Review: Prince Lestat, Anne Rice

Prince Lestat: The Vampire ChroniclesAnne Rice returns to her Vampire Chronicles with Prince Lestat. Rice had said she was not going to write more vampire books, but Prince Lestat is the first in a new planned series.

As the book begins, a strange voice is speaking to many of the vampires, mostly the oldest vampires, begging them to immolate the younger vampires and “thin the herd.” Lestat hears the voice, too, and tries to shut it out. He is dragged out of seclusion by his fellow vampires, who want his help in fighting the voice.

I hesitate to summarize too much because if you’re planning to read this book, you’ll not want too much to be given away. Anne Rice is back in typical form. I have to say this line from the New York Times review of the novel captures the book well (and made me laugh): “Although this is a dreadful novel, it has to be said that the earnestness with which Rice continues to toil at her brand of pop sorcery has an odd, retro sort of charm, an aura redolent of the desperate, decadent silliness of the disco era.”

I am not sure I’d go quite so far as to call it dreadful (and keep in mind that Memnoch the Devil is the only book I have ever thrown across the room), but it’s not up to the heights of Interview with the Vampire or The Vampire Lestat. You will most likely wonder if Apple is paying Rice for product placement. All of the vampires seem to have iPhones, and they seem to use them and talk about them a lot. They also have Mac computers. Thus, I’d agree with the second part of the Times‘s description.

Lestat is his usual self in this one. You’re going to wonder about the sanity of the vampire collective at the end, if you were not already wondering. All of the oldest vampires make a reappearance here, and if you’re into world-building, you’ll learn quite a lot more about vampire origins and some of the oldest vampires, and you’ll also find out how the Talamasca came to be. As such, I had thought while reading the book that perhaps Rice was trying to answer all the open questions and call it a day. However, it’s fairly clear at the end that she’s getting her second wind. God help us all.

I kid, but not much. These books have a weird sort of charm. I sort of enjoy them at the same time as I’m rolling my eyes at Rice’s lavish description and strange tangents (Rose’s story in this one). I am not sure if I have the fortitude to brave another one, but this one wasn’t bad as far as her books go. I listened to it on audio, and the narrator, Simon Vance, was an excellent reader. I kept wondering what he thought about what he was reading, and I wondered if he were thinking the same things as I was. I do think it will appeal to anyone who wanted to know more after The Queen of the Damned.

These two reviews were pretty fair and even-handed:

Rating: ★★★☆☆
Audio Rating: ★★★★★

Dracula

While I didn’t finish Dracula in time to meet the deadline of the R.I.P. Challenge, I did finish it within days of the end of the novel’s action on November 6 of some indeterminate year. One of the things I’ve noticed about reading a book like Dracula, around which a cottage industry of adaptations, homages, and even an entire genre have sprung, is that the story in the actual book becomes altered to the point that the reader had different expectations. For instance, I had the idea that the character of Renfield had a much larger role and was a servant of Dracula’s. I didn’t realize the Count came to England, and I was surprised by Dracula’s small role in the actual novel.

The novel holds up well as a gothic tale. I wonder how it might have fared had Stoker chosen to tell it with a straight narrative rather than as a series of journals. He is constricted by what his characters are able to report. I don’t know enough about vampire tradition to know if Stoker originated some of the aspects we have come to associate with vampire narratives: the fear of garlic and Christian artifacts such as crosses, crucifixes, and the communion host; the inability to rise during the day and activity at night; and superhuman strength that grows more powerful over the ages. On the other hand, I was surprised to discover that sunlight didn’t necessarily seem to be harmful to the vampires in this novel. They avoided it, but when coffins were opened during the day to look on them, they didn’t disintegrate into dust as Anne Rice’s vampires do (and hers are not afraid of crucifixes).

I am glad I read Dracula. It is a great read for anyone interested in how the literary craving for vampires came to be, but you won’t find the seductive and charming Louis de Pointe du Lacs, Lestat de Lioncourts, or even Edward Cullens in this novel. Dracula is just a monster, and there’s nothing attractive or seductive about it.

I read Dracula with the iPhone app Classics. I usually have one book going in DailyLit, one paper book, and one iPhone book. I haven’t decided which book I’ll read next on the iPhone, but I haven’t finished Crime and Punishment on DailyLit, nor have I finished We Have Always Lived in the Castle in print.

A short update on NaNoWriMo: I am a little behind the wordcount. By the end of the day yesterday, I should have reached 11,667 words, and I am currently at 9,304. It might not seem bad to be behind by 2,363 words, especially compared with some folks who are working with larger discrepancies than that, but it also means that in order to be caught up by the end of the day today, I need to write 4,030 words. And that is a lot for one day. I’m not sure it’s going to happen, particularly as I have two grad school assignments due. But we shall see. The writing is not coming as quickly or easily as it did at first, I think because I really did sort of know how to start off. Cross your fingers for me that things pick up. I’d really like to win NaNo this year.