness.
  4. Willa Alden from The Wild Rose. Quit being a jerk and accept that Seamus loves you. He doesn’t care about your leg.
  5. Romeo from Romeo and Juliet. Can you dial back the impetuosity? You are ruining everyone’s lives.
  6. Pip from Great Expectations. Estella does not deserve you. Quit obsessing over her. She’s horrible.
  7. Lady Bertram from Mansfield Park. Did she get off her butt once in that novel? Because I can’t remember that she did.
  8. Lia in Wintergirls. EAT.
  9. Achilles in The Iliad. Get out of the #$%&@ tent and go fight. Hector thinks Paris is a tool, but he still stands up for his country. Hector deserves more credit. If he had been Greek instead of Trojan, he’d have had it.
  10. Captain Ahab from Moby Dick. As Starbuck says, “To be enraged with a dumb brute that acted out of blind instinct is blasphemous.” Unfortunately, Ahab doesn’t listen to him, and everyone on the ship, excepting Ishmael, of course, is killed.

Honorable mentions go to Sir Walter Eliot of Persuasion, who values all the wrong things in life; Stella in A Streetcar Named Desire, who sticks with an abusive (albeit hot, especially as played by Marlon Brando) guy who rapes her sister (for crying out loud!); Ennis Del Mar of “Brokeback Mountain,” who can’t let go of his self-hatred and allow himself to be happy with Jack Twist; Daisy Buchanan of The Great Gatsby, who is just awful; Guinevere and Lancelot in all their iterations because they just ruin everything; Tom Sawyer in The Adventures of Huckleberry Finn for being an ass and playing around with a man’s life for sport; Hamlet from Hamlet, who dithers for most of the play and then kills some of the wrong people; and finally, the doctor from The Boxcar Children—why on earth did he not call DFCS when he found out those kids were living in a boxcar? That’s nuts!

Top Ten Tuesday adapted from http://www.flickr.com/photos/ceasedesist/4812981497/

Top Ten Fictional Couples

Top Ten Tuesday adapted from http://www.flickr.com/photos/ceasedesist/4812981497/

This week’s Top Ten Tuesday is a REWIND topic, so in order to get into the spirit of the season, I elected to write about the Top Ten Fictional Couples, which was a topic originally posted September 28, 2010.

1. Elizabeth Bennet and Fitzwilliam Darcy. Naturally. I love the fact that they don’t fall in love at first sight and have to grow to love one another. And their witty barbs! I just love them as a couple.

2. Catherine Earnshaw and Heathcliff. They are so horrible. They deserve each other, and their longing to be together (and Heathcliff’s overly developed sense of vengeance) threatens everyone they know.

3. Romeo and Juliet. OK, despite what I said about liking that Lizzie and Darcy grow to love each other, I admit I’m a sucker for this teenage infatuation. Of course, it’s great fun to teach, also.

4. Jane Eyre and Edward Rochester. I like how he has to become worthy of her and that she learns she doesn’t have to settle.

5. Lt. Frederic Henry and Catherine Barkley. Ohmygosh I cried at the end of that book.

6. Tristan and Isolde. OK, it was a love potion, but man, that almost makes it worse. They didn’t have any choice but to be desperately in love!

7. Jack Twist and Ennis Del Mar. What a sad love story. Talk about star-crossed lovers. Great short story, if you haven’t read it, but I think the movie is better because the characters are more fully developed.

8. Severus Snape and Lily Evans. OK, technically not a couple because it was one-sided, but man, what devotion. Always.

9. Rhett Butler and Scarlett O’Hara. They kind of deserved each other. I think they eventually found their way back to each other, but perhaps not in the way Alexandra Ripley imagined.

10. Meggie Cleary and Father Ralph de Briccasart. Oh, in another world, they could have been together. Love them!

Who are your favorite literary couples?