the cutting season – Much Madness is Divinest Sense

I did not complete the R.I.P. Challenge this year. It’s absolutely my favorite challenge of the year, but I only managed to read one book that could be considered part of the challenge, and it wasn’t even one of the books I planned to count. By the way, I did make a soap inspired by Attica Locke’s The Cutting Season. I call it Vanilla Sugar Cane. Its ingredients are olive oil, water, coconut oil, palm oil, sodium hydroxide, sweet almond oil, cocoa butter, and castor oil, along with a vanilla sugar fragrance that is an exact duplicate of Bath & Body Works’ Warm Vanilla Sugar fragrance—one of my favorites. I can’t wait until this soap is ready.

I did not manage to finish Ray Bradbury’s Something Wicked This Way Comes, and I can’t believe I’m about to say this, but I’m giving up on it because it just didn’t do anything for me. I don’t know what’s wrong with me because it has all the elements I usually like in books: a creepy carnival visiting a small town in the fall; lots of imagery; a story that can be read on multiple levels. I think ultimately, I don’t care much for the characters. I have seen the movie (many years ago), and I liked it, so I can’t explain why the book is just not appealing to me. I find it is not difficult to put down, and I keep looking at it, thinking I should pick it up. At this point, I’ve maxed out my library renewals, and I just don’t have a desire to try to finish it. I feel like I’m giving the book the old, “It’s not you, it’s me,” speech. But I really feel like it is me. People love this book. I did make a soap inspired by Mr. Crosetti’s cotton candy. It was pink and cotton-candy scented. However, as the soap cured, it turned a deeper shade closer to purple. My feeling is it now looks like appropriately dark and twisted cotton candy, and Mr. Dark would approve. I will probably just gift it to the kids in my family for Christmas.

I enjoyed the challenge I set for myself of thinking of an appropriate soap inspired by the books I read for this challenge. I am not sure I’d want to do it for every challenge or every book, but it was fun, and just like the books, I was really pleased with how the Vanilla Sugar Cane Soap came out from the very start, and as it cures, it is shaping up into a very nice soap, just like the book. On the other hand, I was initially pleased with the Cotton Candy Soap, and over time, I found my enthusiasm cooled as the soap changed a funny color, which mirrors my feelings for the book on which I based it.

This year is shaping up to be a bad reading year for me all the way around. I am already feeling a pull to re-read [amazon asin=0143105434&text=Wuthering Heights]. I recognize the signs: I start Googling things related to the book and looking for film versions on Netflix. And I don’t have time. I have other books I’ve committed to read. That book is a damned siren.

So how did you do with the challenge this year? How’s your reading year shaping up as we slide into the final two months?

2018: Reading Year in Review

WWW Wednesdays—July 6, 2011

Good Omens

Attica Locke’s novel The Cutting Season is the story of Caren Gray, who manages the plantation Belle Vie on the shores of the Mississippi River, south of Baton Rouge, for its current owners, the Clancey family. Caren’s family and Clanceys have been entwined since the Civil War, when Caren’s ancestor Jason worked on the grounds of the plantation, cutting sugar cane, as the Clanceys’ ancestor William Tynan acted as overseer of the property. When the plantation’s owners left the plantation, it was seized by the federal government. William Tynan acquired the plantation in 1872. Jason went missing, and his ultimate fate remains a mystery. At the opening of the novel, Caren and the rest of the Belle Vie staff are preparing for another busy day at the plantation when Caren discovers the body of a young woman on the plantation grounds, near the old slave cabins. The woman turns out to be Inés Avalo, an undocumented field worker for Groveland Corporation, a large agriculture corporation that owns the fields of sugar cane that border the plantation. Caren finds herself inextricably involved in the resulting investigation, and the ghosts of the plantation’s past come back to haunt the present.

This novel is an interesting exploration of several issues: the legacy of slavery and injustice, the consequences of the growth of big agriculture, the tension between preserving history versus the economical needs of society. Caren Gray is a likable heroine, and the story moves at a good pace. The descriptions are vivid, and the atmosphere pure Southern gothic (in the best way). While the mystery alone was good, and I really wanted to keep turning pages to find out what would happen and whodunnit, I admit my favorite part of the novel was the historical aspect. I really wished that Caren had been more curious about her family history and the history of the plantation. She didn’t seem interested until looking into the past might help her understand present events. I don’t think I could have lived in a place like Belle Vie, particularly knowing my family had also lived there for generations, without being more curious. I’m not sure I found all of Caren’s connections plausible—her daughter’s father works in the Obama administration—but it did make an interesting statement about the arc of race relations in our country since the Civil War. Hurricane Katrina’s impact on the state of Louisiana also makes a small but important impression on the events in the novel.

I was interested to discover that Locke was inspired to create Belle Vie after attending an interracial wedding at Oak Alley Plantation in Vacherie, Louisiana. The idea of such a marriage in that location provoked an emotional conflict in the author, who told NPR, “I felt this tear inside—there’s no way to not feel the beauty of it because it is so stunning. But it also kind of made my stomach turn, because of what it represented.”

Rating:

Full disclosure: The publisher provided me with a copy of this book in exchange for a fair and honest review.

Because of the general mystery and gothic elements, I’m counting this book toward the R.I.P. Challenge (even though it wasn’t on my original list of challenge books) and as the modern fiction selection for the Mixing it Up Challenge. I said I would make soap inspired by each book I read for the R.I.P. Challenge, so look for my Vanilla Sugar soap (including pics) inspired by the sugar cane fields around Belle Vie some time this weekend. It won’t be ready for at least four weeks after it’s made. Biography below courtesy of TLC Book Tours.

About Attica Locke

Black Water Rising, Attica Locke’s first novel, was shortlisted for the prestigious Orange Prize in the UK in 2010. It was nominated for an Edgar Award, an NAACP Image Award, as well as a Los Angeles Times Book Prize and a Strand Magazine Critics Award. Black Water Rising was also a finalist for the Hurston-Wright Legacy Award.

Attica Locke has spent many years working as a screenwriter, penning movie and television scripts for Paramount, Warner Bros., Disney, Twentieth Century Fox, Jerry Bruckheimer Films, HBO, and Dreamworks. She was a fellow at the Sundance Institute’s Feature Filmmakers Lab and is a graduate of Northwestern University.

A native of Houston, Texas, Attica now lives in Los Angeles, California, with her husband and daughter. She is a member of the board of directors for the Library Foundation of Los Angeles. Most recently, she wrote the introduction for the UK publication of Ernest Gaines’s A Lesson Before Dying. Her second book, The Cutting Season, was published by HarperCollins / and Dennis Lehane in September 2012.

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